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Jyger’s Rant – Wonder Woman (2017 Film) (WARNING – SPOILERS)
Well, I went to see Wonder Woman yesterday as part of my birthday present. And honestly, I can say it’s one of the best experiences in the theater I’ve had in quite some time, and is easily the best DC movie I’ve seen since The Dark Knight. In fact, I was on the fence as to whether I wanted to admit this publicly or not, but…
…Yeah, I like this film better than The Dark Knight. I know that might cause disbelief in some, but I can’t help it, it’s how I feel. As such, this is gonna be a little different. I was gonna put the word “review” in the title, but honestly, there’s not a lot I’m going to be reviewing with this, especially since I want people to go see it themselves. Actually, there’re just a few points I wanna make about it, including one that’s not even really an issue with the movie…but I’ll get to that later.
So, first things first: Goddammit, does Gal Gadot nail this character. Diana in this movie is beautiful, smart, strong, and sexy. She is compassionate to a fault, yet a powerful and deadly warrior to all who cross her and leave her no other options but to fight. And to anyone confused about that, allow me to explain: Wonder Woman technically does not have a no-kill rule as Superman and Batman are SUPPOSED to. However, her willingness to kill is born out of her compassion. It’s a matter of “This person is leaving me no other choice but to do nothing, and innocents will die if I choose to do so, so if I have to take on the burden of killing someone to protect the innocent, then so be it”. And in all-out war, it’s a little easier to understand that mindset. She’s naive about how the world off her island works, but that’s understandable for obvious reasons, and in the end, she learns to accept and love humanity for both the good and the bad.
I’m still a little sour about the fact that, just like in the New 52, it turns out Diana being sculpted from clay is a lie and that she’s actually the daughter of Zeus. However, here’s the thing you need to understand about that: The lie actually makes a bit more sense here, both in why it was told and how it was revealed. Honestly, my problem was never really with Wonder Woman being a demigoddess. My problem was with the hows and whys of that change, as well as what it did to her as a character, and how it made her supporting cast look in retrospect. Here, though, it doesn’t really change much of who Wonder Woman is, and the lie is only perpetrated by Hippolyta to protect her. So it works better than it did in the comics. Would I have preferred her original origins be kept intact? Yes, but again, it still works as is, so I can’t be TOO sour about it.
One thing I actually wasn’t so bothered by, but have kind of become a little bothered by, is the race change to Doctor Poison. If you don’t know, Doctor Poison in the comics is Japanese. In fact, she was a princess in disguise, and was a character with her own agency. Here, she’s played by a Spanish woman, and it’s revealed that at least one or two of her breakthroughs in chemistry were inspired by Ares. So, yeah, that’s a problem. However, on the flip side…Look, I’m just gonna admit this: I barely knew who she was going into this movie. And that’s mainly because a lot of Wonder Woman’s rogues gallery usually get pushed aside for Cheetah, Ares, and Circe, with the occasional Veronica Cale and Giganta. I’ve heard she’s actually appeared in Wonder Woman’s new solo title, but I’m still reading through that. So one reason it actually doesn’t bother me as much as it probably should that they changed Doctor Poison so much is because now, with her appearance in this movie, I’m inspired to do my research and find out more about her. Still, it probably would’ve been better to just do the character more correctly in the first place.
I’ve pointed out to my friends in the past that I wasn’t sure if I really considered Wonder Woman’s theme in Batman v Superman to be the most fitting for the character, but I still liked it. The reason I liked it, primarily in BvS, was because it was the only freaking song in that entire Goddamn movie that got me amped for ANYTHING going on in it. But, again, wasn’t sure how well it fit the character. Hearing it again, along with some of the remixes present in this movie… … …Yeah. Yeah, I just have to accept the fact that this is this Wonder Woman’s theme song, and that I really do love this song. lol
And I suppose I should bring up a bit of an elephant in the room as it pertains to this movie. Specifically, as it turns out, Erich Ludendorff is actually a real person. And, it probably won’t shock anyone to hear that he did not die in 1918 via a sword running through him on a roof. In fact, he died of liver cancer in 1937. And, he was among those who specifically suggested the armistice in the first place. So, yeah, the movie obviously takes more than a couple of liberties with history.
But yeah, you might have noticed that all the downsides I’ve mentioned about this movie are all pretty much nitpicks. That’s because there’s really nothing about this movie that ruins it in any way, shape, or form. Really, the biggest issue I have isn’t even with the movie, but rather the studio. And if you’ve looked on comic book news sites, you probably already know this, but if you don’t, let me just explain this right now: There is a scene where Wonder Woman is going through the trenches with Steve Trevor and his team at No Man’s Land, and the whole way there, Diana is seeing the suffering the war is causing. Men, women, children, animals, all are harmed in some way, shape, or form by this war, and all the while she’s told there’s nothing she can do about it, that No Man’s Land can’t be crossed. So what does she do? She strips out of the clothes Steve got her down to her armor, and just WALKS across No Man’s Land, deflecting bullets, until she gets into a run and finally hunkers down behind her shield as the Germans start laying down fire from their multiple machine guns. This is so much gunfire that it’s left even her immobile…but that’s the point. By taking their fire upon herself, it gives Steve and the other soldiers a chance to charge the grounds and take down the Germans keeping them at bay.
So why am I bringing this scene up in such detail above all others? Well, for two reasons. One, it’s the most memorable and important scene in the movie to many who saw it, and I’ll explain why in a sec. The second is because, according to Patty Jenkins, that sequence of events almost didn’t make it into the film’s theatrical release. In her own words, “I think that in superhero movies, they fight other people, they fight villains. So when I started to really hunker in on the significance of No Man’s Land, there were a couple people who were deeply confused, wondering, like, ‘Well, what is she going to do? How many bullets can she fight?’ And I kept saying, ‘It’s not about that. This is a different scene than that. This is a scene about her becoming Wonder Woman.’”…If I may be allowed to go off on a tangent here…WHAT. THE. HELL, WB?! She had to CONVINCE the studio it needed to be in. Why didn’t they understand from the beginning how important this was? This is why I think they’ve failed with these movies up until this point, and why this scene is so important: Not only is it a scene showing Wonder Woman doing what needs to be done for her to accomplish her goals, but that one act completely turns the tide, and so Wonder Woman’s actions inspire others to do what they must. THAT is the point of DC superheroes, Superman especially: To inspire. To show the world how to save themselves. Ultimately, it comes down to something a vampire once said:
THAT’S what DC superheroes are supposed to be! Hell, it’s not even just superheroes. Even Poison Ivy, someone who is really more of an anti-hero and, even at her best, cares very little for humanity, does what she can to stop people from destroying the world, and will protect the people she DOES care for to the death. Wonder Woman is in this movie is someone who is out to save humanity, and in the end does so regardless of how bad we can be, because of how good we can be. Her actions inspire us to be better. THAT’S what Superman was once upon a time in movies. Even Batman, as tortured and clearly human as he was, could be seen as an inspiration for how a man can take that torment and darkness and turn it into something positive for humanity. Granted, it also helps a lot that he’s filthy stinking rich, but you can still see the building blocks there for how a person can take the worst of themselves and do something good with it. And I hope to God that this is the direction they take from now on, and that they don’t try to ignore the critical success that this movie has made. Hell, I’m pretty sure they’ve already learned their lesson, since despite resisting that scene, they’ve put snippets of it in every trailer I’ve seen for the movie thus far. And if they have, MAJOR kudos to them. You were late to the party, but at least you made it. And, with any luck, Justice League will be all of what made this movie great and MORE.
Oh, and lastly, I wanted to make something clear. I know I’ve given Zack Snyder a lot of hell for these movies. But, let us not forget that he was a producer on THIS film as well. He deserves credit for it, the same as his wife Deborah who was also a producer for it, the same as Patty Jenkins for directing, the same as Gal Gadot for physically bringing the character to life, the same as Chris Pine for Steve Trevor, Lucy Davis for Etta Candy, and everyone else in this movie for their performances (seriously, I can’t think of one bad performance in this movie), and the same as Geoff Johns and everyone else who worked on this movie. And, on a more personal note, I just wanted to give my most sincere condolences to Zack and Deborah for the loss of their daughter. No matter what anyone has to say about them for how they perform at their jobs, we can all agree that no parent should ever have to go through what these two have. And that’s all I have to say on the subject.
Bottom line, Wonder Woman is a great film, and if you haven’t seen it, for the love of God, it’s well worth the price of admission to go see it in theaters. And if you HAVE seen the film, let me know what you thought of it in the comments below. Play us out, 331Erock.
12 Essential DC Titles That Must Be Part Of Every Line-Up/Reboot/Etc.
Y’know, in comics, when you’re setting up line-ups of different titles to try and sell to your customers, say as part of a reboot or relaunch or whatever, it’s a good idea to keep it varied. After all, you never know when something different might stick with someone. But, at the same time, there are certain books that have a certain name value to them that need to be kept in, no matter what you’re doing. DC Comics, in particular, seems to have several of these high name value books. But which ones are the ones that I feel are the ones that MUST be kept in, regardless of what they’re doing? What books, no matter what kind of universal reboot or retooling or new direction, do I feel are the titles that should be kept around? Well, strap yourselves in, because I’m about to go over them now. These are the 12 essential DC titles I feel should be a part of every line-up. So, let’s start with an obvious one…

#1 – Action Comics
If for no other reason, Action Comics needs to be kept around for DC’s entire life-span because it’s the book that started this whole incredible ride. And because it’s been around for so long, it can provide for great anniversary moments. Hell, at this moment in time, we are coming up super close to a legitimate Action Comics #1000, and it’s frigging awesome. I would keep Action Comics running from now until the end of time if I could, and I would NEVER attempt to renumber it ever again.

#2 – Detective Comics
Same deal as Action Comics. Detective Comics has been a major staple of DC (right down to the frigging name), and is likewise creeping up on 1000 issues. This needs to keep running for as long as DC Comics does. Maybe even longer, if say someone like Marvel or whoever bought out DC and kept their characters and stories going.

#3 – Batman, #4 – Superman, and #5 – Wonder Woman
They are the three pillars of DC Comics. Let’s just be clear about that. No matter how big anyone else gets, and there are plenty of big freaking names, these are the ones that best define DC: Superman, Batman, and Wonder Woman. You do not have DC Comics if you don’t have these three characters, and they MUST have their own solo titles. Admittedly, though, Action Comics and Detective Comics of the modern day are pretty much just Superman and Batman books respectively, but at least said books also feature plenty of their supporting casts. Hell, for a time, Detective Comics primarily starred Batwoman. But yeah, these three HAVE to be around.

#6 – The Flash
Okay, I know what I just said about the Trinity, but if there was anyone else in DC that I can’t imagine the books existing without, it’s The Flash. This is probably because of the fact that he’s been central to so many major events that revolve around the Multiverse and the central continuity of the stories. Think about that: Any time there has ever been a major shake up, Barry or another Flash was in the middle of it. As such, Flash is very much a central part of DC’s legacy, and needs to continue to be as much moving forward.

#7 – Justice League
It’s the A-List group of superheroes within this universe. There is no shared universe of any sort without the Justice League. And I don’t care what you call them, be it the Justice League, Justice League of America, JLA, Justice League International, or Justice League United, there MUST be a Justice League of some sort no matter what is going on. That said, there are maybe two other teams that need just as much focus…

#8 – Birds of Prey
With so many great superheroines in the DC Universe, it’s hard to imagine there ever being a time when the Birds of Prey didn’t exist. I mean, I know there was, but I can’t imagine how or why. It’s bizarre. That said, one thing that the Birds of Prey books need to stop doing is introducing whole new male characters that no one cares about. Specifically, Condor from the New 52 version and the new Oracle in the Rebirth version. It’s infuriating. lol I would also probably use this book as a means of getting the Gotham City Sirens (Catwoman, Harley Quinn, and Poison Ivy) involved in major storylines if they didn’t have their own books. I mean, I would probably make sure they did have their own book, but again, I’m going specifically for the bare essentials here.

#9 – Teen Titans
Again, with so many younger heroes, there simply MUST be a Teen Titans (or just Titans) book at all times. Even if you rebooted back to square one, to where Dick Grayson is Robin and so on, there are still plenty of options to go with. You still have Kid Flash, Aqualad, Raven, Cyborg, Beast Boy, Starfire, so many younger heroes that would be welcome in a Titans book.

#10 – Green Lantern
Granted, this hasn’t always been the case, but Green Lantern, more than any other hero, helps to unite the events on Earth with the events throughout the universe in DC. So many cosmic heroes and villains that are brought into what goes on with Earth via connections to the Green Lantern Corps. I don’t even care which one you use (I personally prefer John Stewart, but whatever), but there MUST be a Green Lantern with their own book at some point. Hell, there are so many, each with their own unique stories, you could give the vast majority their own books.

#11 – Aquaman
Of all of the characters who have rotated in and out of the Justice League, Aquaman is one of the few that has stuck around the longest. For all the jokes people STILL sling at this guy, none of which are warranted, he remains one of DC Comics’ signature characters. And dammit, he needs to remain as such forever. He’s earned it.
So, that leaves us with #12. And, I’ll admit, this is the hardest one to decide, because whoever gets in, that means everyone else is left out as being one of the essentials, which I feel is a slight against all of them. No matter how I spin it, I’m purposely leaving out each one of the above characters who aren’t chosen as #12 as being one of the most important characters with the most important stories. And it doesn’t help that my own personal bias affects this, too. And yes, my personal bias makes me want to say Gotham City Sirens or a Stephanie Brown book. But, in the end, I have to choose what I feel would be the most important to DC’s line-up and its legacy. So, with that in mind, and I KNOW I’m gonna piss someone off with this, here is my pick for #12…

#12 – Earth 2/Justice Society
I think that one thing that’s been universally agreed upon in terms of what was lost with the New 52 was the DC Universe’s legacy. Not just where it’s headed, but where it came from as well. Both the legacy heroes who came before and are yet to come. No matter what kind of reboot or reset that happens, it’s important, for the sake of those that continue to keep up with DC, to have something that speaks to its legacy. And no team better represents DC’s legacy, where it’s been, and where it’s going, than the Justice Society. And it can be either a book set on an alternate Earth, or a book about a team that existed back in the days of the Golden Age of comics, but there MUST be a Justice Society. Ironically, at this time, Earth 2: Society has finished its run, and a Justice Society book is still in the works. Hopefully, though, DC doesn’t leave us waiting for too much longer with the latter.
And, just to be clear, if I was running DC Comics, I would of COURSE have books like Poison Ivy, Batgirl, Martian Manhunter, Gotham City Sirens, Green Arrow, Supergirl, and Secret Six going at the same time as the other twelve I’ve mentioned. They’re all important characters and stories to me. But this isn’t just about me. And besides, with the choices I gave, there’s still plenty of room to involve all of those characters and more. And, like I said at the beginning, it’s good to throw other, varied options around for the reader to pick up and see if they like it. Give different heroes and stories a chance to shine. But, at the end of the day, these are the twelve that I think NEED to survive above all others from now until whenever this crazy age of comic books comes to an end.
… … …BUT, I’m sure you all have your own picks and selections, so feel free to leave them in the comments below. Ja né!
How To Drop The Ball In Comics – The New 52
…Well, we’re finally here, folks. It’s been five years, but at last, the New 52/DC You is dead. Granted, a few of its titles are still finishing up their runs, and the new books still take place in this universe, but it’s a changed one, and, quite frankly, a VASTLY improved one in my opinion, but I’ll be going over how when I look at DC Universe Rebirth #1 (the reason I haven’t yet is because there was still some fallout from it that continues into the other Rebirth one-shots). Before that, though, I think it’s time to look back on exactly what happened with the New 52, where it went wrong, and some of the worst titles that I personally have ever read from this era. So, welcome once again to How To Drop The Ball In Comics as I, for one last time, let it all out about the New 52.
What Is It?: The New 52 was basically a way to bring in new readers who might be intimidated by 70+ years of history, likely as a means of competing more with Marvel by upping their numbers. Sound familiar? It should. It’s something that DC has tried to do a few times now. However, they never tried anything quite like this: Following the event Flashpoint, the DC Universe was rebooted to where most of the heroes of the world had only been active for about 5 years. Most of the history of the characters were either gone or changed, thus creating a blank slate to start over from scratch with new talent to tell their tales in a modern setting. Now, DC was no stranger to reboots and retcons. But, as I said, this went a bit above and beyond anything they’d ever done before. So, the question one has to ask themselves, as has been done since the beginning of this new comic universe, is the same singular word as it’s always been: Why?
How Did It Have Potential?: Really, when you get down to why DC felt the need to reboot everything, it usually leads to a common question: Are there really that many people who want to read comics but don’t because of so much continuity to go through? And the answer is…complicated. I’ve had this talk before, and as I said then, this generation is actually the luckiest when it comes to stuff like that. We have the internet, with which we can read up on all this information. Sure, we might not get EVERYTHING, but the most important details will be waiting for us. That said, there DO exist people who either don’t know where to get this information, or don’t feel obligated, for whatever reason, to read up on it, but would STILL like to get into comics. Now, personally speaking, nowadays, I’m more of a subscriber to the theory that the best way to get new readers isn’t to sweep everything under a rug, but instead to give just enough allusions to these old stories and make them sound super exciting and interesting, thus making the reader want to know more. If you wanna know where I figured THAT out, read JLA/Titans: The Technis Imperative. Or, if you can’t find it, watch Linkara’s review of it. However, I’m not blind to the views of those who would implement this strategy to get more people reading.
On top of all of that, though, there is one thing people have to consider. And I know that there are people who have forgotten this, but…there ARE some heroes who kinda got screwed over LONG before the New 52 happened, and who have since gotten a new lease on life as a result. Want an example? Okay, VIBE. Vibe was considered the worst member of the Justice League EVER. His name was practically a punch line, and he likely either would’ve remained that way or completely faded from everyone’s memory, were it not for the reboot giving Geoff Johns a chance to do something new with him. And after seeing how he worked in the New 52, I gotta say, I really like Vibe. I would gladly have him on my Justice League team. I hope he comes back again. And, likely as a result of his being brought back in the New 52, the character was also adapted into The Flash’s TV show, which has another new interpretation of him that I really like. So, yes, the reboot had potential when it came to characters like him. Also, while I’m not necessarily a fan of how Donna Troy was brought back in the New 52, I will say that I’m glad it finally gave her a definitive origin that didn’t require a road map to understand…I think, anyway. Not sure exactly how her origin works in terms of how she could’ve been a member of the Titans, but whatever. Something I’ll get into another time.
Finally, though, we have to be honest: The New 52 had good books, many of which I listed before. Also, some of the books which were of actual good quality would not or could not have worked in the old continuity. Not without their own share of heavy changes, anyway. And some of these books were so good that, when the word got out about them, they brought in new readers. You know how I know that? BECAUSE I WAS ONE OF THEM! Yeah, I was one of those people who was on the fence about actually buying comics. Sure, I was a fan of many of the characters long before that, but that was mostly via their TV shows, movies, video games, stuff I learned through Atop The Fourth Wall, and just word of mouth. But when the reboot came, I saw it as an opportunity to get into comics, starting with Scott Snyder’s Batman, and I’ve been buying comics ever since. And a few characters DID eventually get put over as new stars. Harley Quinn is one of the top characters in DC right now, and has been outed as bisexual in her own book, meaning she is one of the most high-profile LGBT characters in comics. Speaking of, Batwoman got her own monthly title. Granted, she was already the star of Detective Comics for a while, but here, she had her own self-titled story. So, yes, we have to accept the fact that, in some ways, THE NEW 52 DID SEE SUCCESS… … … … …Now for the half-to-three-quarters empty.
How Did It Drop The Ball?: Well, before I get to that, I wanna show you something. Before writing this article, I went out on Twitter and asked a few people, if they could sum up exactly what went wrong with the New 52 in about 10 words or so, what those words would be. Let’s see what they had to say, shall we?
To be fair, though, one person I asked also had THIS to say…
…And yeah, that’s a legit concern to have, one that I’ll address when I get to DC Rebirth. Regardless, I can’t help but agree with the other responses, too. So, let’s start with the obvious one: What the loss of the past continuity cost us. Well, for starters, at the beginning of the New 52 (so the first 52 books printed), there was no Wally West, Donna Troy, Stephanie Brown, Cassandra Cain, the VAST majority of the JSA, Aqualad (either of them), and several other legacy heroes. Dick Grayson was back to being Nightwing. Bart Allen was the only Kid Flash. Cassandra Sandsmark was the only Wonder Girl. Barbara Gordon was the only Batgirl, was only in a wheelchair for a couple of years (give or take), and was suggested to have never been Oracle. There was no Young Justice team. The Outsiders were forced underground and were ultimately forgotten for a time. Cyborg was never a Teen Titan, instead taking Martian Manhunter’s place as a founding member of the Justice League. Martian Manhunter was more or less made into a hero everyone had trust issues with and would freely mindwipe others at a whim. Aquaman and Mera weren’t married, although no one apparently thought to tell Geoff Johns that while he was writing. Also, the Teen Titans never existed before Tim Drake’s new team, but again, apparently no one told Scott Lobdell. Roy Harper never had Lian, nor did he ever become Red Arrow, and instead became an anti-hero working with Jason Todd. Batman never revealed his identity to Catwoman, and instead the two were just having sex on rooftops. No one knew where the frak Renée Montoya was. But probably the most damning of all, Clark Kent and Lois Lane were never married, nor in a relationship.
But even beyond stuff that no longer happened due to the loss of past continuity, there were other retcons passed around throughout the New 52 that either didn’t make sense, came outta nowhere, or just served to piss people off. I’ve already gone over stuff like what happened to Wonder Woman, Starfire, and Martian Manhunter, but it didn’t end there. The Phantom Stranger was made to be Judas Iscariot. The Question was… … …I have no idea what the hell the Question was supposed to be, honestly. Tim Drake didn’t find out Batman’s identity and become Robin out of a need to help him, but instead failed to figure out who he was and instead forced his hand by messing with Penguin and almost getting his parents killed. Supergirl’s dad became the New 52 Cyborg Superman, which apparently is still canon in Rebirth for some reason. Billy Batson was turned into a little asshole who never shuts his gob. Roy Harper got a STUPID trucker hat that he refused to take off for some reason. Jason Todd’s back-story was changed to where Joker apparently set up his life to turn out exactly as it did to where he was killed and brought back. Mr. Freeze was never married to Nora, but instead was obsessed with her because of stuff relating to the cold and his mother that just makes my skin crawl. Overall, though, most of these changes and several others served for a single purpose: To make the DC Universe darker, and the stories were more often than not reflective of this, oftentimes filled with lots of sex and violence.
More than all of that, though, where I think the New 52 fails most in terms of stories is just on a sheer conceptual level. You’ll recall that I said the reboot was meant to put everything back to a clean slate. Here’s the problem: Some events in the past continuity did still happen. Several moments in DC’s history were condensed down into a much smaller time frame that made less sense the more one thought about it. Supposedly, events like Hal Jordan becoming Parallax, Blackest Night, and Batman being sent through time and believed dead still happened, but several key people involved weren’t, and the exact details of how it happened were changed. All the male Robins still exist (though Tim Drake was apparently never Robin and instead was always Red Robin), all within the span of 5 (later changed to approximately 10) years. Barbara Gordon was still shot by the Joker. Kyle Rayner’s girlfriend was still murdered and stuffed into a fridge (which, of all things to wipe away, why did THAT have to remain canon?! o.O). And, on top of all of this, some things happened, others didn’t, and not only was DC quiet about what did and didn’t happen, but they failed to give memos to the people WRITING THE STORIES about what was and wasn’t in canon. Like I said before, guys like Geoff Johns and Scott Lobdell, who were given high-profile books, weren’t informed of certain details. The first issues of Red Hood And The Outlaws and Teen Titans clearly made reference to past Titans teams, only to later learn that, supposedly, there were no previous Titans. I honestly have NO idea if Superman being killed by Doomsday is still canon or not. Heroes like Plastic Man and Miss Martian were referenced in the first issues of Justice League International and Teen Titans, only for it to be retconned that they never existed. George Pérez had to quit after six issues of Superman after repeated failures of being informed of details about Superman’s new status quo in this new universe. And I’m sure there are other instances of stuff like this that I’m not thinking of.
If you haven’t put it together by now, a major problem with the New 52 was mismanagement, and it wasn’t just a problem with the stories, either. Ask any of the talent that have left DC within the past five years, and you’ll probably get a similar story of broken promises and last-minute changes. Many left their stories unfinished as a result. In particular, Andy Diggle left the company before the first issue of his run on Action Comics ever even hit the stands. I think probably the one that still gets me is the controversy involving Batwoman, and I’ve gone over this before, but here’s as quick a summary of what happened as I can do. In September of 2013, J. H. Williams III and W. Haden Blackman went public with the fact that they were leaving Batwoman, starting with issue 26. Why? Well, because of last-minute changes to stuff they had planned, specifically that they were told that Batwoman and Maggie Sawyer, who had just recently gotten engaged in the book, would never be allowed to get married. According to Dan DiDio, superheroes shouldn’t be married because being happy would undermine their angst and turmoil, and would compromise their commitment to being superheroes. Now, apparently, DiDio claims this is only to do specifically with the Bat-related characters, but if you’ll recall, neither Superman nor Aquaman were married, either. In fact, the only superhero seemingly still with a family was Animal Man. So while DiDio says it was only a Bat Family thing, I think it’s more likely that he doesn’t like the idea of superheroes being married, for one reason or another. This is evidenced further by notes of his going back as far as Infinite Crisis, where it’s clear he wanted to break up Clark Kent and Lois Lane for YEARS. But hey, I’m not in charge of DC Comics. I don’t have any say in what goes on. So maybe Dan DiDio DOES know better than me. But, if that’s the case, can I ask a simple question? And it’s one I’ve asked for years now and never gotten a good answer for: If Batwoman getting married was such a problem, then why was it ever given the green light to begin with? Why were they ever allowed to get engaged? You could’ve avoided all of this and the controversy that followed if you’d simply suggested against this move to begin with in a calm and rational tone, and instead worked out something different with Williams and Blackman.
Speaking of the controversy involving Batwoman, that leads me to another issue: The women of DC. And that’s not just the characters. That said, here’s a list of just SOME of the examples of violence and fridging towards women in the New 52 (though PLEASE be aware that these are horribly graphic in many cases, so read at your own discretion): Link. Beyond that, though, there was an overall lack of female creators working for DC at the beginning. I think the official figures were that the female creators at DC had dropped from 12% to 1%. And we’ve got more now, but it’s still a rather small number. And probably the most high-profile among those at the beginning was Gail Simone. Only, guess what? There’s controversy there, too, not only because Secret Six, a best seller at DC before the reboot, was cancelled, not only because the book she’d be working on, Batgirl, had Barbara Gordon taken out of the wheelchair and claimed to have never been Oracle, a move that ticked off a LOT of people, but because she was, in December of 2012, fired from Batgirl via e-mail (which was later suggested to be inaccurate or untrue, but who knows at this point), despite the fact that she’d made the book work and be a top-seller in the face of everything working against it. Granted, she was hired back 12 days later, but I honestly feel that’s only because her firing got SO public that DC was basically becoming a lightning rod of hate. But again, guess what? She eventually left the book AGAIN, and then went on to write a rebooted Secret Six, which is, again, getting cancelled. Maybe it’ll be back in Rebirth someday down the road, I don’t know, we’ll just have to wait and see.
And lastly, I was GOING to include a list of my 5 Least Favourite Books of the New 52. However, I’ve decided not to because, at this point, you should probably have a good idea as to which books I didn’t like and which ones outright pissed me off. Maybe I’ll go back and do it later if I REALLY feel the need to, but for now, here’s just a quick rundown of the books I didn’t like, hated, or just had problems with.
Batman The Dark Knight: A horrible and nonsensical opening arc, and then later, the AWFUL killing of Batman’s love interest at the time. Even excluding those, though, it just wasn’t good.
Action Comics/Superman: The character was just not as likable or inspiring as he could be, even with the reboot, and later became crossover event after crossover event.
The Fury of Firestorm: Sorry, Gail, but every great writer’s gotta have at least one bomb, and this was just terrible.
Detective Comics: The book started off with Joker getting his face cut off just to set the stage for a story written one year later in another book…Do I even need to SAY anything else after that? Even when it was good, it always felt like it was just the other Batman book.
Teen Titans: Even if Scott WASN’T a sub-par writer, the lack of communication with editorial over what was and wasn’t canon ruined it in the beginning. The second volume started off promising, but later delved into being just bad. Overall, both volumes have kinda ruined Tim Drake as a credible leader. Still, I really like Bunker and hope he returns in Rebirth.
Wonder Woman: Massive retcons to Wonder Woman’s origins and the Amazons, and was later given to the Finches, who frankly just do not get the character.
Justice League of America: Existed solely as lead-in to Trinity War, and was later scrapped and reworked into the superior Justice League United. There’s also a JLA book going on right now that involves the seven main members of the Justice League going up against Rao, but I haven’t been following, and apparently, the book has been outright plagued with delays and cancellations.
The Movement: …I DID mention that I really like Gail Simone, right? 😀 …Okay, to be fair, I actually really liked the characters, but the overall story structure seemed problematic. Maybe it was just me, though. I’d actually be fine with this title coming back someday, or maybe the characters making comebacks, especially Vengeance Moth and Virtue.
Superman/Wonder Woman: Would’ve been fine if it was just about the two teaming up to fight bad guys, except it was far more about the two’s relationship that many were sick of already, and later existed solely to further the crossover events involving the other Superman-related books.
Birds of Prey: Started off okay, and had a new fan favourite bisexual character in Starling and put Poison Ivy on her more heroically inclined path, but it quickly fell completely apart, particularly when both aforementioned characters had heel turns and left the group.
Nightwing: While I personally enjoyed the book, it had a problem that a lot of other books frequently involved in crossover events had, in that there was rarely if ever a status quo to become invested in.
Red Hood And The Outlaws: The only reason I can fathom as to why this book is being brought back for Rebirth is as a means to keep Scott Lobdell away from anything else. That said, at least it won’t involve Starfire and Roy Harper anymore, who are returning to the Titans books.
Earth 2/World’s End/Earth 2 Society: Earth 2 started off promising, but then Dan Wilson took over, and the ship was pretty much sunk in every conceivable way. Dan Abnett’s actually trying REALLY hard to make Earth 2 Society good, and you can tell he’s a good writer, but I just don’t know how or if you can save this outside of another reboot, and that’s what got us into this mess.
Harley Quinn: If this was a book that was just about Harley, that’d be one thing, but they include Poison Ivy and just do strange and stupid things with her at times (though they DID at least make it canon that these two are bisexual), and did an amnesia arc with Power Girl where the latter was utterly humiliated and degraded in more ways than one.
Futures End: Brought Terry McGinnis into the mainstream continuity just to kill him off and replace him with an alternate future version of Tim Drake. Also, was FULL of body horror, dark twists, and ultimately proved to be pointless as the future presented never happened. Still, it DID have some good tie-ins, like the Batgirl one that I’ve brought up before.
Martian Manhunter: If anyone can tell me just what in the hell happened in this book without giving me a headache, that would be much appreciated. lol
Catwoman: I don’t even. I just don’t even. The first issue has her having sex with Batman for no reason, and has gone through multiple writers and arcs, none of which seemed to be written all that well.
Black Canary: I wouldn’t call this BAD, it’s just weird seeing Dinah in a band. But, let’s be fair, that could just be a problem with me.
There’s almost certainly more I’m either not thinking of or didn’t read, but that’s enough for now. Honestly, at this point, I’m sick of ranting about the New 52. And really, this is why I decided to do this article: Just to get this all out one last time so I can move on. Because, if you’ll look back on my blog and read my DC-related articles, it’s clear that I need to move on. I can’t live in the past, especially THIS past. I need to look to the future, and while DC Rebirth has a few things I could pick out as problematic, I will say that it still looks like a VAST improvement over the New 52. In the end, all the New 52 was was just a poorly managed era of comics history, one that even those behind it have figured out was a failure, and one that I am more than happy to leave behind for brighter horizons.
So, that’s pretty much the New 52 in a nutshell. Got any stories about this era of comics or details I might’ve left out? Lemme know in the comments below, and come back later this month when I finally take a look at DC Universe Rebirth #1, and my overall thoughts on the new era going forward. Ja né!
An Idea On How To Shake Things Up In DC Comics
So, I’ve been thinking lately about ways DC could keep things interesting in their comics. More often than not, their ideas include reboots or big epic crossover events or stuff like that. And not to say that plan doesn’t work, but I don’t really think it’s necessary all the time. Instead, I had another idea on how to shake things up: Rotate villain rosters a little. Add variety to the different antagonists that show up in the books. Give us some new dream matches of heroes vs villains we either haven’t seen before or don’t see often.
For example, let’s say that some of the villains in Gotham City actually wised up and realized “Hey, this city sucks and Batman is always kicking our asses! Let’s leave this shit-hole!” Like, what if Poison Ivy decided to find her own home away from everyone to continue her research and whatnot, only to accidentally end up on Themyscira and become a recurring character in the Wonder Woman books? Or if Penguin realized he had an opportunity to become the kingpin of crime in Star City and thus became a villain in the Green Arrow books? Or Bane could go to Detroit to test the power of muscle (with illegal strength enhancement, lol) against metal by fighting Cyborg in his book? And none of these would HAVE to be permanent, so those worried that Batman would lose some of his precious and continuously expanding villains roster wouldn’t need to panic.
But hey, Batman’s not the only hero with villains to go around. And maybe everyone could just kinda swap one or two with another. Maybe Parasite could go try to absorb Flash’s connection to the Speed Force or Shazam’s incredible strength. Perhaps the Injustice Gang could try their luck at their enemies’ teenage counterparts, the Titans? Conversely, what if the Justice League had to engage in a battle of wits and strategy against arguably the devil himself, Trigon, to keep him from rising? What if Nightwing was forced into a situation where he’d have to occupy space with the man who killed him, Lex Luthor? Or hell, why not have Deathstroke, a guy with a healing factor, fight Cyborg, an old enemy from pre-Flashpoint and a guy whose body was saved by technology?
Lastly, there’re a few villains that haven’t appeared in a really long time that could be brought back under the right circumstances to fight new heroes. What if Composite Superman returned to fight the Super Sons, Jon and Damian? Perhaps Roxy Rocket could decide to try her luck at becoming a Green Lantern and become a rogue for Jessica Cruz? Or hey, Wally West is back now; how about bringing back Inertia as a rival for him?
Anyway, that’s all I got for now. If you think of any other good ones, lemme know in the comments. Ja né!
Who Should Be On The JLA Rebirth Team?
So, of the books that were revealed for Rebirth, one of them hasn’t had anything in the way of details revealed, and that’s JLA. I’m pretty sure it’s because they haven’t chosen a creative team yet, or it could be because of major game-changing events that’ll happen in the book that they don’t want put out there yet. Regardless of why, though, there’s no info, not even if it will continue to be a book about the primary seven members set in a non-specific point in time during their existence, or a brand new team altogether. If it’s the latter, though, I’m sure there are several at DC who are adding their two cents as to who could be on the team. With that said, because I am an opinionated blogger with a big mouth, here’s a list of heroes that I think would make for good members of the Justice League of America, should it prove to be a completely separate team. Please note that these suggestions are based around the individuals, not how they would operate as a team, and they don’t ALL have to be part of it (duh).

John Stewart, AKA Green Lantern
Honestly, though, any of the Earth-born Green Lanterns that don’t have their own books could work here. I just picked John because he’s my favourite. The thing is, though, that I could always justify his non-presence on a Justice League team nowadays because he was one of the main characters of the Green Lantern Corps books. However, now that book is being taken over by Hal Jordan, while Hal’s position on Earth is being given to Jessica Cruz and Simon Baz. As such, it really doesn’t feel like there’s a heck of a lot for John to do, which is a real shame. So, I would personally advise putting him on the JLA, possibly even as the leader.

Ronnie Raymond, AKA Firestorm
Well, you’re not doing anything else with him once the Legends of Tomorrow book ends, so why not? Especially now that casual viewers of the Flash TV show have been exposed to the character. It’d be a nice way to get more people to read. That said, I’m not sure exactly what’s going on with Jason in the LoT book, but I hope he isn’t being tossed aside completely.

John Henry Irons, AKA Steel
I would imagine Steel will likely be part of Superman’s Super League, but no reason he can’t pull double duty, especially since that team isn’t getting its own book, at least not yet. Plus, since Superman is gonna be busy elsewhere, and Supergirl already has her own book, it’d be good to give the inheritor to the title of Man of Steel some more exposure by having him be the member of the Superman Family to represent them on this team.

Ted Kord, AKA Blue Beetle
Again, I suppose either Ted or Jaime could work in this situation. Really, the reason I went with Ted is because I figured, since we’re getting him back anyway, might as well make the most of him, right? Plus, since I think this team could stand to NOT have Batman on it, you need someone who is smart, adaptable, strategic, and tenacious, and Ted fills that role well while also being more light-hearted than the Dark Knight. That said, much as I like the two working together, might be a good idea to not pair him with Booster Gold and have him slacking off and making get-rich-quick plans.

Mera, AKA DO NOT CALL HER AQUAWOMAN, YOU MOTHER FUCKERS
Can someone please tell me why Mera is not an official member of the Justice League? How many times does she have to stand beside them and bail them out of trouble before she gets her own official membership? And that’s just in the New 52 alone. And to anyone who thinks her powers are lame, lemme spell this out for you: How much of the world is made up of water? Better yet, how much of the HUMAN BODY is made up of water? If you don’t know why that’s terrifying, watch the episode of Avatar: The Last Airbender that deals with Bloodbending. lol

Cisco Ramon, AKA Vibe
Like Ronnie, this would be a good character to add to the book for the sake of getting the attention of those who were introduced to him via the Flash show. And frankly, I don’t understand why this character was benched after Forever Evil. I really liked the New 52 interpretation of Vibe. I actually held it up as an example of the reboot changing a hero up and doing it right. Vibe went from arguably the worst member of the Justice League to someone I would honestly want on my team at all times.

J’onn J’onzz, AKA Martian Manhunter
Seriously, after this whole thing with Mars invading Earth is over and J’onn can be free of whatever nonsense was keeping him away from the other heroes of the DCU, he needs to rejoin the League. He needs to reconnect with his fellow heroes. I’m honestly a little worried about him from a psychological standpoint of being away from them for so long. Also, what is up with DC wanting to give people arm blades nowadays? It’s just so odd an aesthetic alteration to make for both J’onn and Wonder Woman.

Luke Fox, AKA Batwing
…Let’s be honest, there’ll be a Bat on this team. And do we REALLY want Batman on EVERY team? Meanwhile, we’ve got Luke Cage, who isn’t doing anything outside of being an ally/love interest of Batgirl’s, and I don’t even know that he’ll be keeping that position in Rebirth. So why not include him here? Plus, he was one of the best parts of the newest Batman animated movie, so it would make for a nice cross-promotional move to add him to the team. Lastly, though, if he gets on the team, we totally gotta see him working with Steel. Just sayin’. 😛
Anyway, those are a few suggestions DC could go with. Got any I didn’t mention? Leave them in the comments below, and we’ll see what happens with the book in the future. Ja né!