Well, it’s June, so it’s finally time for me to take a more in-depth look at DC Comics’ Rebirth initiative. However, the reason this is only starting now in the middle of June is because…well, there’s a lot to talk about, both good and bad, and I can’t really imagine me going over ALL of my thoughts on DC Rebirth in one article. As such, I’m gonna be talking about several specific books in their own articles, what I liked and disliked about them, and then give overall thoughts on where I think the book might be headed. And obviously, considering I’m going over the events of these books, there will be SPOILERS, so if you aren’t caught up on them and don’t want to be spoiled, turn back now. So, with that said, let’s talk about Detective Comics.
Now, first and foremost, when I heard about this book initially, I was PUMPED. Not only was it going back to the old numbering, meaning we’d be hitting #1000 relatively quickly, but just look at the cover. It’s a TEAM book, featuring some of my favourite Bat Family characters: Batman, Batwoman, Tim Drake, Stephanie Brown, Cassandra Cain… … …erm, Clayface…Yeah, I’mma get to Clayface, but suffice to say, he’s one of the elements of the book that’s both good and bad. Regardless, though, this was gonna be great… … …Then some shit happened that made me a lot less excited. But I’ll get to that later. First, let’s talk about Tim Drake, AKA Red Robin.
So one of the first things the book did was re-establish everything great about Tim Drake. He’s the brains of the Robins, the one most on par with Bruce when it comes to detective skills, and is the one who builds a lot of the tech they use in their new base of operations. Bruce also gives him a new costume that’s more closely associated with the other Robins (remember, in the New 52, Tim was never Robin, and was always Red Robin), and makes it clear to him that he ALWAYS considered him a Robin, whether Tim did or not. Even Tim’s relationship with Stephanie Brown is re-established, much to my joy. And it goes a long way in explaining why these things were re-established here when you consider that, apparently, James Tynion IV is a big fan of the character and his original solo-series. So, for fans of Tim Drake, like myself, this was a great thing to do… … …Then Tim died.
Well, okay, anyone who has read the book where Tim Drake makes his final stand knows that Tim didn’t actually die. Before he could be killed, he was basically removed from the area by Mr. Oz, a character who has been cropping up in Superman’s stories for a while now, and was made Oz’s prisoner, effectively taking Tim off the board because he was an important link to a lot of different people in the DC Universe. What Oz’s motivations for doing this are is still a mystery, and I’ll get more into that when I talk about the Superman books, but that’s the situation as is. And frankly, while that DOES annoy me, that we finally got Tim back as he should be only to lose him, the fact is, this DOES play into a bigger story that even goes outside of this one book. Oz’s plans are one of the big mysteries of DC Rebirth, and Tim is now a part of that, as we see him trying to escape, make contact with Batman, taunt Oz over the loss of other prisoners, etc. He’s not just being benched permanently, it’s part of a storyline that’s actually going somewhere. But, I wouldn’t be lying if I said that fallout from his apparent death has led to things that DO legit bother me.
Now let’s talk about Clayface. First, let me explain that I actually do like his motivations for joining Batman. For those that don’t recall, it was established in the New 52 that Karlo’s abilities had evolved to the point where he could not only assume the forms of other people, his DNA would also change to whoever he made physical contact with. However, this came at a price: He could assume the form and DNA of anyone…except Basil Karlo. So, when we first encounter him in this book, he’s basically hit rock bottom, just sitting alone at a theater showing one of his old movies and not caring for crime or if he gets sent back to Arkham or not. It’s a position that I think a lot of us can understand and would probably find ourselves in if we were in his shoes. Thus, when Batman offers him a chance to become Basil Karlo if he joins Batman’s team to help Gotham, he accepts. And as a result of that, we see him start to change. He’s regaining his humanity and is legitimately wanting to help people again as opposed to feeling forced to. It’s a well-written redemption storyline that, hopefully, won’t be undone.
Unfortunately, there’s a problem with Clayface being the one to receive this redemption arc, one that I was not privy to because, while I know a lot about No Man’s Land, I have not read it in its entirety. However, since his introduction as a member of this team, a friend of mine let me in on the fact that it was made pretty clear (if not outright stated) that Clayface raped Poison Ivy during the events of No Man’s Land. This was part of the story that led to Ivy being put in charge of Robinson Park and looking after orphaned children. And I know, I KNOW, someone’s gonna point out that this might not be in continuity anymore. And granted, that’s a legit argument. However, here’s my counter-argument: DC, while getting better at it as of late, has never made it fully clear what all is and is not canon from the pre-Flashpoint stories. So, until it’s made clear one way or the other, we don’t really know whether the events of No Man’s Land are or are not still a part of these characters’ histories. Furthermore, even if No Man’s Land and the rape are no longer canon due to it being among the ten years of history taken from the DC Universe, it still doesn’t completely erase what happened, especially since events in recent comics suggest those ten years are going to be reintegrated into main storylines. And you just can’t have it both ways by saying that all of the previous history is canon again, but that the rape never happened. Other than situations where characters couldn’t have been physically present due to not being introduced in the new continuity until much later, re-establishing the past history means it ALL happened. Now, if this was an alternate universe with its own history and incarnations of the characters, then I would say “Okay, I can overlook that”. But this ISN’T. Rebirth has made it clear that this is the same universe that existed pre-Flashpoint, just with ten years worth of history removed and elements of the WildStorm and Vertigo Universes blended in. And I’m not even saying it’s IMPOSSIBLE to do a story wherein Clayface redeems himself for those actions, it’s just that, be it because Tynion isn’t aware or forgot about that story, or either he himself or higher-ups at DC don’t care, there does not exist a story wherein Clayface at least attempts to rectify what he did to Ivy. Now, if they do so later, fine, but for now, it’s an issue that will always stick out to me. And if you think I’m wrong to feel that way, lemme ask longtime DC fans something: What was your initial reaction to seeing Doctor Light appear in the New 52 as a good guy who joined the JLA? My guess is probably revulsion, because you remembered that image of Doctor Light raping Sue Dibny, and then later being made into a serial rapist who was killed by other bad guys because even they couldn’t stomach him. You can’t simply pretend that didn’t happen when these are all still supposed to be the same characters. This is what the publisher did with the character, and you can’t simply brush it off because it’s inconvenient.
…*sighs* And, speaking of which, that leads me to probably my biggest disappointment with the book: Stephanie Brown. I have made it no secret that Steph is one of my all-time favourite superheroes, held the #1 spot for me for many years, and was the star of my favourite Batgirl title. Now, initially, I didn’t really have a problem with Stephanie in this book. It wasn’t until she left the team that I had a problem, and that wasn’t even really with her leaving the team. The thing is, Stephanie Brown finding fault and taking issue with Batman’s methods? That’s totally in character for her. They DO have differing philosophies and methodology as it pertains to helping people and dealing with crime. It’s not even that she leaves over Bruce’s tendency to inadvertently get others caught in the crossfire of his fight with villains, since it works as motivation for him to be more careful and do more to help those caught in his path. The problem is just how fucking hypocritical she acts, talking about how Gotham doesn’t need heroes when she goes out and specifically does superhero acts, all the while sabotaging Batman and saying how he shouldn’t be out in the open taking the credit. THAT is NOT in character for her. And she talks about how Batman should stick to the shadows and not let the general public in on his existence, when guess what? THAT’S EXACTLY WHAT HE USED TO DO!!! He DID stick to the shadows! He DIDN’T let people know he really existed! He was an urban legend, and the confirmed existence of him was known only to a select few. He only came out into the light when things in Gotham got SO bad that he HAD to, that his presence would’ve actually been a positive to Gotham. Then there’re hints that, in future issues, she’s gonna be teaming with Anarky. Now, Steph teaming with anti-heroes like Catwoman or the like, that makes sense. ANARKY IS A STRAIGHT-UP VILLAIN WHO KILLS PEOPLE. Her working with him makes no sense for her character. And the most insulting part of all of this is that the event that triggers it all is Tim’s supposed death, meaning it’s entirely possible none of this would’ve happened if not for the fact that her boyfriend bit the dust. Give me a fucking break!
In terms of the other characters, I like that the book makes use of people like Batwing, Azrael, and Bluebird, heroes who don’t have their own books and are able to get some stories told about them here. I also like that the book was able to tell a story that directly led into Batwoman getting her own solo title again, which is always a good thing. Batwoman is a popular and important enough character to deserve her own book, and I’m glad they’ve done so. I also like that it’s made clear that she and Bruce are equals on this team, as they should be. Not sure why they completely shaved her head at the beginning, but whatever, minor nitpick, and at least it’s growing back out again as of late.
One problem I have with the book that’s actually a bit smaller than the ones I’ve mentioned thus far is the fact that Kate’s dad was made a villain. I mean, I GUESS when you look at the story as a whole and how it unfolded, it kinda makes sense. Still, I kinda find it problematic if, for no other reason, it pushes Kate to be more like Bruce, since she now no longer has a father to go to. And frankly, the story of him going after a super-secret organization that Batman doesn’t believe exists, but then it turns out they do and that they’re a far bigger threat just makes Batman look like an idiot, especially since this isn’t even the first evil group he thought never existed and then was proven wrong about.
So, now for where I think/hope this book is going. Well, first off, it’s pretty clear that Tim being alive will come out at some point, especially with Superman apparently having to deal with Mr. Oz more directly in upcoming events. What they’ll do with him at that point is anyone’s guess, but I’d imagine him being confirmed alive will probably be what leads to Steph and Bruce resolving their issues. I honestly hope they DO actually work what happened in No Man’s Land into a story, with Clayface feeling the need to make right what he did in some way, shape, or form. CAN he be redeemed is a question everyone needs to ask themselves, but personally, I’d at least be fine with them giving it a legitimate attempt. At least acknowledge that he feels guilt over what happened. And hopefully, Kate and her father can resolve their issues as well, and WITHOUT him dying in some way. Honestly, what I think would be a good move after Tim is brought back into the fold is for Bruce to maybe take a step back and let the team do their own thing. Let us see how the group can function without Batman taking direct control of it.
One thing I’m legitimately worried about is that, with the recent reveal that the Outsiders are still canon, the team in this book will be disbanded and replaced with the Outsiders. I’m not against the Outsiders getting back together, and I would be in favour of them getting their own book or integrating this team into their ranks. However, I hope this team is not completely broken down for the sake of bringing them back. I feel like that would be a disservice to these characters.
Most importantly, though, I want Detective Comics to remain a team book. Detective Comics basically just being another Batman book in the New 52 seemed like a waste, whereas now we have actual stories we can tell with it. And, to be honest, despite everything bad I’ve said that’s happened in this book…it’s still a lot better than another Bat book I could name, which I’ll be getting to eventually. For now, lemme know what your own thoughts on Detective Comics in DC Rebirth are, and join me next time for something a bit more…wonderful. Ja né!
Well, I went to see Wonder Woman yesterday as part of my birthday present. And honestly, I can say it’s one of the best experiences in the theater I’ve had in quite some time, and is easily the best DC movie I’ve seen since The Dark Knight. In fact, I was on the fence as to whether I wanted to admit this publicly or not, but…
…Yeah, I like this film better than The Dark Knight. I know that might cause disbelief in some, but I can’t help it, it’s how I feel. As such, this is gonna be a little different. I was gonna put the word “review” in the title, but honestly, there’s not a lot I’m going to be reviewing with this, especially since I want people to go see it themselves. Actually, there’re just a few points I wanna make about it, including one that’s not even really an issue with the movie…but I’ll get to that later.
So, first things first: Goddammit, does Gal Gadot nail this character. Diana in this movie is beautiful, smart, strong, and sexy. She is compassionate to a fault, yet a powerful and deadly warrior to all who cross her and leave her no other options but to fight. And to anyone confused about that, allow me to explain: Wonder Woman technically does not have a no-kill rule as Superman and Batman are SUPPOSED to. However, her willingness to kill is born out of her compassion. It’s a matter of “This person is leaving me no other choice but to do nothing, and innocents will die if I choose to do so, so if I have to take on the burden of killing someone to protect the innocent, then so be it”. And in all-out war, it’s a little easier to understand that mindset. She’s naive about how the world off her island works, but that’s understandable for obvious reasons, and in the end, she learns to accept and love humanity for both the good and the bad.
I’m still a little sour about the fact that, just like in the New 52, it turns out Diana being sculpted from clay is a lie and that she’s actually the daughter of Zeus. However, here’s the thing you need to understand about that: The lie actually makes a bit more sense here, both in why it was told and how it was revealed. Honestly, my problem was never really with Wonder Woman being a demigoddess. My problem was with the hows and whys of that change, as well as what it did to her as a character, and how it made her supporting cast look in retrospect. Here, though, it doesn’t really change much of who Wonder Woman is, and the lie is only perpetrated by Hippolyta to protect her. So it works better than it did in the comics. Would I have preferred her original origins be kept intact? Yes, but again, it still works as is, so I can’t be TOO sour about it.
One thing I actually wasn’t so bothered by, but have kind of become a little bothered by, is the race change to Doctor Poison. If you don’t know, Doctor Poison in the comics is Japanese. In fact, she was a princess in disguise, and was a character with her own agency. Here, she’s played by a Spanish woman, and it’s revealed that at least one or two of her breakthroughs in chemistry were inspired by Ares. So, yeah, that’s a problem. However, on the flip side…Look, I’m just gonna admit this: I barely knew who she was going into this movie. And that’s mainly because a lot of Wonder Woman’s rogues gallery usually get pushed aside for Cheetah, Ares, and Circe, with the occasional Veronica Cale and Giganta. I’ve heard she’s actually appeared in Wonder Woman’s new solo title, but I’m still reading through that. So one reason it actually doesn’t bother me as much as it probably should that they changed Doctor Poison so much is because now, with her appearance in this movie, I’m inspired to do my research and find out more about her. Still, it probably would’ve been better to just do the character more correctly in the first place.
I’ve pointed out to my friends in the past that I wasn’t sure if I really considered Wonder Woman’s theme in Batman v Superman to be the most fitting for the character, but I still liked it. The reason I liked it, primarily in BvS, was because it was the only freaking song in that entire Goddamn movie that got me amped for ANYTHING going on in it. But, again, wasn’t sure how well it fit the character. Hearing it again, along with some of the remixes present in this movie… … …Yeah. Yeah, I just have to accept the fact that this is this Wonder Woman’s theme song, and that I really do love this song. lol
And I suppose I should bring up a bit of an elephant in the room as it pertains to this movie. Specifically, as it turns out, Erich Ludendorff is actually a real person. And, it probably won’t shock anyone to hear that he did not die in 1918 via a sword running through him on a roof. In fact, he died of liver cancer in 1937. And, he was among those who specifically suggested the armistice in the first place. So, yeah, the movie obviously takes more than a couple of liberties with history.
But yeah, you might have noticed that all the downsides I’ve mentioned about this movie are all pretty much nitpicks. That’s because there’s really nothing about this movie that ruins it in any way, shape, or form. Really, the biggest issue I have isn’t even with the movie, but rather the studio. And if you’ve looked on comic book news sites, you probably already know this, but if you don’t, let me just explain this right now: There is a scene where Wonder Woman is going through the trenches with Steve Trevor and his team at No Man’s Land, and the whole way there, Diana is seeing the suffering the war is causing. Men, women, children, animals, all are harmed in some way, shape, or form by this war, and all the while she’s told there’s nothing she can do about it, that No Man’s Land can’t be crossed. So what does she do? She strips out of the clothes Steve got her down to her armor, and just WALKS across No Man’s Land, deflecting bullets, until she gets into a run and finally hunkers down behind her shield as the Germans start laying down fire from their multiple machine guns. This is so much gunfire that it’s left even her immobile…but that’s the point. By taking their fire upon herself, it gives Steve and the other soldiers a chance to charge the grounds and take down the Germans keeping them at bay.
So why am I bringing this scene up in such detail above all others? Well, for two reasons. One, it’s the most memorable and important scene in the movie to many who saw it, and I’ll explain why in a sec. The second is because, according to Patty Jenkins, that sequence of events almost didn’t make it into the film’s theatrical release. In her own words, “I think that in superhero movies, they fight other people, they fight villains. So when I started to really hunker in on the significance of No Man’s Land, there were a couple people who were deeply confused, wondering, like, ‘Well, what is she going to do? How many bullets can she fight?’ And I kept saying, ‘It’s not about that. This is a different scene than that. This is a scene about her becoming Wonder Woman.’”…If I may be allowed to go off on a tangent here…WHAT. THE. HELL, WB?! She had to CONVINCE the studio it needed to be in. Why didn’t they understand from the beginning how important this was? This is why I think they’ve failed with these movies up until this point, and why this scene is so important: Not only is it a scene showing Wonder Woman doing what needs to be done for her to accomplish her goals, but that one act completely turns the tide, and so Wonder Woman’s actions inspire others to do what they must. THAT is the point of DC superheroes, Superman especially: To inspire. To show the world how to save themselves. Ultimately, it comes down to something a vampire once said:
THAT’S what DC superheroes are supposed to be! Hell, it’s not even just superheroes. Even Poison Ivy, someone who is really more of an anti-hero and, even at her best, cares very little for humanity, does what she can to stop people from destroying the world, and will protect the people she DOES care for to the death. Wonder Woman is in this movie is someone who is out to save humanity, and in the end does so regardless of how bad we can be, because of how good we can be. Her actions inspire us to be better. THAT’S what Superman was once upon a time in movies. Even Batman, as tortured and clearly human as he was, could be seen as an inspiration for how a man can take that torment and darkness and turn it into something positive for humanity. Granted, it also helps a lot that he’s filthy stinking rich, but you can still see the building blocks there for how a person can take the worst of themselves and do something good with it. And I hope to God that this is the direction they take from now on, and that they don’t try to ignore the critical success that this movie has made. Hell, I’m pretty sure they’ve already learned their lesson, since despite resisting that scene, they’ve put snippets of it in every trailer I’ve seen for the movie thus far. And if they have, MAJOR kudos to them. You were late to the party, but at least you made it. And, with any luck, Justice League will be all of what made this movie great and MORE.
Oh, and lastly, I wanted to make something clear. I know I’ve given Zack Snyder a lot of hell for these movies. But, let us not forget that he was a producer on THIS film as well. He deserves credit for it, the same as his wife Deborah who was also a producer for it, the same as Patty Jenkins for directing, the same as Gal Gadot for physically bringing the character to life, the same as Chris Pine for Steve Trevor, Lucy Davis for Etta Candy, and everyone else in this movie for their performances (seriously, I can’t think of one bad performance in this movie), and the same as Geoff Johns and everyone else who worked on this movie. And, on a more personal note, I just wanted to give my most sincere condolences to Zack and Deborah for the loss of their daughter. No matter what anyone has to say about them for how they perform at their jobs, we can all agree that no parent should ever have to go through what these two have. And that’s all I have to say on the subject.
Bottom line, Wonder Woman is a great film, and if you haven’t seen it, for the love of God, it’s well worth the price of admission to go see it in theaters. And if you HAVE seen the film, let me know what you thought of it in the comments below. Play us out, 331Erock.
…Yup, I am officially 32 years old. And what a thrilling and enjoyable birthday I have planned: Doing my family’s towels. lol I kid, but they REALLY do need to be done. Can’t be helped it fell to being done today. And, of course, I thank everyone on Facebook who has sent me birthday wishes. They’re very much appreciated. And what is my present? Well, this Tuesday, going to see the movie starring a character is likewise celebrating an important day today: The Spirit of Truth herself, Wonder Woman.
Oh, DC Comics, choosing today of all days to celebrate the existence of one of my favourite superheroes. You didn’t need to get me anything for my birthday. 😛 But hey, because I feel like sharing in the celebration for Diana of Themyscira, here’s just a few tweets I found relating to her day. ^_^
And, of course, my own. lol
Got birthday wishes for me or stories to tell about Wonder Woman? Leave ’em in the comments below. Ja né!
…So, I don’t own this game. Just throwing this out now. Not available for any systems I own, don’t have the money to get a new one, and so here we are. That said, I really wanted to give my thoughts on the story in Injustice 2, especially since I DO own the original and have given my thoughts on it in the past. Luckily, plenty of people, like Maximilian Dood and Kwing, have posted playthroughs of the Story Mode, so I’m thus able to give it my own review. Just remember, though, that as I’m doing this review, I’m speaking strictly about the story, not the game in terms of how it plays and whatnot. Although, I will get this out of the way right now: So far, based on what I’ve seen, it looks like a really good game, haven’t heard much wrong with it from a technical perspective yet, and on a personal note, NetherRealm Studios seem to have HUGELY improved on their facial designs and animations with this game. In fact, over all, I think this is their best LOOKING game of all time. Whenever they wanna make Mortal Kombat XI, they need to take inspiration from this game when it comes to the graphics.
But yeah, the story. So, this takes place a few years after Injustice: Gods Among Us. Superman is in a red solar prison for taking over the world, and his former Regime buddies are either planning to break him out, working to make up for what they did under his rule, or joining Gorilla Grodd’s new group, the Society. However, pretty soon, it becomes clear that the Society are just pawns in a much bigger game, as Brainiac arrives to capture Superman, add a few Earth cities to his collection, and then blow the planet up. Eventually, the situation devolves so much that Batman and his allies have no choice but to release Superman and work with the Regime to try and stop Brainiac and the Society before they destroy the world.
So, right away, I have a bit of a complaint to make. If you didn’t play that game…well, there’re a few details that this game tends to completely either ignore or glance over. Specifically, the heroes of the mainstream DC Universe were brought over to the world primarily presented in these games and the comics to stop an evil Superman who had pretty much taken over with a new group made up of former heroes and villains called the Regime. And while this game takes place on that world, I think there’re maybe one or two passing references to the fact that Batman had help from good Superman and the Justice League in taking down Regime Superman (as in they did most of the work and he got all the credit), and the player is otherwise left to assume Batman was bad enough to bring down Superman all by himself. Also, no mention of the super pills they took last game, which are meant to explain how people like Batman, Harley, and other characters without superpowers can go toe-to-toe with superhumans, get tossed around in outer-fucking-space, and survive without so much as a scratch on them.
Another issue with the story is that it has a bit of a…complicated relationship with the tie-in comics. Nowhere is that more clear than in the first chapter of the story, which is actually set during an operation that Superman, Wonder Woman, and Cyborg were pulling on Arkham Asylum. Basically, some events that happened in the comics are considered canon, others aren’t, and there doesn’t seem to be any kind of pattern as to what is or isn’t, nor is it made 100% clear what all is and is not canon anymore. One thing we DO know about what’s been changed is that, while Damian did apparently still kill Nightwing by accident, it didn’t happen during the operation on Arkham. Instead, the thing that tears him and Batman apart is Damian killing Zsasz…who, in the comics, survived way longer than that, and was actually responsible for killing Alfred. So, right away, we’ve got a double retcon, and that’s not even taking into account certain details mentioned by Cyborg about the deaths of Starfire and Beast Boy.
Before I get to the two biggest things that bother me about the story, though, let’s talk about some positives. First, you know I’m a sucker for stories that involve a ton of characters, and this has a lot of different heroes and villains with a wide range of abilities, from Harley Quinn with her dynamite and mallet, to Doctor Fate, sorcerer supreme of the DC Universe. From Captain Cold, a former bank robber with a freeze gun, to Supergirl, the last hope of Krypton with almost God-like strength and powers. Even Dex-Starr, who is quite possibly the avatar of everything stupid-yet-awesome about comic books, plays a minor role in the story. Characters from all walks of life in the DC Universe have various parts to play in this crisis, and all prove their worthiness to be involved in such a tale. Sadly, the majority of them are taken down a few notches at best by the last two chapters, which I’ll get to, but it’s still awesome to see them all here. Even Joker makes a return via Scarecrow-induced hallucination, which leads to the awesome sight of Harley, in a somewhat close approximation of her classic costume, giving him a good ass kicking.
Another positive to the story is not quite something I suggested after playing through the first game’s Story Mode, but close and still appreciated. Several chapters of the game give you not one but two characters to play through with, and you choose which one to play as before each fight in that chapter. As such, you can mix and match who fights whom, or you can have your favourite of the two do all the ass kicking. It’s totally up to you. And I appreciate that. I personally suggested classic Marvel vs Capcom 2v2 style fights, but whatever. Still cool, and allows not only for different dialogue and scenes depending on who is involved in the fights, but for more characters to take center stage in each…at least until the end, but again, I’ll get to that.
So, now for something that annoys me to no end, and if you’ve played through the Story Mode and know me and the characters I like, you should be able to figure this out. Simply put, I am NOT a fan of how Superman, Wonder Woman, and Poison Ivy are written in this game’s story, especially the last two (although that could simply be that nothing Superman does could top what he did to Shazam last game, who is a CHILD). In particular, there is a scene where Poison Ivy uses her pheromones on Harley Quinn to turn her against her allies. Now, first off, I’d just like to point out that Harley is supposed to possess immunity to most poisons, toxins, etc., due to injections given to her BY Poison Ivy. But, let’s just ignore that for now, because that’s not what really aggravates me. Instead, after inhaling too much of Ivy’s pheromones, Harley starts going into shock, and Ivy’s reaction is to roll her eyes and show complete and utter apathy over her former lover lying on the ground dying five feet away from her… … …Linkara, I need you again!
Thank you!… … …Look, here’s the thing: I can see a situation where Harley and Ivy could be on opposing sides, sure, maybe even having to fight each other, but there is NO FUCKING WAY that Harley could be dying two feet away from Ivy, and Ivy would be on that level of not giving a shit. This is HARLEY we’re talking about. Regardless of if you subscribe to the idea of the two as a couple or not, the fact is that the second she saw her convulsing like that, she would have dropped EVERYTHING else and tried to help her, because be it in a romantic sense or not, Harley is one of the few people left that Ivy truly cares about. But she doesn’t. Why? Because Ivy is, in this story, irredeemably EVIL, as are Wonder Woman and Superman.
Now, I’ve brought this up in videos before, and they’ve brought up the defense that this is an alternate universe, so of course characters are gonna behave in ways we’re not used to. And yeah, as I said before, that was a thing in Injustice 1, and other than going to the extreme of Superman killing Billy Batson, I didn’t mind. So, why does it bother me here? Well, I thought about that, and I came to the following conclusion: It was easier to watch and deal with characters I knew and loved acting in such a manner in Injustice 1 because we had the versions we knew and loved going up against them. Hell, it actually made for interesting contrasts between them to see how they were so different, and yet had a starting point they could both be linked back to. Here, though, we don’t have that. We just have them acting like…well, MONSTERS. And, for that matter, why is it that we have characters who behave in a way that’s completely removed from the core of who they are, and then some who aren’t? Why are Barry and Hal able to realize the error of their ways in the previous game and try to redeem themselves, but Diana isn’t? You have to remain constant to the rules of how this alternate universe works, otherwise you’re inviting people to bring up these comments when stuff like this happens.
And then there’s my last issue: The end of the game, and if you don’t wanna know, then sorry, MAJOR SPOILERS AHEAD. This is your only warning…Okay, so Superman and Batman go up to the Skull Ship to stop Brainiac, save Supergirl, and restore the stolen cities. Unlike in past chapters with multiple characters, the final two fights of this chapter have you fighting Brainiac twice, once with Superman and once with Batman. Personally, I would have changed it to where you choose which of them fights him the first time, and then Supergirl takes him on in the final battle. After all, not only does the Story Mode start with a flashback to her escape from Krypton after Brainiac invades, but we frequently see her side of the story as it unfolds even outside of her chapter, plus she gets a good shot in on Brainiac just before the last fight, AND she plays a big role in the ending of the game. So, clearly, the story largely centers around her, meaning it makes logical sense for her to be the one to take Brainiac down in the end. However, what’s a bigger issue is…that’s NOT the final chapter. The final chapter involves Superman and Batman, having successfully stopped Brainiac’s ship from crashing due to Superman interfacing with it, as well as managing to restore all of the Earth cities sans Metropolis and Coast City, coming to an argument over whether or not to kill Brainiac and take control of his Skull Ship, thus risking the remaining cities that haven’t been restored yet, or keep him alive long enough to restore the cities. And guess what? The story ends with them fighting AGAIN, leading to you choosing which one to play as in fighting the other and their allies. So the story ends with either Batman defeating Superman with a Kryptonite-enhanced armor and then banishing him to the Phantom Zone, then inviting Supergirl to take Clark’s place on a new Justice League, or Superman defeating Batman, bonding with Brainiac’s ship, imprisoning Supergirl in the red solar prison, and using Brainiac’s tech to turn Batman into his slave…Oh, and I’m assuming (don’t know this for a fact) that you get the special armor shown in the ending for the character you chose.
So, what’s my problem there? Well, it’s two-fold. The first reason I dislike it is because I would’ve personally ended the game with Brainiac’s defeat…then I would have had Superman DIE trying to use the ship’s systems to restore the Earth cities. Yes, I would have KILLED Superman. Barring that, I suppose he could’ve been left critically injured past the point of being able to recover quickly from solar rays, thus leaving him comatose or the like. Either way, I would have had the story end with him making that sacrifice, and then, as he lies on the floor, surrounded by friends and family, he looks back on how everything that went wrong stems from his decision to kill the Joker, and finally realizes his mistakes. It wouldn’t have magically taken away everything he did, but it would have at least let him go out saving the world and acknowledging that he did wrong. And then, from there, I guess you have Supergirl taking his place on the new League, the Regime all either surrender, go into hiding, or likewise realize their errors and join the new League, and so on. Oh, and I also would’ve added a teaser at the end for Darkseid deciding to try his hand at attacking Earth next, since…well, let’s be honest, that’s probably where they’re going.
The other reason I don’t care for the end of this game, either one, is because… … …Well, because I don’t care. I don’t care that Superman and Batman are fighting AGAIN. I’m too numb to it now. Why should I care that Superman and Batman are going to fight for the 11,311th time?…That’s one for every day since The Dark Knight Returns #4 came out, btw, and oh dear lord, I just now realized I’m two days removed from being exactly one year older than that comic. My God, I’m old. But the point still stands, I’ve just seen it too often, and I just don’t care to see it ever again. So ultimately, the ending doesn’t impress at all. It literally leaves me going “Oh yay, this again…”, and that’s not how a story should end. Like, it really says it all when, the first time they fight in the game during Chapter 1, all I can think during this scene that’s supposed to be really dramatic and sad is “Wow, I love the gold trim on Superman’s cape in this scene. Looks really good, and adds some much-needed colour balance between the red, blue, and yellow”.
So, as a result, for the ending leaving me so disappointed and for everything else that went wrong…I have to unfortunately give the story a thumbs down overall. There ARE moments I like and even love, like Harley beating down Joker, Hal Jordan fighting off the urge of the Red Lanterns’ rage, Cyborg vs Grid, the reveal that Batman kept the old round table for the Justice League, and so on. But it’s just overshadowed by a story that is infuriating at times and just unenthusing at others. Sorry, NetherRealm, but this is one story I just couldn’t give my approval to. Better luck next time, though.
Anyway, what did you think of the Story Mode? Let me know in the comments below, and let’s hope that Mr. Boon and DC listen to what we have to say next time. Ja né!
So, I was watching Linkara’s review of Batman: The Dark Knight #1 – 3, and a thought occurred to me when he was talking about over-saturation of Batman in the New 52. Now, to answer the question, yes, that was definitely a thing in the New 52. However, on closer observation, it’s clear that it’s not JUST a New 52 thing. Even now, in Rebirth, and I’ll get more into this in June, we have three books devoted to Batman, he’s part of three team books, and he constantly cameos in other books with characters relating to him. In fact, right now in DC, there are seven books that are officially part of the Batman Family line of books, and at least ten other books that either star Batman or another Bat or Gotham related character in some way, shape, or form. That’s seventeen books right there, many of which are shipped twice monthly.
However, it actually goes beyond that. Another point people have made is that other DC characters, especially during the New 52, have been made a lot darker and more brooding, and at times have been given darker coloured costumes. In other words, more like Batman. And if you think I’m lying, rewatch the current DC Cinematic Universe movies involving Superman, and tell me he hasn’t been made a LOT more like Batman. The problem with that being that DC has less of a varied universe of characters. Thankfully, that seems to have gone down a lot with Rebirth. What has NOT, however, is that, in the team books that Batman is in, guess who is usually the one given the most highlighting and oftentimes is the one to save the day? It’s insane, and it actually makes it hard for people like me to be big Batman fans.
Here’s what a lot of people might not recognize, though: This actually hurts Batman in the long run, too. You might be wondering how in the hell that’s possible. Well, it is, and I’ll explain how that is: The more DC and Warner Bros. continue to make other characters be more like Batman, the darker and more assholish (AKA more like when Frank Miller writes him) they have in turn made Batman in an attempt to keep him distinct. Furthermore, the more they over-saturate the character, especially now that he’s so over-the-top dark and an asshole, the more people are gonna be turned off by him. Yes, he’s still selling great, but how long is that going to last? Again, I’ll go over this more in June, but suffice to say, Batman in his solo-title written by Tom King is a complete dickhole, and while past writers have taken him beyond the usual constraints of a human being (and thus missing the point of his character entirely), there was a SEVERE bullshit moment during the I Am Suicide arc. The biggest reason people are still buying is due to the legacy of the character, not what he’s doing right now. So yeah, it’s working out great for him now, but one has to wonder for how long.
Anyway, those are my own thoughts on the matter, but what about you, the readers? Let me know what you think in the comments below, and we’ll see how things change in the future. Ja né!
Okay, I know this is not the first parody song I’ve ever posted, but just reminding everyone, I did not write the song this was based on, nor do I profit from this in any way. Also, this is meant to be read from Harley Quinn’s POV in observation of Poison Ivy. lol
I never seen ya lookin’ so lovely as ya did tonight
I never seen ya shine so bright
I never seen so many men help ya shut down some factory
They’re lookin’ for a little romance, just like me
I never seen that flower yer wearing
Or the flowers in yer hair that match yer eyes
I have been blind
Pammy in green is dancin’ with me, cheek to cheek
Mistah J’s not here, it’s just you and me, it’s where I wanna be
But I hardly know this redhead by my side
But I’ll never forget, the way ya look tonight
I never seen ya lookin’ so gorgeous as you did tonight
I never seen ya shine so bright, ya were amazin’
I’ve never seen so many people hypnotized to be by your side
And when ya turned to me and smiled, it made me wanna take ya an-Imeantookmybreathaway! Yeah, that’s it.. … …
I have never had such a feelin’, such a feelin’ of complete and utter love, as I do tonight
Pammy in green is dancin’ with me, cheek to cheek
The Bat and Birdboy ain’t here, it’s just you and me, it’s where I wanna be
And I really hope DC won’t retcon us
But I’ll never forget, the way ya look tonight
I never will forget, the way ya look tonight
Pammy in green
Pammy in green
Pammy in green
My Pammy in green
Y’know, in comics, when you’re setting up line-ups of different titles to try and sell to your customers, say as part of a reboot or relaunch or whatever, it’s a good idea to keep it varied. After all, you never know when something different might stick with someone. But, at the same time, there are certain books that have a certain name value to them that need to be kept in, no matter what you’re doing. DC Comics, in particular, seems to have several of these high name value books. But which ones are the ones that I feel are the ones that MUST be kept in, regardless of what they’re doing? What books, no matter what kind of universal reboot or retooling or new direction, do I feel are the titles that should be kept around? Well, strap yourselves in, because I’m about to go over them now. These are the 12 essential DC titles I feel should be a part of every line-up. So, let’s start with an obvious one…
If for no other reason, Action Comics needs to be kept around for DC’s entire life-span because it’s the book that started this whole incredible ride. And because it’s been around for so long, it can provide for great anniversary moments. Hell, at this moment in time, we are coming up super close to a legitimate Action Comics #1000, and it’s frigging awesome. I would keep Action Comics running from now until the end of time if I could, and I would NEVER attempt to renumber it ever again.
Same deal as Action Comics. Detective Comics has been a major staple of DC (right down to the frigging name), and is likewise creeping up on 1000 issues. This needs to keep running for as long as DC Comics does. Maybe even longer, if say someone like Marvel or whoever bought out DC and kept their characters and stories going.
They are the three pillars of DC Comics. Let’s just be clear about that. No matter how big anyone else gets, and there are plenty of big freaking names, these are the ones that best define DC: Superman, Batman, and Wonder Woman. You do not have DC Comics if you don’t have these three characters, and they MUST have their own solo titles. Admittedly, though, Action Comics and Detective Comics of the modern day are pretty much just Superman and Batman books respectively, but at least said books also feature plenty of their supporting casts. Hell, for a time, Detective Comics primarily starred Batwoman. But yeah, these three HAVE to be around.
Okay, I know what I just said about the Trinity, but if there was anyone else in DC that I can’t imagine the books existing without, it’s The Flash. This is probably because of the fact that he’s been central to so many major events that revolve around the Multiverse and the central continuity of the stories. Think about that: Any time there has ever been a major shake up, Barry or another Flash was in the middle of it. As such, Flash is very much a central part of DC’s legacy, and needs to continue to be as much moving forward.
It’s the A-List group of superheroes within this universe. There is no shared universe of any sort without the Justice League. And I don’t care what you call them, be it the Justice League, Justice League of America, JLA, Justice League International, or Justice League United, there MUST be a Justice League of some sort no matter what is going on. That said, there are maybe two other teams that need just as much focus…
With so many great superheroines in the DC Universe, it’s hard to imagine there ever being a time when the Birds of Prey didn’t exist. I mean, I know there was, but I can’t imagine how or why. It’s bizarre. That said, one thing that the Birds of Prey books need to stop doing is introducing whole new male characters that no one cares about. Specifically, Condor from the New 52 version and the new Oracle in the Rebirth version. It’s infuriating. lol I would also probably use this book as a means of getting the Gotham City Sirens (Catwoman, Harley Quinn, and Poison Ivy) involved in major storylines if they didn’t have their own books. I mean, I would probably make sure they did have their own book, but again, I’m going specifically for the bare essentials here.
Again, with so many younger heroes, there simply MUST be a Teen Titans (or just Titans) book at all times. Even if you rebooted back to square one, to where Dick Grayson is Robin and so on, there are still plenty of options to go with. You still have Kid Flash, Aqualad, Raven, Cyborg, Beast Boy, Starfire, so many younger heroes that would be welcome in a Titans book.
Granted, this hasn’t always been the case, but Green Lantern, more than any other hero, helps to unite the events on Earth with the events throughout the universe in DC. So many cosmic heroes and villains that are brought into what goes on with Earth via connections to the Green Lantern Corps. I don’t even care which one you use (I personally prefer John Stewart, but whatever), but there MUST be a Green Lantern with their own book at some point. Hell, there are so many, each with their own unique stories, you could give the vast majority their own books.
Of all of the characters who have rotated in and out of the Justice League, Aquaman is one of the few that has stuck around the longest. For all the jokes people STILL sling at this guy, none of which are warranted, he remains one of DC Comics’ signature characters. And dammit, he needs to remain as such forever. He’s earned it.
So, that leaves us with #12. And, I’ll admit, this is the hardest one to decide, because whoever gets in, that means everyone else is left out as being one of the essentials, which I feel is a slight against all of them. No matter how I spin it, I’m purposely leaving out each one of the above characters who aren’t chosen as #12 as being one of the most important characters with the most important stories. And it doesn’t help that my own personal bias affects this, too. And yes, my personal bias makes me want to say Gotham City Sirens or a Stephanie Brown book. But, in the end, I have to choose what I feel would be the most important to DC’s line-up and its legacy. So, with that in mind, and I KNOW I’m gonna piss someone off with this, here is my pick for #12…
I think that one thing that’s been universally agreed upon in terms of what was lost with the New 52 was the DC Universe’s legacy. Not just where it’s headed, but where it came from as well. Both the legacy heroes who came before and are yet to come. No matter what kind of reboot or reset that happens, it’s important, for the sake of those that continue to keep up with DC, to have something that speaks to its legacy. And no team better represents DC’s legacy, where it’s been, and where it’s going, than the Justice Society. And it can be either a book set on an alternate Earth, or a book about a team that existed back in the days of the Golden Age of comics, but there MUST be a Justice Society. Ironically, at this time, Earth 2: Society has finished its run, and a Justice Society book is still in the works. Hopefully, though, DC doesn’t leave us waiting for too much longer with the latter.
And, just to be clear, if I was running DC Comics, I would of COURSE have books like Poison Ivy, Batgirl, Martian Manhunter, Gotham City Sirens, Green Arrow, Supergirl, and Secret Six going at the same time as the other twelve I’ve mentioned. They’re all important characters and stories to me. But this isn’t just about me. And besides, with the choices I gave, there’s still plenty of room to involve all of those characters and more. And, like I said at the beginning, it’s good to throw other, varied options around for the reader to pick up and see if they like it. Give different heroes and stories a chance to shine. But, at the end of the day, these are the twelve that I think NEED to survive above all others from now until whenever this crazy age of comic books comes to an end.
… … …BUT, I’m sure you all have your own picks and selections, so feel free to leave them in the comments below. Ja né!
Welp, Injustice 2 is four months away, and we’ve got a new story-based trailer up, so let’s take a look, shall we?
So, with this trailer, we have confirmation of Robin, Poison Ivy, Brainiac, Bane, and Darkseid all either being playable or playing a role in the story. If they are all playable, then they join Superman, Batman, Wonder Woman, Supergirl, Blue Beetle, Atrocitus, Aquaman, Deadshot, The Flash, Gorilla Grodd, and Harley Quinn. Also, as I understand it, at least A Green Lantern (probably Hal Jordan) will be in the game, there’ll be skin/voice patches to include Reverse-Flash, John Stewart, and Power Girl, and we’ve had hints that Doctor Fate and Captain Cold will be in the game. All in all, a rather impressive roster so far.
As for the trailer, I could do without the call back to Lois and little Jon’s murders, since, as you all should know, that’s kind of a hot button issue with me. Wasn’t fond of it when it was first revealed, still don’t like it now. But, I understand that it was the event that kicked Injustice off in the first place, so it would be impossible to continue this story without it. It sucks, but what can you do?
Anyway, still plenty of spots open on the roster, and more to come via DLC, so who would you like to see announced? Lemme know in the comments below, and we’ll see what happens between now and May 16th. Ja né!
“I love this world. But there’s something missing.” By now, the current crop of DC Comics fans should be well acquainted with these words. They’re the words of a hero whose return to the DC Universe has brought back life, optimism, and legacy to it. His name is Wally West, and he is the fastest man alive… … …aaannd he’s wearing some pretty awesome new threads. ^_^
With the end of The New 52 this past June (happy birthday to me, btw, lol), a new era has begun in DC Comics. While it continues telling the story of the universe established at the end of Flashpoint, it’s nonetheless balanced things out to be more similar to how it was prior to the reboot, as well as set up the groundwork for some big stories in the future. It’s also helped to establish exactly how and why the characters and their stories are different from how they once were. This is DC Rebirth.
DC Rebirth officially started with DC Universe Rebirth #1. However, the seeds of what would become Rebirth were planted almost exactly one year beforehand during DC Convergence. In that story, several pre-Flashpoint worlds were reintroduced, and the events that led to the collapse of the original Multiverse were undone, causing it to become infinite in size once again (though with the currently established Multiverse at the center). In the year that followed, several stories followed up on those events. In particular, we learned that the pre-Flashpoint Clark Kent, his wife Lois, and their new son Jon had all someone been transported to the current Earth 0, AKA Prime Earth. Furthermore, as a result of events in Justice League and his main books, the New 52 Superman found himself dying and, before the end came, asked his pre-Flashpoint counterpart to continue protecting the Earth in his stead. This brings us to today, where Clark is Superman once again, and his son Jon is the new Superboy…and there’s another Clark Kent who has no powers who may or may not be the New 52 Superman, I’m honestly not sure what that’s all about. We’re supposed to get an explanation in March, though.
Another thing that happened in the year between Convergence and Rebirth was the return of the Titans. Basically, it was retconned that the original Titans team really DID exist (although how is anyone’s guess when one considers the backstory of the New 52 Donna Troy, and that’s ALL I’m going to say about that, lol), but that they all lost their memories of ever having been a team. After a while, they finally all came back together, minus one individual who they knew was missing but couldn’t pin a face or a name to. Luckily, as it turned out, they wouldn’t have to wait long.
Anyway, those were all big parts of the Rebirth, but the official era didn’t actually kick off until DC Universe Rebirth #1. In it, we see the pre-Flashpoint Wally West has apparently been trapped in the Speed Force, is regressed in age by a few years, and is back in his Kid Flash costume. Also, it turns out that he and the New 52 Wally West are cousins. Might seem like a bit of a stretch, but I have both a brother and a half brother named Randy, so I can tell you from past experience, it ain’t impossible…though it IS confusing. But more of a big deal is the fact that nobody remembers him. He keeps trying to remove himself from the Speed Force by making contact with people he knew, but without that connection, he keeps falling back. Even Linda Park doesn’t remember him. Finally, he appears to Barry Allen, ready to disappear, but at the last possible moment, Barry remembers him and pulls him back into the world. After five years, Wally West has returned.
Wally gives some exposition, and between it and stuff we can make guess work at, we learn that someone has literally taken away 10 years of history. At this exact moment, we don’t know how, why, or which 10 years exactly were the ones taken. We don’t even know if they were 10 full years or just bits of time here and there that added up to 10 years. But here’s what we do know: The New 52 DC Universe is essentially the same universe that existed prior to Flashpoint, just with those 10 years taken away. That’s the biggest contributing factor as to why this universe is so different. Because, without certain key moments that occurred during those 10 years, relationships were either changed or outright erased, characters were de-aged, and several other contributing factors occurred to completely mess with peoples’ lives, who they were, and what they meant to the universe at large.
Now, with that said, you might ask “But Jyger, wasn’t the reason the DC Universe was changed was because of Barry’s traveling through time and Pandora’s merging elements of the Wildstorm and Vertigo universes with it?”, to which I reply “Yes, that WAS the reason given”… … …Ugh, okay, let’s TRY and unravel this, shall we? So, first off, let’s assume for the moment that this isn’t just a blatant retcon (although, let’s be honest, it probably is). If I had to make a guess at what happened, it’s that someone took advantage of Barry’s breaking the time barrier and used that opportunity, when history itself was vulnerable, to remove 10 years. Pandora, seeing what had happened, decided to strengthen the now weakened universe by fusing it with the Wildstorm and Vertigo universes. That, I THINK, is what has happened here: That, while having some cosmetic differences and whatnot, the New 52 Universe wouldn’t have been AS different as it has been without the loss of that decade worth of history. Oh, and speaking of Pandora, during the events of DC Universe Rebirth #1, she was apparently fried…in a very familiar fashion, but I’ll get to that in a moment. Also, because of certain other events going on in some of the newer stories, I have my doubts that she’s really gone.
Anyway, other stuff happened in DC Universe Rebirth #1 that has started to balance things out to be more like the previous continuity. For starters, Aquaman proposed to Mera, so we can finally put it to rest as to the nature of their relationship. Green Arrow and Black Canary met up during an investigation into New 52 Supes’ death and were left with a feeling like something was missing from their lives, which is being explored in the current Green Arrow book where the two are finally tag-teaming against criminals and dating again, except without the baggage of some of the shittier things Ollie did while they were involved in the previous continuity. And characters like Ryan Choi, Jackson Hyde, Ted Kord, Johnny Thunder, and Saturn Girl were given their appropriate reintroduction to the universe (okay, technically, we’d seen Ted beforehand, but now he’s working with Jaime as he should be).
In the midst of all of that, though, we found ourselves with hints of what was to come. Batman was seen investigating the revelation that there are apparently three Jokers…and yeah, not sure what to make of that, other than the fact that, with the Silver Age Joker supposedly coming back as his own character, we’ll at least have a Joker who is FUN again. Superman was visited by a figure known as Mr. Oz, who we’ve actually seen in the Superman books of the New 52 before, and who gave some rather cryptic remarks regarding the nature of both Supermen’s existence. Like the new Clark, we’re supposed to get some more info on Oz in March, and we’ve even seen him in the newer Detective Comics issues as well. Damian Wayne, the current Robin, turned 13, hinting toward his future alignment with the Teen Titans. Doctor Fate (Kent Nelson) let Ted Kord know that the Scarab is actually magic…because, for some reason, we’ve now gone backwards through retcons. Seriously, I don’t get why they switched BACK to the Scarab being magical in nature, other than as a means to involve Doctor Fate, and with the Justice Society apparently coming back soon, it’s not really necessary. We learned for absolute certain that New 52 Wally West is a speedster, and pre-Flashpoint Wally gave his blessing for him to be the new Kid Flash, which I’m actually fine with. Now that we’ve established the two as completely separate characters, New Wally is free to be his own character. And we found out that Jessica Cruz, the newest Green Lantern of Space Sector 2814 will be having to work directly with Simon Baz, AKA the one Green Lantern who carries a gun.
However, all of that paled in comparison to the big reveal. After being brought back from the Speed Force by Barry, Wally told him everything he knew about the current situation and how he felt this wasn’t completely Barry’s fault. In the end, though, he couldn’t place a face or a name to whoever was responsible for taking away time. However, it seems he may have left a clue nonetheless, as Batman investigated where Wally had originally appeared in the Batcave, and found something embedded in the stone wall: A single smiley face button with a drop of blood smeared across it. And so, the story ended with the image of a watch on Mars, along with the following familiar dialogue…
“I did the right thing, didn’t I? It all worked out in the end.”
“In the end? Nothing ends, Adrian. Nothing ever ends.”
…Yup, turns out the culprit is none other than Doctor Manhattan. How and why is still unknown. Hell, for all we know, Jon didn’t even do so intentionally. However, considering the all-too-familiar method by which Pandora was killed (as well as Owlman and Metron at the end of Darkseid War, and yes I AM still planning to do a full review of that someday), chances are he’s very much doing this blatantly. But regardless, we do have a reason for Doctor Manhattan’s inclusion from a meta standpoint: Simply put, there are a LOT of writers out there who look at a book like Watchmen and think that the reason it was great was because it was dark and dire, so they try to copy that approach, not understanding that dark stories don’t automatically equal something good. As far as I can tell, between what’s being presented and what Geoff Johns has said in interviews since the release of the comic, Doctor Manhattan is basically being cast as just that: Someone who doesn’t understand that the way his dark story is being written doesn’t work. Of course, no one bothers to mention that Geoff Johns himself has done this in the past, whether he realizes it or not, but he still has a good enough idea as to how things are supposed to work and how characters are supposed to behave that I trust him with this. How exactly that gels with what happened at the end of Watchmen is yet to be seen, but between his involvement and the dialogue at the end of the book, I think we might just know who exactly “Mr. Oz” really is, who has since abducted both Doomsday and Tim Drake for reasons that are currently a mystery. Personally, I’m kind of expecting to see this resolve in some big DC Rebirth vs Watchmen event. How that’ll play out, and just to what degree will its existence piss off Alan Moore, is still a mystery, but it’s still likely to happen nonetheless. Hopefully, they take their time building to it.
So, at this point, you’re probably thinking “Well, that all sounds well and good, but if that’s the case, then why in the hell has it taken you this long to discuss Rebirth?”. And…yeah, I fully admit that I kind of procrastinated at that. However, in the end, I’m kinda glad I did. Why? Because it gave me something POSITIVE to talk about at the end of the year, and as I alluded to the other day, there hasn’t really been a lot positive to discuss regarding 2016. And while Rebirth hasn’t been perfect, and there are still some issues from the previous era left to iron out, it’s most definitely been an improvement, and I’d likely consider it the best thing to happen in comics this entire year. I’ll probably go more into detail as to some of the ups and downs of Rebirth once it’s a year old…at which point, I’ll be 32 years old…God, I’m ancient. But, for now, stuff like seeing the Titans and the Birds of Prey back together, the pre-Flashpoint Superman training his son, Dick Grayson being Nightwing again, Barry teaming with the new Kid Flash, and Wonder Woman being written by Greg Rucka again (who is fixing EVERYTHING that went wrong with her in the New 52, btw) are all major pluses. Oh yeah, and they’re also hinting at the return of the Blue Lanterns, THANK GOD. You have NO idea how hard it’s been to keep optimistic about a comic book universe that seems to actively hate hope, and to see it on its way back is such a relief.
But for me, the biggest point about why Rebirth works and The New 52 didn’t is because the characters FEEL like themselves again. It’s not just the situations and circumstances, it’s WHO THEY ARE. How they act, how they respond to different situations, and so on. Everything just kind of fits again, but without excluding any of the things about The New 52 that worked. Because this isn’t about pretending The New 52 never happened. This is about putting the DC Universe back on the right path, one that isn’t devoid of hope and fun, nor forgets the lessons learned from the mistakes of yesterday. Really, the only thing about the previous era that’s been undone is the vast majority of what happened to Wonder Woman. And even then, it’s not like those events never happened, it’s more damage control for her origins and the Amazons, and it all unfolds in a way that makes sense and helps make things feel like they’re supposed to be. It’s not just that Lois and Clark are back together. It’s that Lois and Clark FEEL like Lois Lane and Clark Kent. And I hope that, in continuing with DC Rebirth, the writers and higher-ups of DC Comics remember that point and continue to learn from their past mistakes.
But hey, that’s all just my opinion. What do you think of DC Rebirth? What have some of your favourite or least favourite titles been? Lemme know in the comments, as well as how you hope to see things unfold from here, and we’ll check back in June with how Rebirth has been upon turning one year old. Ja né, and Happy New Year!