The Problem With Over-Saturating Batman
So, I was watching Linkara’s review of Batman: The Dark Knight #1 – 3, and a thought occurred to me when he was talking about over-saturation of Batman in the New 52. Now, to answer the question, yes, that was definitely a thing in the New 52. However, on closer observation, it’s clear that it’s not JUST a New 52 thing. Even now, in Rebirth, and I’ll get more into this in June, we have three books devoted to Batman, he’s part of three team books, and he constantly cameos in other books with characters relating to him. In fact, right now in DC, there are seven books that are officially part of the Batman Family line of books, and at least ten other books that either star Batman or another Bat or Gotham related character in some way, shape, or form. That’s seventeen books right there, many of which are shipped twice monthly.
However, it actually goes beyond that. Another point people have made is that other DC characters, especially during the New 52, have been made a lot darker and more brooding, and at times have been given darker coloured costumes. In other words, more like Batman. And if you think I’m lying, rewatch the current DC Cinematic Universe movies involving Superman, and tell me he hasn’t been made a LOT more like Batman. The problem with that being that DC has less of a varied universe of characters. Thankfully, that seems to have gone down a lot with Rebirth. What has NOT, however, is that, in the team books that Batman is in, guess who is usually the one given the most highlighting and oftentimes is the one to save the day? It’s insane, and it actually makes it hard for people like me to be big Batman fans.
Here’s what a lot of people might not recognize, though: This actually hurts Batman in the long run, too. You might be wondering how in the hell that’s possible. Well, it is, and I’ll explain how that is: The more DC and Warner Bros. continue to make other characters be more like Batman, the darker and more assholish (AKA more like when Frank Miller writes him) they have in turn made Batman in an attempt to keep him distinct. Furthermore, the more they over-saturate the character, especially now that he’s so over-the-top dark and an asshole, the more people are gonna be turned off by him. Yes, he’s still selling great, but how long is that going to last? Again, I’ll go over this more in June, but suffice to say, Batman in his solo-title written by Tom King is a complete dickhole, and while past writers have taken him beyond the usual constraints of a human being (and thus missing the point of his character entirely), there was a SEVERE bullshit moment during the I Am Suicide arc. The biggest reason people are still buying is due to the legacy of the character, not what he’s doing right now. So yeah, it’s working out great for him now, but one has to wonder for how long.
Anyway, those are my own thoughts on the matter, but what about you, the readers? Let me know what you think in the comments below, and we’ll see how things change in the future. Ja né!
DC Rebirth – My Thoughts, Hopes, and Expectations
“I love this world. But there’s something missing.” By now, the current crop of DC Comics fans should be well acquainted with these words. They’re the words of a hero whose return to the DC Universe has brought back life, optimism, and legacy to it. His name is Wally West, and he is the fastest man alive… … …aaannd he’s wearing some pretty awesome new threads. ^_^
With the end of The New 52 this past June (happy birthday to me, btw, lol), a new era has begun in DC Comics. While it continues telling the story of the universe established at the end of Flashpoint, it’s nonetheless balanced things out to be more similar to how it was prior to the reboot, as well as set up the groundwork for some big stories in the future. It’s also helped to establish exactly how and why the characters and their stories are different from how they once were. This is DC Rebirth.
DC Rebirth officially started with DC Universe Rebirth #1. However, the seeds of what would become Rebirth were planted almost exactly one year beforehand during DC Convergence. In that story, several pre-Flashpoint worlds were reintroduced, and the events that led to the collapse of the original Multiverse were undone, causing it to become infinite in size once again (though with the currently established Multiverse at the center). In the year that followed, several stories followed up on those events. In particular, we learned that the pre-Flashpoint Clark Kent, his wife Lois, and their new son Jon had all someone been transported to the current Earth 0, AKA Prime Earth. Furthermore, as a result of events in Justice League and his main books, the New 52 Superman found himself dying and, before the end came, asked his pre-Flashpoint counterpart to continue protecting the Earth in his stead. This brings us to today, where Clark is Superman once again, and his son Jon is the new Superboy…and there’s another Clark Kent who has no powers who may or may not be the New 52 Superman, I’m honestly not sure what that’s all about. We’re supposed to get an explanation in March, though.
Another thing that happened in the year between Convergence and Rebirth was the return of the Titans. Basically, it was retconned that the original Titans team really DID exist (although how is anyone’s guess when one considers the backstory of the New 52 Donna Troy, and that’s ALL I’m going to say about that, lol), but that they all lost their memories of ever having been a team. After a while, they finally all came back together, minus one individual who they knew was missing but couldn’t pin a face or a name to. Luckily, as it turned out, they wouldn’t have to wait long.
Anyway, those were all big parts of the Rebirth, but the official era didn’t actually kick off until DC Universe Rebirth #1. In it, we see the pre-Flashpoint Wally West has apparently been trapped in the Speed Force, is regressed in age by a few years, and is back in his Kid Flash costume. Also, it turns out that he and the New 52 Wally West are cousins. Might seem like a bit of a stretch, but I have both a brother and a half brother named Randy, so I can tell you from past experience, it ain’t impossible…though it IS confusing. But more of a big deal is the fact that nobody remembers him. He keeps trying to remove himself from the Speed Force by making contact with people he knew, but without that connection, he keeps falling back. Even Linda Park doesn’t remember him. Finally, he appears to Barry Allen, ready to disappear, but at the last possible moment, Barry remembers him and pulls him back into the world. After five years, Wally West has returned.
Wally gives some exposition, and between it and stuff we can make guess work at, we learn that someone has literally taken away 10 years of history. At this exact moment, we don’t know how, why, or which 10 years exactly were the ones taken. We don’t even know if they were 10 full years or just bits of time here and there that added up to 10 years. But here’s what we do know: The New 52 DC Universe is essentially the same universe that existed prior to Flashpoint, just with those 10 years taken away. That’s the biggest contributing factor as to why this universe is so different. Because, without certain key moments that occurred during those 10 years, relationships were either changed or outright erased, characters were de-aged, and several other contributing factors occurred to completely mess with peoples’ lives, who they were, and what they meant to the universe at large.
Now, with that said, you might ask “But Jyger, wasn’t the reason the DC Universe was changed was because of Barry’s traveling through time and Pandora’s merging elements of the Wildstorm and Vertigo universes with it?”, to which I reply “Yes, that WAS the reason given”… … …Ugh, okay, let’s TRY and unravel this, shall we? So, first off, let’s assume for the moment that this isn’t just a blatant retcon (although, let’s be honest, it probably is). If I had to make a guess at what happened, it’s that someone took advantage of Barry’s breaking the time barrier and used that opportunity, when history itself was vulnerable, to remove 10 years. Pandora, seeing what had happened, decided to strengthen the now weakened universe by fusing it with the Wildstorm and Vertigo universes. That, I THINK, is what has happened here: That, while having some cosmetic differences and whatnot, the New 52 Universe wouldn’t have been AS different as it has been without the loss of that decade worth of history. Oh, and speaking of Pandora, during the events of DC Universe Rebirth #1, she was apparently fried…in a very familiar fashion, but I’ll get to that in a moment. Also, because of certain other events going on in some of the newer stories, I have my doubts that she’s really gone.
Anyway, other stuff happened in DC Universe Rebirth #1 that has started to balance things out to be more like the previous continuity. For starters, Aquaman proposed to Mera, so we can finally put it to rest as to the nature of their relationship. Green Arrow and Black Canary met up during an investigation into New 52 Supes’ death and were left with a feeling like something was missing from their lives, which is being explored in the current Green Arrow book where the two are finally tag-teaming against criminals and dating again, except without the baggage of some of the shittier things Ollie did while they were involved in the previous continuity. And characters like Ryan Choi, Jackson Hyde, Ted Kord, Johnny Thunder, and Saturn Girl were given their appropriate reintroduction to the universe (okay, technically, we’d seen Ted beforehand, but now he’s working with Jaime as he should be).
In the midst of all of that, though, we found ourselves with hints of what was to come. Batman was seen investigating the revelation that there are apparently three Jokers…and yeah, not sure what to make of that, other than the fact that, with the Silver Age Joker supposedly coming back as his own character, we’ll at least have a Joker who is FUN again. Superman was visited by a figure known as Mr. Oz, who we’ve actually seen in the Superman books of the New 52 before, and who gave some rather cryptic remarks regarding the nature of both Supermen’s existence. Like the new Clark, we’re supposed to get some more info on Oz in March, and we’ve even seen him in the newer Detective Comics issues as well. Damian Wayne, the current Robin, turned 13, hinting toward his future alignment with the Teen Titans. Doctor Fate (Kent Nelson) let Ted Kord know that the Scarab is actually magic…because, for some reason, we’ve now gone backwards through retcons. Seriously, I don’t get why they switched BACK to the Scarab being magical in nature, other than as a means to involve Doctor Fate, and with the Justice Society apparently coming back soon, it’s not really necessary. We learned for absolute certain that New 52 Wally West is a speedster, and pre-Flashpoint Wally gave his blessing for him to be the new Kid Flash, which I’m actually fine with. Now that we’ve established the two as completely separate characters, New Wally is free to be his own character. And we found out that Jessica Cruz, the newest Green Lantern of Space Sector 2814 will be having to work directly with Simon Baz, AKA the one Green Lantern who carries a gun.
However, all of that paled in comparison to the big reveal. After being brought back from the Speed Force by Barry, Wally told him everything he knew about the current situation and how he felt this wasn’t completely Barry’s fault. In the end, though, he couldn’t place a face or a name to whoever was responsible for taking away time. However, it seems he may have left a clue nonetheless, as Batman investigated where Wally had originally appeared in the Batcave, and found something embedded in the stone wall: A single smiley face button with a drop of blood smeared across it. And so, the story ended with the image of a watch on Mars, along with the following familiar dialogue…
“I did the right thing, didn’t I? It all worked out in the end.”
“In the end? Nothing ends, Adrian. Nothing ever ends.”
…Yup, turns out the culprit is none other than Doctor Manhattan. How and why is still unknown. Hell, for all we know, Jon didn’t even do so intentionally. However, considering the all-too-familiar method by which Pandora was killed (as well as Owlman and Metron at the end of Darkseid War, and yes I AM still planning to do a full review of that someday), chances are he’s very much doing this blatantly. But regardless, we do have a reason for Doctor Manhattan’s inclusion from a meta standpoint: Simply put, there are a LOT of writers out there who look at a book like Watchmen and think that the reason it was great was because it was dark and dire, so they try to copy that approach, not understanding that dark stories don’t automatically equal something good. As far as I can tell, between what’s being presented and what Geoff Johns has said in interviews since the release of the comic, Doctor Manhattan is basically being cast as just that: Someone who doesn’t understand that the way his dark story is being written doesn’t work. Of course, no one bothers to mention that Geoff Johns himself has done this in the past, whether he realizes it or not, but he still has a good enough idea as to how things are supposed to work and how characters are supposed to behave that I trust him with this. How exactly that gels with what happened at the end of Watchmen is yet to be seen, but between his involvement and the dialogue at the end of the book, I think we might just know who exactly “Mr. Oz” really is, who has since abducted both Doomsday and Tim Drake for reasons that are currently a mystery. Personally, I’m kind of expecting to see this resolve in some big DC Rebirth vs Watchmen event. How that’ll play out, and just to what degree will its existence piss off Alan Moore, is still a mystery, but it’s still likely to happen nonetheless. Hopefully, they take their time building to it.
So, at this point, you’re probably thinking “Well, that all sounds well and good, but if that’s the case, then why in the hell has it taken you this long to discuss Rebirth?”. And…yeah, I fully admit that I kind of procrastinated at that. However, in the end, I’m kinda glad I did. Why? Because it gave me something POSITIVE to talk about at the end of the year, and as I alluded to the other day, there hasn’t really been a lot positive to discuss regarding 2016. And while Rebirth hasn’t been perfect, and there are still some issues from the previous era left to iron out, it’s most definitely been an improvement, and I’d likely consider it the best thing to happen in comics this entire year. I’ll probably go more into detail as to some of the ups and downs of Rebirth once it’s a year old…at which point, I’ll be 32 years old…God, I’m ancient. But, for now, stuff like seeing the Titans and the Birds of Prey back together, the pre-Flashpoint Superman training his son, Dick Grayson being Nightwing again, Barry teaming with the new Kid Flash, and Wonder Woman being written by Greg Rucka again (who is fixing EVERYTHING that went wrong with her in the New 52, btw) are all major pluses. Oh yeah, and they’re also hinting at the return of the Blue Lanterns, THANK GOD. You have NO idea how hard it’s been to keep optimistic about a comic book universe that seems to actively hate hope, and to see it on its way back is such a relief.
But for me, the biggest point about why Rebirth works and The New 52 didn’t is because the characters FEEL like themselves again. It’s not just the situations and circumstances, it’s WHO THEY ARE. How they act, how they respond to different situations, and so on. Everything just kind of fits again, but without excluding any of the things about The New 52 that worked. Because this isn’t about pretending The New 52 never happened. This is about putting the DC Universe back on the right path, one that isn’t devoid of hope and fun, nor forgets the lessons learned from the mistakes of yesterday. Really, the only thing about the previous era that’s been undone is the vast majority of what happened to Wonder Woman. And even then, it’s not like those events never happened, it’s more damage control for her origins and the Amazons, and it all unfolds in a way that makes sense and helps make things feel like they’re supposed to be. It’s not just that Lois and Clark are back together. It’s that Lois and Clark FEEL like Lois Lane and Clark Kent. And I hope that, in continuing with DC Rebirth, the writers and higher-ups of DC Comics remember that point and continue to learn from their past mistakes.
But hey, that’s all just my opinion. What do you think of DC Rebirth? What have some of your favourite or least favourite titles been? Lemme know in the comments, as well as how you hope to see things unfold from here, and we’ll check back in June with how Rebirth has been upon turning one year old. Ja né, and Happy New Year!
#PoisonIvyLeague Poison Ivy #6 Review + Overall Thoughts On Cycle Of Life And Death (WARNING – SPOILERS)
…Well, here we are, the last issue of Poison Ivy: Cycle of Life and Death, and what’s going to be one of, if not THE last time, I look at something from the New 52. How does it fare? Well…it’s okay, but it involves yet ANOTHER character coming in to deal with the situation, and it has a cliffhanger ending that I’m worried will never get followed up on. I mean, I get why Amy Chu felt it had to end this way, and I’ll get to that in a bit, but suffice to say, it’s a little aggravating, though it’s at least a better ending than I thought we were gonna get for a while. Anyway, before I go into what I liked and disliked about this issue and the series as a whole, I need to do a quick look at the plot for this issue, so yes, SPOILERS AHEAD.
So, long story short, it turns out Grimley was the one behind the murders and the theft of Pamela’s research, meaning Victor from issue 4 was actually working for him. While his body WAS found dead at the end of issue 2, it turns out he sort of left it behind like a cocoon. It’s also hinted that he may have been behind keeping the cops off Ivy, as well as outright stated that he put a halt to the police investigation of the lab, since her staying in the game was required for his survival. Doesn’t completely excuse the two incompetent cops, but whatever. Point is, Grimley needed Pam’s research because he found it could help battle his cancer. Unfortunately, not only has it transformed him into a monster called the Grim, but his cancer came back anyway. He needs the Sporelings’ cells to stay alive, and doesn’t care if it kills them. Luckily for Ivy, Darshan came and freed the kids from Ivy’s cage so they could help her, but that isn’t quite enough to seal the deal, so naturally, what else should happen but Swamp Thing showing up to save the day. He punches a hole through Grim, who falls on Darshan, but Darshan lives because main character shields, Grim gets back up, grabs Rose, they fight again, and then Thorn HACKS GRIM APART WITH A MACHETE and drops his pieces in the river where they dissolve for some reason. DAMN, GIRL. O_O Anyway, Darshan makes a couple of WWE gags toward Swamp Thing that made me giggle, he takes the girls back in, and Alec talks to Ivy about how she might not have thought bringing the Sporelings into the world all the way through, but that they’re her responsibility. She needs to look after them, but she can’t keep hiding them forever, and that while people like them might be unique, they aren’t alone. As such, Pam finally decides to call Harley to try to make amends, but as she goes back into the house, the Sporelings are gone. Turns out that Darshan, knowing they’d try it with or without his help, got them to the Gotham Bus Terminal without anyone spotting them and I guess provided them fare to get out of Gotham. Apparently, they realized that the cops would come looking for them after what happened in the club and have decided it’s best to take off, but it’s hinted that they also have plans to “change the world”.
So, let’s talk about what I liked about this issue specifically first. While the art team is very clearly there to fill in the work for Mann, as he was leaving to start early work on Trinity, they nonetheless pass in a decent job…Well, okay, let’s just put it this way: For a last-minute change, the art could’ve been a LOT worse. We’ve all seen how those can usually end up in the past. While you all know my issues with killing, especially in the case where Grim could be brought back as a recurring member of Ivy’s rogues gallery, I get that this is a mini-series without a guaranteed continuation later, and that it wouldn’t be the hardest thing in the world to bring him back if it does. And while I made a joke about how Darshan survived where he probably shouldn’t have been able to, I AM glad he lived, and comprehend that he understood that the girls were gonna leave Gotham with or without his help and thus did what he thought was right. Even if the ending hints that he wasn’t necessarily, it’s easy to see where he thought he was. I might’ve done the same, honestly. And I’m glad that Ivy finally decided to call Harley in the end. While I’m not always a fan of how the two are written together nowadays, I AM still a fan of their pairing, and it’s good to see Pam acknowledge that she has people in her life that she loves.
And now for what I didn’t like. First off, while it’s always awesome to see Poison Ivy and Swamp Thing kicking ass, Alec showing up kinda hijacked the plot just a little bit, especially with how easily he brought down Grim at first. That said, I was kinda hoping that, should Swamp Thing make a cameo, it would tie into the fact that Ivy was tasked with regrowing his body after what happened in Justice League United, and that maybe regrowing him led to a breakthrough that showed Ivy how she could create the Sporelings in the first place, but no such luck. Speaking of, THAT ENDING. Look, I get that Amy Chu is trying to leave us with an ending where it’s suggested that this isn’t the end, or maybe to encourage the higher-ups at DC to either let her or someone else do something more with this story, but since we don’t know for sure that there WILL be a continuation, it instead feels like…the end of Sonic SatAM, I guess is a good example. Speaking of, I think it’s hinted that the girls might be in the midst of a heel turn with that ominous final line, but again, I can’t be sure, because for all I know, we’re never gonna see them again. Also, I get what they’re thinking with leaving, but I don’t think THEY thought it all the way through. So, basically, they’re leaving because they’re worried the cops will come after them and that it’s safer for everyone if they just weren’t around. Okay… … …except now, the only suspect left is Poison Ivy, and there’s no one left to cover her trail for her. Hell, take it a step further from that, and assume they eventually link Darshan to her. Between the lab and everything else, they’ll think she was behind everything and that he was an accomplice, which could end with him going to frigging Blackgate. Alternatively, you could’ve turned yourselves in and spared those you care about by claiming full responsibility. Granted, still not a great solution, and might’ve ended with Ivy being chased by the police anyway, but still comes off as a bit more selfless and thought-out than running away.
So, overall, what are my thoughts on the Poison Ivy mini-series? Well, it’s kind of a mixed bag for me. When it does well, it does really well, but when it does poorly, it’s really aggravating to me. Granted, that could just be because of how I personally view Ivy, and how much I want her to have a good solo title, but it’s also possible that the book had problems. Members of the art team having to tag out because of work elsewhere, story elements having to be rushed and blended in together because of the nature of the book being a six-issue mini-series, kinda conflicting messages as to whether or not Pam thinks it’s okay to kill, and characters coming in to hog the spotlight. On the other hand, though, when Ivy is in the zone, it’s awesome. She’s a brilliant-minded woman, but one who is capable of making mistakes and not thinking things all the way through, which just goes to prove that she IS human. Again, Darshan was a delight, and if this DOES get an on-going later, I’d love to see him back. I’m also glad he’s not involved simply to be a love interest. The mystery, while not exactly having the best structure in terms of giving the reader a chance to piece it together themselves along the way, at least makes sense by the end, and provides Ivy with someone she could have a longtime feud with, should the writers choose to do so. So, like I said, it’s a mixed bag, but one that I think provides the potential for a far better ongoing solo title. That said, I WOULD have to insist that the book simply be called Poison Ivy. I get the need for Cycle of Life and Death here, but for the ongoing, just Poison Ivy is fine. Overall, I definitely don’t regret buying this book, and I would encourage all of you who haven’t yet and want DC to make a Poison Ivy ongoing solo-title to do so. Hell, you might even enjoy it more than me, since I maybe have a tendency to over-think certain stuff. 😛
Anyway, lemme know what you all thought of this book, and let’s hope that the sales and overall interest are good enough in the end that DC makes an ongoing Poison Ivy Rebirth title. Either way, though, for those that read this and have been members of the Poison Ivy League, remember that we made this happen. So, regardless of what’s done with this from here on out, this was nonetheless a victory where some thought it couldn’t be attained, so pat yourselves on the back for that. Ja né!
Poison Ivy: Cycle of Life and Death #6 Preview #PoisonIvyLeague
…Well, I SAID I’d like to go awhile without talking about the New 52, but as a longtime member of the Poison Ivy League, I feel obligated to share this link and then review the comic next week. So, here are the preview pages for Poison Ivy: Cycle of Life and Death #6.
- Poison Ivy and her Sporelings battle for survival in the epic final chapter of “Cycle of Life and Death”! The monster Grim makes his final move, the murderer is revealed, and Pamela Isley’s life will be forever changed! Plus, someone, or someTHING, joins the fray!
How To Drop The Ball In Comics – The New 52
…Well, we’re finally here, folks. It’s been five years, but at last, the New 52/DC You is dead. Granted, a few of its titles are still finishing up their runs, and the new books still take place in this universe, but it’s a changed one, and, quite frankly, a VASTLY improved one in my opinion, but I’ll be going over how when I look at DC Universe Rebirth #1 (the reason I haven’t yet is because there was still some fallout from it that continues into the other Rebirth one-shots). Before that, though, I think it’s time to look back on exactly what happened with the New 52, where it went wrong, and some of the worst titles that I personally have ever read from this era. So, welcome once again to How To Drop The Ball In Comics as I, for one last time, let it all out about the New 52.
What Is It?: The New 52 was basically a way to bring in new readers who might be intimidated by 70+ years of history, likely as a means of competing more with Marvel by upping their numbers. Sound familiar? It should. It’s something that DC has tried to do a few times now. However, they never tried anything quite like this: Following the event Flashpoint, the DC Universe was rebooted to where most of the heroes of the world had only been active for about 5 years. Most of the history of the characters were either gone or changed, thus creating a blank slate to start over from scratch with new talent to tell their tales in a modern setting. Now, DC was no stranger to reboots and retcons. But, as I said, this went a bit above and beyond anything they’d ever done before. So, the question one has to ask themselves, as has been done since the beginning of this new comic universe, is the same singular word as it’s always been: Why?
How Did It Have Potential?: Really, when you get down to why DC felt the need to reboot everything, it usually leads to a common question: Are there really that many people who want to read comics but don’t because of so much continuity to go through? And the answer is…complicated. I’ve had this talk before, and as I said then, this generation is actually the luckiest when it comes to stuff like that. We have the internet, with which we can read up on all this information. Sure, we might not get EVERYTHING, but the most important details will be waiting for us. That said, there DO exist people who either don’t know where to get this information, or don’t feel obligated, for whatever reason, to read up on it, but would STILL like to get into comics. Now, personally speaking, nowadays, I’m more of a subscriber to the theory that the best way to get new readers isn’t to sweep everything under a rug, but instead to give just enough allusions to these old stories and make them sound super exciting and interesting, thus making the reader want to know more. If you wanna know where I figured THAT out, read JLA/Titans: The Technis Imperative. Or, if you can’t find it, watch Linkara’s review of it. However, I’m not blind to the views of those who would implement this strategy to get more people reading.
On top of all of that, though, there is one thing people have to consider. And I know that there are people who have forgotten this, but…there ARE some heroes who kinda got screwed over LONG before the New 52 happened, and who have since gotten a new lease on life as a result. Want an example? Okay, VIBE. Vibe was considered the worst member of the Justice League EVER. His name was practically a punch line, and he likely either would’ve remained that way or completely faded from everyone’s memory, were it not for the reboot giving Geoff Johns a chance to do something new with him. And after seeing how he worked in the New 52, I gotta say, I really like Vibe. I would gladly have him on my Justice League team. I hope he comes back again. And, likely as a result of his being brought back in the New 52, the character was also adapted into The Flash’s TV show, which has another new interpretation of him that I really like. So, yes, the reboot had potential when it came to characters like him. Also, while I’m not necessarily a fan of how Donna Troy was brought back in the New 52, I will say that I’m glad it finally gave her a definitive origin that didn’t require a road map to understand…I think, anyway. Not sure exactly how her origin works in terms of how she could’ve been a member of the Titans, but whatever. Something I’ll get into another time.
Finally, though, we have to be honest: The New 52 had good books, many of which I listed before. Also, some of the books which were of actual good quality would not or could not have worked in the old continuity. Not without their own share of heavy changes, anyway. And some of these books were so good that, when the word got out about them, they brought in new readers. You know how I know that? BECAUSE I WAS ONE OF THEM! Yeah, I was one of those people who was on the fence about actually buying comics. Sure, I was a fan of many of the characters long before that, but that was mostly via their TV shows, movies, video games, stuff I learned through Atop The Fourth Wall, and just word of mouth. But when the reboot came, I saw it as an opportunity to get into comics, starting with Scott Snyder’s Batman, and I’ve been buying comics ever since. And a few characters DID eventually get put over as new stars. Harley Quinn is one of the top characters in DC right now, and has been outed as bisexual in her own book, meaning she is one of the most high-profile LGBT characters in comics. Speaking of, Batwoman got her own monthly title. Granted, she was already the star of Detective Comics for a while, but here, she had her own self-titled story. So, yes, we have to accept the fact that, in some ways, THE NEW 52 DID SEE SUCCESS… … … … …Now for the half-to-three-quarters empty.
How Did It Drop The Ball?: Well, before I get to that, I wanna show you something. Before writing this article, I went out on Twitter and asked a few people, if they could sum up exactly what went wrong with the New 52 in about 10 words or so, what those words would be. Let’s see what they had to say, shall we?
To be fair, though, one person I asked also had THIS to say…
…And yeah, that’s a legit concern to have, one that I’ll address when I get to DC Rebirth. Regardless, I can’t help but agree with the other responses, too. So, let’s start with the obvious one: What the loss of the past continuity cost us. Well, for starters, at the beginning of the New 52 (so the first 52 books printed), there was no Wally West, Donna Troy, Stephanie Brown, Cassandra Cain, the VAST majority of the JSA, Aqualad (either of them), and several other legacy heroes. Dick Grayson was back to being Nightwing. Bart Allen was the only Kid Flash. Cassandra Sandsmark was the only Wonder Girl. Barbara Gordon was the only Batgirl, was only in a wheelchair for a couple of years (give or take), and was suggested to have never been Oracle. There was no Young Justice team. The Outsiders were forced underground and were ultimately forgotten for a time. Cyborg was never a Teen Titan, instead taking Martian Manhunter’s place as a founding member of the Justice League. Martian Manhunter was more or less made into a hero everyone had trust issues with and would freely mindwipe others at a whim. Aquaman and Mera weren’t married, although no one apparently thought to tell Geoff Johns that while he was writing. Also, the Teen Titans never existed before Tim Drake’s new team, but again, apparently no one told Scott Lobdell. Roy Harper never had Lian, nor did he ever become Red Arrow, and instead became an anti-hero working with Jason Todd. Batman never revealed his identity to Catwoman, and instead the two were just having sex on rooftops. No one knew where the frak Renée Montoya was. But probably the most damning of all, Clark Kent and Lois Lane were never married, nor in a relationship.
But even beyond stuff that no longer happened due to the loss of past continuity, there were other retcons passed around throughout the New 52 that either didn’t make sense, came outta nowhere, or just served to piss people off. I’ve already gone over stuff like what happened to Wonder Woman, Starfire, and Martian Manhunter, but it didn’t end there. The Phantom Stranger was made to be Judas Iscariot. The Question was… … …I have no idea what the hell the Question was supposed to be, honestly. Tim Drake didn’t find out Batman’s identity and become Robin out of a need to help him, but instead failed to figure out who he was and instead forced his hand by messing with Penguin and almost getting his parents killed. Supergirl’s dad became the New 52 Cyborg Superman, which apparently is still canon in Rebirth for some reason. Billy Batson was turned into a little asshole who never shuts his gob. Roy Harper got a STUPID trucker hat that he refused to take off for some reason. Jason Todd’s back-story was changed to where Joker apparently set up his life to turn out exactly as it did to where he was killed and brought back. Mr. Freeze was never married to Nora, but instead was obsessed with her because of stuff relating to the cold and his mother that just makes my skin crawl. Overall, though, most of these changes and several others served for a single purpose: To make the DC Universe darker, and the stories were more often than not reflective of this, oftentimes filled with lots of sex and violence.
More than all of that, though, where I think the New 52 fails most in terms of stories is just on a sheer conceptual level. You’ll recall that I said the reboot was meant to put everything back to a clean slate. Here’s the problem: Some events in the past continuity did still happen. Several moments in DC’s history were condensed down into a much smaller time frame that made less sense the more one thought about it. Supposedly, events like Hal Jordan becoming Parallax, Blackest Night, and Batman being sent through time and believed dead still happened, but several key people involved weren’t, and the exact details of how it happened were changed. All the male Robins still exist (though Tim Drake was apparently never Robin and instead was always Red Robin), all within the span of 5 (later changed to approximately 10) years. Barbara Gordon was still shot by the Joker. Kyle Rayner’s girlfriend was still murdered and stuffed into a fridge (which, of all things to wipe away, why did THAT have to remain canon?! o.O). And, on top of all of this, some things happened, others didn’t, and not only was DC quiet about what did and didn’t happen, but they failed to give memos to the people WRITING THE STORIES about what was and wasn’t in canon. Like I said before, guys like Geoff Johns and Scott Lobdell, who were given high-profile books, weren’t informed of certain details. The first issues of Red Hood And The Outlaws and Teen Titans clearly made reference to past Titans teams, only to later learn that, supposedly, there were no previous Titans. I honestly have NO idea if Superman being killed by Doomsday is still canon or not. Heroes like Plastic Man and Miss Martian were referenced in the first issues of Justice League International and Teen Titans, only for it to be retconned that they never existed. George Pérez had to quit after six issues of Superman after repeated failures of being informed of details about Superman’s new status quo in this new universe. And I’m sure there are other instances of stuff like this that I’m not thinking of.
If you haven’t put it together by now, a major problem with the New 52 was mismanagement, and it wasn’t just a problem with the stories, either. Ask any of the talent that have left DC within the past five years, and you’ll probably get a similar story of broken promises and last-minute changes. Many left their stories unfinished as a result. In particular, Andy Diggle left the company before the first issue of his run on Action Comics ever even hit the stands. I think probably the one that still gets me is the controversy involving Batwoman, and I’ve gone over this before, but here’s as quick a summary of what happened as I can do. In September of 2013, J. H. Williams III and W. Haden Blackman went public with the fact that they were leaving Batwoman, starting with issue 26. Why? Well, because of last-minute changes to stuff they had planned, specifically that they were told that Batwoman and Maggie Sawyer, who had just recently gotten engaged in the book, would never be allowed to get married. According to Dan DiDio, superheroes shouldn’t be married because being happy would undermine their angst and turmoil, and would compromise their commitment to being superheroes. Now, apparently, DiDio claims this is only to do specifically with the Bat-related characters, but if you’ll recall, neither Superman nor Aquaman were married, either. In fact, the only superhero seemingly still with a family was Animal Man. So while DiDio says it was only a Bat Family thing, I think it’s more likely that he doesn’t like the idea of superheroes being married, for one reason or another. This is evidenced further by notes of his going back as far as Infinite Crisis, where it’s clear he wanted to break up Clark Kent and Lois Lane for YEARS. But hey, I’m not in charge of DC Comics. I don’t have any say in what goes on. So maybe Dan DiDio DOES know better than me. But, if that’s the case, can I ask a simple question? And it’s one I’ve asked for years now and never gotten a good answer for: If Batwoman getting married was such a problem, then why was it ever given the green light to begin with? Why were they ever allowed to get engaged? You could’ve avoided all of this and the controversy that followed if you’d simply suggested against this move to begin with in a calm and rational tone, and instead worked out something different with Williams and Blackman.
Speaking of the controversy involving Batwoman, that leads me to another issue: The women of DC. And that’s not just the characters. That said, here’s a list of just SOME of the examples of violence and fridging towards women in the New 52 (though PLEASE be aware that these are horribly graphic in many cases, so read at your own discretion): Link. Beyond that, though, there was an overall lack of female creators working for DC at the beginning. I think the official figures were that the female creators at DC had dropped from 12% to 1%. And we’ve got more now, but it’s still a rather small number. And probably the most high-profile among those at the beginning was Gail Simone. Only, guess what? There’s controversy there, too, not only because Secret Six, a best seller at DC before the reboot, was cancelled, not only because the book she’d be working on, Batgirl, had Barbara Gordon taken out of the wheelchair and claimed to have never been Oracle, a move that ticked off a LOT of people, but because she was, in December of 2012, fired from Batgirl via e-mail (which was later suggested to be inaccurate or untrue, but who knows at this point), despite the fact that she’d made the book work and be a top-seller in the face of everything working against it. Granted, she was hired back 12 days later, but I honestly feel that’s only because her firing got SO public that DC was basically becoming a lightning rod of hate. But again, guess what? She eventually left the book AGAIN, and then went on to write a rebooted Secret Six, which is, again, getting cancelled. Maybe it’ll be back in Rebirth someday down the road, I don’t know, we’ll just have to wait and see.
And lastly, I was GOING to include a list of my 5 Least Favourite Books of the New 52. However, I’ve decided not to because, at this point, you should probably have a good idea as to which books I didn’t like and which ones outright pissed me off. Maybe I’ll go back and do it later if I REALLY feel the need to, but for now, here’s just a quick rundown of the books I didn’t like, hated, or just had problems with.
Batman The Dark Knight: A horrible and nonsensical opening arc, and then later, the AWFUL killing of Batman’s love interest at the time. Even excluding those, though, it just wasn’t good.
Action Comics/Superman: The character was just not as likable or inspiring as he could be, even with the reboot, and later became crossover event after crossover event.
The Fury of Firestorm: Sorry, Gail, but every great writer’s gotta have at least one bomb, and this was just terrible.
Detective Comics: The book started off with Joker getting his face cut off just to set the stage for a story written one year later in another book…Do I even need to SAY anything else after that? Even when it was good, it always felt like it was just the other Batman book.
Teen Titans: Even if Scott WASN’T a sub-par writer, the lack of communication with editorial over what was and wasn’t canon ruined it in the beginning. The second volume started off promising, but later delved into being just bad. Overall, both volumes have kinda ruined Tim Drake as a credible leader. Still, I really like Bunker and hope he returns in Rebirth.
Wonder Woman: Massive retcons to Wonder Woman’s origins and the Amazons, and was later given to the Finches, who frankly just do not get the character.
Justice League of America: Existed solely as lead-in to Trinity War, and was later scrapped and reworked into the superior Justice League United. There’s also a JLA book going on right now that involves the seven main members of the Justice League going up against Rao, but I haven’t been following, and apparently, the book has been outright plagued with delays and cancellations.
The Movement: …I DID mention that I really like Gail Simone, right? 😀 …Okay, to be fair, I actually really liked the characters, but the overall story structure seemed problematic. Maybe it was just me, though. I’d actually be fine with this title coming back someday, or maybe the characters making comebacks, especially Vengeance Moth and Virtue.
Superman/Wonder Woman: Would’ve been fine if it was just about the two teaming up to fight bad guys, except it was far more about the two’s relationship that many were sick of already, and later existed solely to further the crossover events involving the other Superman-related books.
Birds of Prey: Started off okay, and had a new fan favourite bisexual character in Starling and put Poison Ivy on her more heroically inclined path, but it quickly fell completely apart, particularly when both aforementioned characters had heel turns and left the group.
Nightwing: While I personally enjoyed the book, it had a problem that a lot of other books frequently involved in crossover events had, in that there was rarely if ever a status quo to become invested in.
Red Hood And The Outlaws: The only reason I can fathom as to why this book is being brought back for Rebirth is as a means to keep Scott Lobdell away from anything else. That said, at least it won’t involve Starfire and Roy Harper anymore, who are returning to the Titans books.
Earth 2/World’s End/Earth 2 Society: Earth 2 started off promising, but then Dan Wilson took over, and the ship was pretty much sunk in every conceivable way. Dan Abnett’s actually trying REALLY hard to make Earth 2 Society good, and you can tell he’s a good writer, but I just don’t know how or if you can save this outside of another reboot, and that’s what got us into this mess.
Harley Quinn: If this was a book that was just about Harley, that’d be one thing, but they include Poison Ivy and just do strange and stupid things with her at times (though they DID at least make it canon that these two are bisexual), and did an amnesia arc with Power Girl where the latter was utterly humiliated and degraded in more ways than one.
Futures End: Brought Terry McGinnis into the mainstream continuity just to kill him off and replace him with an alternate future version of Tim Drake. Also, was FULL of body horror, dark twists, and ultimately proved to be pointless as the future presented never happened. Still, it DID have some good tie-ins, like the Batgirl one that I’ve brought up before.
Martian Manhunter: If anyone can tell me just what in the hell happened in this book without giving me a headache, that would be much appreciated. lol
Catwoman: I don’t even. I just don’t even. The first issue has her having sex with Batman for no reason, and has gone through multiple writers and arcs, none of which seemed to be written all that well.
Black Canary: I wouldn’t call this BAD, it’s just weird seeing Dinah in a band. But, let’s be fair, that could just be a problem with me.
There’s almost certainly more I’m either not thinking of or didn’t read, but that’s enough for now. Honestly, at this point, I’m sick of ranting about the New 52. And really, this is why I decided to do this article: Just to get this all out one last time so I can move on. Because, if you’ll look back on my blog and read my DC-related articles, it’s clear that I need to move on. I can’t live in the past, especially THIS past. I need to look to the future, and while DC Rebirth has a few things I could pick out as problematic, I will say that it still looks like a VAST improvement over the New 52. In the end, all the New 52 was was just a poorly managed era of comics history, one that even those behind it have figured out was a failure, and one that I am more than happy to leave behind for brighter horizons.
So, that’s pretty much the New 52 in a nutshell. Got any stories about this era of comics or details I might’ve left out? Lemme know in the comments below, and come back later this month when I finally take a look at DC Universe Rebirth #1, and my overall thoughts on the new era going forward. Ja né!
Batgirl #52 Preview
Well, Babs is leaving Burnside for a while, so it’s time for her Bon Voyage! Naturally, since she’s Batgirl, that includes stopping an attempt to destroy Gotham Academy. Here’s the preview for Batgirl #52!
- With her friends starting new lives and Burnside changing all around her, it’s time for Batgirl to decide what her next adventure will be—and it just might take her around the world!
Jyger’s Favourite 5 – 5 Favourite Series From DC’s New 52/DC YOU
Well, the New 52 is just about at its end, with DC Rebirth coming up next week and the last of the New 52 books ending over the course of the next few months. And while the New 52 has become something of a punchline for many fans, let’s not forget the good times that came with it. Let’s be honest with ourselves and admit that there WERE good books, as well as the bad. So, with that in mind, I’ve decided that, before I seriously rag on the New 52 one last time, I should really take a look at some of my favourite comics from this era. Now, keep in mind, these are JUST the ones that I read. I’m well aware of the fact that there were other good comics that came out during the past five years under the DC banner that won’t be on this list. As such, if your favourites aren’t on the list, by all means, feel free to place your own in the comments. Also, keep in mind that there are books that, while good, just weren’t the overall greats of this list. So, books like Justice League, while having arcs I liked, also had a bunch of arcs I DIDN’T like, so they just missed the cut…though I DO have a bonus round for them. lol And, of course, books that are not a part of the main line, like Sensation Comics feat. Wonder Woman don’t count. Why we couldn’t have more books like it and Legends of Wonder Woman in the main line, I dunno, but for now, let’s start with one that’s probably kinda obvious to anyone who’s read my blog for a while…
Yeah, not shocking anyone with this pick, I’m sure. Most definitely my favourite of the books starring the New 52 Superman, and it’s one of the reasons I’m actually sad to learn that he’s dying. Yes, he is arguably the most inherently flawed of the mainstream Supermen, but when you have a good writer with a good story writing him, those flaws are used in good ways. We see how this Superman is still an inspirational figure in spite of these flaws by never giving up and continuously trying to do the best he can for the world. So yeah, while I’m obviously overjoyed to see the pre-Flashpoint Superman return to active duty, along with his wife and son, there will always be a little part of me that gets nostalgic for the Superman who didn’t always get it right, but nonetheless kept trying his best, for truth and justice.
I actually feel bad because I initially was unwilling to give this book a try. Why? Because they’d seemingly undone Babs’ past as Oracle as a means to make her Batgirl again, thus taking the position away from Stephanie Brown, who was nowhere to be seen for a long time. But while all that is true, I can’t deny that this book has had some great moments. Granted, I HATED the Batgirl Wanted arc, and Black Canary’s characterization in the beginning of the Stewart/Fletcher era rubbed me the wrong way, but the rest of it has been highly enjoyable. Some of my favourite moments are probably Alysia’s wedding, the end of the Simone era when Babs called in damned near EVERY superheroine on Earth, ALL of her annuals, the tie-in to Future’s End, that time she and Strix took on vampires, it’s just been a hell of a ride, and I hope that the next volume is just as fun.
For those that never read this book, I’ll keep the recap brief: Shortly after the collapse of the government sanctioned JLA, which was secretly meant as a fail-safe against the Justice League, three of its members, Stargirl, Martian Manhunter, and Green Arrow, found themselves teaming with Supergirl, Adam and Alanna Strange, Animal Man, and newcomer Equinox, to form a new Justice League: the Justice League United, set up in Canada, and meant to protect the world from extraterrestrial and paranormal threats. Of course, right off the bat, I was excited, since…well, do you know how long I waited for my country to get their own Justice League? Was awesome. But beyond that, getting to see some of the character interactions without the dread present in the JLA book that came before it was great too (Green Arrow and Animal Man playing off each other made for some decent comedy), and there was a lot of more traditional superheroing. In the later stages of the book’s existence, the team began rotating members in and out in order to deal with different situations, regardless of which side of the law they were on. Anyone from Batgirl to Poison Ivy, Swamp Thing to Vandal Savage, and so on could be brought in depending on what the situation called for. Unfortunately, this didn’t last long before the book’s cancellation, but the JLU has since appeared during the Truth story-arc in the Superman books, giving me hope that they’ll one day return to action.
I should probably note that, when I say Convergence is a favourite of mine, I’m not talking about the main series. This is primarily because…well, I didn’t read it, and from what I’ve read, there’s not really much of anything that good, other than the restoration of the Multiverse. Oh, there’s some stuff involving the New 52 version of Earth 2, but unfortunately, that’s been a SERIOUSLY mixed bag. You wanna know more about that, go check out the blog Helena Wayne Huntress for more details. But no, what I’m referring to as one of my favourites of the New 52 is all the tie-in stuff. Granted, that could be seen as cheating for one simple reason: IT HAS NOTHING TO DO WITH THE NEW 52. The Convergence tie-ins are about giving resolution to stories that happened before the New 52, letting the heroes of ages past get one last hurrah, and even setting up for maybe a few of them to return later on. And they’re all awesome! Nightwing and Oracle get married and kick ass (not necessarily in that order, lol), Lian is brought back to life, Stephanie Brown suits up as Batgirl again, Lois and Clark have a child, the JSA return, it’s all amazing! Hell, even Scott freaking Lobdell turns in a good Blue Beetle book! I didn’t even think it was possible for him to put out anything of quality, but I guess mathematically speaking, it had to happen EVENTUALLY.
…Yyyeeeaaaahh, suppose this isn’t much of a surprise to anyone. lol While I wasn’t a fan of the story where Jim Gordon was Batman, and I found Joker to be WAY over the top in terms of unstoppable villainy is concerned, it’s really hard to not consider this book one the best of the past five years. Snyder and Capullo have simply been on fire for this era, and it’s sad to know that, at least for a while, that team of theirs is over. Although as hard as it is for me and other readers, I gotta imagine it’s even harder for them. But yeah, you guys should all know all of my favourite moments from this book, and if you don’t, I made a list of them just before the Superheavy story-arc. Point is, if you’re a Batman fan and you’ve been avoiding this book for the New 52 branding, don’t. It’s at least worth your time to check out.
So those are my favourite books of the New 52 in terms of overall quality. And now, the bonus round for all the arcs of books that I liked.
I’ve said it before and I’ll say it again: Huntress and Power Girl fighting a giant Irradiated Man in a Japanese harbour! All it needed was for Godzilla and Dragonzord to show up to make it the most beautiful thing I’d ever seen! XD
…Not to self: Review Darkseid War once the entire storyline is finished. It is easily my favourite story of the New 52 Justice League. Also, I thought Origin worked as an introduction to this new timeline, and the Amazo Virus was pretty awesome, too, and marked the point in which Geoff Johns finally found his groove with writing Wonder Woman’s character.
Cross World was great, and presented one of my all-time favourite images of Wonder Woman, and the stuff with Mongol and Toymaster is admittedly dumb fun that resolved in an awesome team-up involving Supergirl, Batgirl, Steel, Red Hood, and Krypto.
Y’know, DC, right after the engagement, I was totally gonna stick with this book. Then you called it off, the creative team left as a result, and then you did the stupid vampire thing. Just saying, you had a great thing gift-wrapped for you. I sincerely hope, though, that since Rebirth is apparently nixing the whole heroes-can’t-be-married thing, with the old Superman who is married to Lois Lane being back and Aquaman and Mera being engaged, that Batwoman finally is allowed to get married in Detective Comics.
Ultimately proved to be hit and miss, but I liked it for the most part. Could’ve done without Casey being damned near torn apart, but watching her make her badass comeback with a cybernetic arm-cannon was awesome. I mean, yeah, it’s another case of extreme violence against women in a comic, but it’s hard not to watch her in the hospital bed right after losing her arm and eye and not grin ear-to-ear when she’s still being like “Aw, fuck it, just put a giant arm-cannon on me, and I’ll fuck these guys up! And Calvin, you better make sure you haven’t completely screwed things up by the time I show up, or your ass is grass!” XD
I unfortunately can’t really justify putting Nightwing on the top 5, but that’s less to do with the quality of the stories told in it and more to do with the constantly changing status quo that was really only a thing strictly because of stuff happening in the other Bat Family books before ending due to events in Forever Evil. Oh, and as a side-note, SO glad to see that Nightwing is in blue again, but not sure where this is going with him as a member of the Court (or Parliament, I guess) of Owls.
I can’t say enough how much I adored the team-up with Power Girl. Was just great.
I feel like I MIGHT’VE put this on the list if I’d read through the entire thing and it didn’t delve into the cheesecake quite as much as it did, soooo…Eh, call it sixth, I guess. lol
Again, DC, you had me right up until Evil Superman working for Darkseid, and Thomas Wayne as Batman. Then you completely lost me. And THEN you pissed me off with World’s End and the first arc of Earth 2: Society. Seriously, like I said before, go read Helena Wayne Huntress’ blog for more details, but suffice to say, it’s been a MESS, one that I hope gets cleaned up soon. I DO recommend the Tower of Fate arc, though.
Problematic for me personally at times, but still enjoying it, and glad it’s here. 🙂
And that’s all my favourite stuff of the New 52. Like I said before, if you’ve got a book that you really liked from this era that wasn’t on here, by all means, leave your own list in the comments, and be sure to check back in the future when I go over the worst of this era. Ja né!
An Idea On How To Shake Things Up In DC Comics
So, I’ve been thinking lately about ways DC could keep things interesting in their comics. More often than not, their ideas include reboots or big epic crossover events or stuff like that. And not to say that plan doesn’t work, but I don’t really think it’s necessary all the time. Instead, I had another idea on how to shake things up: Rotate villain rosters a little. Add variety to the different antagonists that show up in the books. Give us some new dream matches of heroes vs villains we either haven’t seen before or don’t see often.
For example, let’s say that some of the villains in Gotham City actually wised up and realized “Hey, this city sucks and Batman is always kicking our asses! Let’s leave this shit-hole!” Like, what if Poison Ivy decided to find her own home away from everyone to continue her research and whatnot, only to accidentally end up on Themyscira and become a recurring character in the Wonder Woman books? Or if Penguin realized he had an opportunity to become the kingpin of crime in Star City and thus became a villain in the Green Arrow books? Or Bane could go to Detroit to test the power of muscle (with illegal strength enhancement, lol) against metal by fighting Cyborg in his book? And none of these would HAVE to be permanent, so those worried that Batman would lose some of his precious and continuously expanding villains roster wouldn’t need to panic.
But hey, Batman’s not the only hero with villains to go around. And maybe everyone could just kinda swap one or two with another. Maybe Parasite could go try to absorb Flash’s connection to the Speed Force or Shazam’s incredible strength. Perhaps the Injustice Gang could try their luck at their enemies’ teenage counterparts, the Titans? Conversely, what if the Justice League had to engage in a battle of wits and strategy against arguably the devil himself, Trigon, to keep him from rising? What if Nightwing was forced into a situation where he’d have to occupy space with the man who killed him, Lex Luthor? Or hell, why not have Deathstroke, a guy with a healing factor, fight Cyborg, an old enemy from pre-Flashpoint and a guy whose body was saved by technology?
Lastly, there’re a few villains that haven’t appeared in a really long time that could be brought back under the right circumstances to fight new heroes. What if Composite Superman returned to fight the Super Sons, Jon and Damian? Perhaps Roxy Rocket could decide to try her luck at becoming a Green Lantern and become a rogue for Jessica Cruz? Or hey, Wally West is back now; how about bringing back Inertia as a rival for him?
Anyway, that’s all I got for now. If you think of any other good ones, lemme know in the comments. Ja né!
Batgirl #50 Preview
Not gonna lie, kinda bummed these guys aren’t the new Birds of Prey, but whatever, should still be a good book, as should this. Here’s the preview for Batgirl #50.
- It’s the explosive conclusion of the epic that changed Barbara Gordon forever! The enemy lurking at the edges of Batgirl’s life has been revealed, as have the gang of heroes assembled to help her! From this point on, Batgirl doesn’t walk alone! It’s an extra-sized celebration of the greatest hero Burnside has ever known, from Cameron Stewart, Brenden Fletcher and Babs Tarr!
Poison Ivy: Cycle of Life and Death #3 Review #PoisonIvyLeague
Happy St. Patrick’s Day, everybody! And in the spirit of green, we got a Poison Ivy comic review, and…well… … … …Pinkie Pie, you wanna field this one?
Thank you. Look, I know I’m gonna get a lot of people angry at me, but overall…I have to say that this comic left me feeling not so great. That’s not to say there aren’t good things still present with this comic, but…well, let’s just get into it. Here are my thoughts on Poison Ivy: Cycle of Life and Death #3. And please keep in mind, these are just MY thoughts, so it could very well be that the problem is simply me, I don’t argue that at all.
So, lemme just start off by saying that I personally find the babies kinda adorable. I know some people disagree, but I think they’re cute. I don’t know why, I just do. I’m kinda worried we’re gonna see them eventually die and/or turn heel, though. It feels like that’d be the most likely scenario in the end, and I’d much rather they not go down that avenue. However, I will say exactly why I feel that to be the most likely ending: Because that would otherwise be a great storyline to do for the long-term and see how it affects and changes Pam, and I’m pretty sure that, as of right now, they have no plans to do stories starring Ivy in the immediate future after the end of this mini-series.
But now we gotta talk about something I know is gonna be a hot button subject: Poison Ivy seduces and kills a man from work that was hitting on her a lot, and then feeds him to her plant monsters. And as soon as I was done reading that scene, I thought to myself “I don’t know that I wanna review this comic, because I’m pretty sure I’m gonna piss somebody off, namely a good percentage of the Poison Ivy League”. And this is a group I’ve been supporting for a long time now, advertised on my blog, spotlighted however I could, and now I’m scared that, once people read this, I may need to kiss my membership goodbye. But…at the same time, this is the life I’ve chosen for myself: Writing, blogging, giving my thoughts. And if I held back on how I really felt, you wouldn’t be able to respect me. So, I have to be honest.
I did NOT like watching Poison Ivy kill that guy. Not just that she killed him, but that she then fed him to her plant monsters. I mean, it was when Ivy fed a guy to a plant that I had to call it quits on the Harley Quinn book, and I can’t say that it’s any better here just because I like one book and its creative team better than the other. I get that she is not a superhero. At times, I wish she was, but she’s not. Regardless, this is supposed to be behaviour she’s beyond. At one point in this comic, she talks about how she’d LIKE to kill two detectives (who were freaking morons, by the way), but that she’s turning over a new leaf (pun likely intended). And then 7 pages later (ads not included, and yes, I counted), she kills this guy. There’s having seasonal affective disorder, and then there’s being just plain psychotic and murderous. And yes, this is now at least two people she’s killed, the dog abuser included. And like I said before, comeuppance is one thing, and both people deserved as much. However, this is murder of two people who, while both were utter assholes and just overall terrible people, and one was technically a criminal as animal abuse is illegal, the other one was just a jerk. Why do I make a point of that specifically? Because I can see her breaking her word and killing if she really and truly felt she HAD to, or if the person was a dangerous criminal and she knows the justice system would screw the pooch on dealing with them, because she’s not a hero. But this, as I said last issue, was unnecessary, and comes off as being done either to hammer in the point that she’s not a superhero, or to come off as some kind of power fantasy for those that wish they could do something about people like this. And keep in mind, I said PEOPLE, not MEN. The fact that they’re men and she’s a woman? Has absolutely nothing to do with this. If either side had their genders reversed, or both, wouldn’t change a damned thing. So if you disagree with my opinions, that’s fine, I fully expect people to. But don’t ANYONE come at me saying that I don’t like this because of my gender or the genders of the characters involved.
So, does this mean I officially hate this series and am not buying anymore?…No. I thought this one issue was problematic at best, I have concerns for the series overall, but things can still turn around, and I wanna have faith that it will. And frankly, if I abandoned the book at the first sign of trouble, after I and so many others yelled from the rooftops for DC to make this happen, then they’d never give us anything we demand ever again. Plus, I’m interested to see where this goes with the ending, with Catwoman showing up and knowing the two will team up next issue, as well as Darshan finding out about all of this. And hey, I’m still legit curious to know the answer to the mystery and who is responsible for what’s going on. So I’m gonna stick with it. Just letting you know, though, when issue 6 comes out, I WILL be giving my thoughts on the series overall, and if I feel generally negatively about it in the end, I’ll tell you and I’ll say exactly why that is. I just hope for the sake of myself and everyone that wanted this book and all but begged for it that I feel generally positive about the book.
Anyway, those are my thoughts in general. Again, agree, disagree, go ahead. Just remember this, though: I am not someone that went into this book expecting and wanting to hate it. I wanted this as much as anybody, and I remain optimistic about the series for now. Ja né!