…So, I don’t own this game. Just throwing this out now. Not available for any systems I own, don’t have the money to get a new one, and so here we are. That said, I really wanted to give my thoughts on the story in Injustice 2, especially since I DO own the original and have given my thoughts on it in the past. Luckily, plenty of people, like Maximilian Dood and Kwing, have posted playthroughs of the Story Mode, so I’m thus able to give it my own review. Just remember, though, that as I’m doing this review, I’m speaking strictly about the story, not the game in terms of how it plays and whatnot. Although, I will get this out of the way right now: So far, based on what I’ve seen, it looks like a really good game, haven’t heard much wrong with it from a technical perspective yet, and on a personal note, NetherRealm Studios seem to have HUGELY improved on their facial designs and animations with this game. In fact, over all, I think this is their best LOOKING game of all time. Whenever they wanna make Mortal Kombat XI, they need to take inspiration from this game when it comes to the graphics.
But yeah, the story. So, this takes place a few years after Injustice: Gods Among Us. Superman is in a red solar prison for taking over the world, and his former Regime buddies are either planning to break him out, working to make up for what they did under his rule, or joining Gorilla Grodd’s new group, the Society. However, pretty soon, it becomes clear that the Society are just pawns in a much bigger game, as Brainiac arrives to capture Superman, add a few Earth cities to his collection, and then blow the planet up. Eventually, the situation devolves so much that Batman and his allies have no choice but to release Superman and work with the Regime to try and stop Brainiac and the Society before they destroy the world.
So, right away, I have a bit of a complaint to make. If you didn’t play that game…well, there’re a few details that this game tends to completely either ignore or glance over. Specifically, the heroes of the mainstream DC Universe were brought over to the world primarily presented in these games and the comics to stop an evil Superman who had pretty much taken over with a new group made up of former heroes and villains called the Regime. And while this game takes place on that world, I think there’re maybe one or two passing references to the fact that Batman had help from good Superman and the Justice League in taking down Regime Superman (as in they did most of the work and he got all the credit), and the player is otherwise left to assume Batman was bad enough to bring down Superman all by himself. Also, no mention of the super pills they took last game, which are meant to explain how people like Batman, Harley, and other characters without superpowers can go toe-to-toe with superhumans, get tossed around in outer-fucking-space, and survive without so much as a scratch on them.
Another issue with the story is that it has a bit of a…complicated relationship with the tie-in comics. Nowhere is that more clear than in the first chapter of the story, which is actually set during an operation that Superman, Wonder Woman, and Cyborg were pulling on Arkham Asylum. Basically, some events that happened in the comics are considered canon, others aren’t, and there doesn’t seem to be any kind of pattern as to what is or isn’t, nor is it made 100% clear what all is and is not canon anymore. One thing we DO know about what’s been changed is that, while Damian did apparently still kill Nightwing by accident, it didn’t happen during the operation on Arkham. Instead, the thing that tears him and Batman apart is Damian killing Zsasz…who, in the comics, survived way longer than that, and was actually responsible for killing Alfred. So, right away, we’ve got a double retcon, and that’s not even taking into account certain details mentioned by Cyborg about the deaths of Starfire and Beast Boy.
Before I get to the two biggest things that bother me about the story, though, let’s talk about some positives. First, you know I’m a sucker for stories that involve a ton of characters, and this has a lot of different heroes and villains with a wide range of abilities, from Harley Quinn with her dynamite and mallet, to Doctor Fate, sorcerer supreme of the DC Universe. From Captain Cold, a former bank robber with a freeze gun, to Supergirl, the last hope of Krypton with almost God-like strength and powers. Even Dex-Starr, who is quite possibly the avatar of everything stupid-yet-awesome about comic books, plays a minor role in the story. Characters from all walks of life in the DC Universe have various parts to play in this crisis, and all prove their worthiness to be involved in such a tale. Sadly, the majority of them are taken down a few notches at best by the last two chapters, which I’ll get to, but it’s still awesome to see them all here. Even Joker makes a return via Scarecrow-induced hallucination, which leads to the awesome sight of Harley, in a somewhat close approximation of her classic costume, giving him a good ass kicking.
Another positive to the story is not quite something I suggested after playing through the first game’s Story Mode, but close and still appreciated. Several chapters of the game give you not one but two characters to play through with, and you choose which one to play as before each fight in that chapter. As such, you can mix and match who fights whom, or you can have your favourite of the two do all the ass kicking. It’s totally up to you. And I appreciate that. I personally suggested classic Marvel vs Capcom 2v2 style fights, but whatever. Still cool, and allows not only for different dialogue and scenes depending on who is involved in the fights, but for more characters to take center stage in each…at least until the end, but again, I’ll get to that.
So, now for something that annoys me to no end, and if you’ve played through the Story Mode and know me and the characters I like, you should be able to figure this out. Simply put, I am NOT a fan of how Superman, Wonder Woman, and Poison Ivy are written in this game’s story, especially the last two (although that could simply be that nothing Superman does could top what he did to Shazam last game, who is a CHILD). In particular, there is a scene where Poison Ivy uses her pheromones on Harley Quinn to turn her against her allies. Now, first off, I’d just like to point out that Harley is supposed to possess immunity to most poisons, toxins, etc., due to injections given to her BY Poison Ivy. But, let’s just ignore that for now, because that’s not what really aggravates me. Instead, after inhaling too much of Ivy’s pheromones, Harley starts going into shock, and Ivy’s reaction is to roll her eyes and show complete and utter apathy over her former lover lying on the ground dying five feet away from her… … …Linkara, I need you again!
Thank you!… … …Look, here’s the thing: I can see a situation where Harley and Ivy could be on opposing sides, sure, maybe even having to fight each other, but there is NO FUCKING WAY that Harley could be dying two feet away from Ivy, and Ivy would be on that level of not giving a shit. This is HARLEY we’re talking about. Regardless of if you subscribe to the idea of the two as a couple or not, the fact is that the second she saw her convulsing like that, she would have dropped EVERYTHING else and tried to help her, because be it in a romantic sense or not, Harley is one of the few people left that Ivy truly cares about. But she doesn’t. Why? Because Ivy is, in this story, irredeemably EVIL, as are Wonder Woman and Superman.
Now, I’ve brought this up in videos before, and they’ve brought up the defense that this is an alternate universe, so of course characters are gonna behave in ways we’re not used to. And yeah, as I said before, that was a thing in Injustice 1, and other than going to the extreme of Superman killing Billy Batson, I didn’t mind. So, why does it bother me here? Well, I thought about that, and I came to the following conclusion: It was easier to watch and deal with characters I knew and loved acting in such a manner in Injustice 1 because we had the versions we knew and loved going up against them. Hell, it actually made for interesting contrasts between them to see how they were so different, and yet had a starting point they could both be linked back to. Here, though, we don’t have that. We just have them acting like…well, MONSTERS. And, for that matter, why is it that we have characters who behave in a way that’s completely removed from the core of who they are, and then some who aren’t? Why are Barry and Hal able to realize the error of their ways in the previous game and try to redeem themselves, but Diana isn’t? You have to remain constant to the rules of how this alternate universe works, otherwise you’re inviting people to bring up these comments when stuff like this happens.
And then there’s my last issue: The end of the game, and if you don’t wanna know, then sorry, MAJOR SPOILERS AHEAD. This is your only warning…Okay, so Superman and Batman go up to the Skull Ship to stop Brainiac, save Supergirl, and restore the stolen cities. Unlike in past chapters with multiple characters, the final two fights of this chapter have you fighting Brainiac twice, once with Superman and once with Batman. Personally, I would have changed it to where you choose which of them fights him the first time, and then Supergirl takes him on in the final battle. After all, not only does the Story Mode start with a flashback to her escape from Krypton after Brainiac invades, but we frequently see her side of the story as it unfolds even outside of her chapter, plus she gets a good shot in on Brainiac just before the last fight, AND she plays a big role in the ending of the game. So, clearly, the story largely centers around her, meaning it makes logical sense for her to be the one to take Brainiac down in the end. However, what’s a bigger issue is…that’s NOT the final chapter. The final chapter involves Superman and Batman, having successfully stopped Brainiac’s ship from crashing due to Superman interfacing with it, as well as managing to restore all of the Earth cities sans Metropolis and Coast City, coming to an argument over whether or not to kill Brainiac and take control of his Skull Ship, thus risking the remaining cities that haven’t been restored yet, or keep him alive long enough to restore the cities. And guess what? The story ends with them fighting AGAIN, leading to you choosing which one to play as in fighting the other and their allies. So the story ends with either Batman defeating Superman with a Kryptonite-enhanced armor and then banishing him to the Phantom Zone, then inviting Supergirl to take Clark’s place on a new Justice League, or Superman defeating Batman, bonding with Brainiac’s ship, imprisoning Supergirl in the red solar prison, and using Brainiac’s tech to turn Batman into his slave…Oh, and I’m assuming (don’t know this for a fact) that you get the special armor shown in the ending for the character you chose.
So, what’s my problem there? Well, it’s two-fold. The first reason I dislike it is because I would’ve personally ended the game with Brainiac’s defeat…then I would have had Superman DIE trying to use the ship’s systems to restore the Earth cities. Yes, I would have KILLED Superman. Barring that, I suppose he could’ve been left critically injured past the point of being able to recover quickly from solar rays, thus leaving him comatose or the like. Either way, I would have had the story end with him making that sacrifice, and then, as he lies on the floor, surrounded by friends and family, he looks back on how everything that went wrong stems from his decision to kill the Joker, and finally realizes his mistakes. It wouldn’t have magically taken away everything he did, but it would have at least let him go out saving the world and acknowledging that he did wrong. And then, from there, I guess you have Supergirl taking his place on the new League, the Regime all either surrender, go into hiding, or likewise realize their errors and join the new League, and so on. Oh, and I also would’ve added a teaser at the end for Darkseid deciding to try his hand at attacking Earth next, since…well, let’s be honest, that’s probably where they’re going.
The other reason I don’t care for the end of this game, either one, is because… … …Well, because I don’t care. I don’t care that Superman and Batman are fighting AGAIN. I’m too numb to it now. Why should I care that Superman and Batman are going to fight for the 11,311th time?…That’s one for every day since The Dark Knight Returns #4 came out, btw, and oh dear lord, I just now realized I’m two days removed from being exactly one year older than that comic. My God, I’m old. But the point still stands, I’ve just seen it too often, and I just don’t care to see it ever again. So ultimately, the ending doesn’t impress at all. It literally leaves me going “Oh yay, this again…”, and that’s not how a story should end. Like, it really says it all when, the first time they fight in the game during Chapter 1, all I can think during this scene that’s supposed to be really dramatic and sad is “Wow, I love the gold trim on Superman’s cape in this scene. Looks really good, and adds some much-needed colour balance between the red, blue, and yellow”.
So, as a result, for the ending leaving me so disappointed and for everything else that went wrong…I have to unfortunately give the story a thumbs down overall. There ARE moments I like and even love, like Harley beating down Joker, Hal Jordan fighting off the urge of the Red Lanterns’ rage, Cyborg vs Grid, the reveal that Batman kept the old round table for the Justice League, and so on. But it’s just overshadowed by a story that is infuriating at times and just unenthusing at others. Sorry, NetherRealm, but this is one story I just couldn’t give my approval to. Better luck next time, though.
Anyway, what did you think of the Story Mode? Let me know in the comments below, and let’s hope that Mr. Boon and DC listen to what we have to say next time. Ja né!
Y’know, I’ve made it clear that I’m not a fan of Batman killing people. I just think that’s contrary to who the character is in the modern age. Batman should not kill people. However, let’s assume you’re whoever it was that decided Batman must be a killer in the current DC movies. Regardless of my own personal feelings on the matter, let’s go with that premise. However, beyond simply acclimating us to Batman killing people, as Confused Matthew recently pointed out in his own review of Batman v Superman, you need to make sure that there are no contradictory issues involving him killing people with his other actions and inactions. And, in the case of these movies, I think I may have found one.
Now, I know we all liked to think that the ending of Man of Steel, where Superman snaps Zod’s neck, would act as the catalyst for him deciding to never kill again, that being forced to do so and feeling so awful about it would, in turn, make Superman a better person. However, considering he kills at least two more times in BvS, I think it’s safe to say that was never the plan. Sorry, it just wasn’t. BUT, let’s give the benefit of the doubt and assume that, given Batman’s decision not to kill or brand Lex Luthor at the end of BvS, he’s decided to abandon his killing ways. That way, we can even craft character development around it, in that meeting Superman and Wonder Woman and saving Martha Kent’s life, something has changed inside of him, and he’s not going to kill anymore. That means that, whenever the situation comes up where he COULD kill someone and doesn’t, we know why and it makes at least some sort of sense. However, there’s still a problem that’s been nagging at me ever since the movie came out…and I think I finally figured out what it is. And ultimately, it comes down to three panels…
And that’s when I realized the biggest plot hole regarding Batman killing people: Given what we’ve seen and heard in these movies, we can infer that Batman started down this much darker road after Joker killed Jason Todd. And, as I’ve mentioned before, that actually makes sense when you consider what happened in the comics. The biggest difference between what happened there and what’s going on in the comics is that, apparently, in this universe, Tim Drake never stepped into Batman’s life, and he went down a route of killing his enemies. But, if all of that’s true, then why in the hell is the Joker still alive? Why wasn’t he the FIRST person Batman killed? And don’t give me any bull about how he hasn’t been able to catch him, because I refuse to believe that, in all of that time, he NEVER caught him. Hell, according to Suicide Squad, Harley Quinn was an accomplice in Robin’s murder. Why didn’t Batman kill HER when he fished her out of the bay? Honestly, I think the only reason he doesn’t kill Deadshot is because his daughter was there watching the whole thing go down. Now, admittedly, we don’t know EXACTLY when he caught both of these individuals, but I was under the assumption they were both just a little bit before BvS, since the Justice League trailers and the ending of BvS seems to indicate he immediately began putting all of his efforts into locating and bringing Flash, Cyborg, and Aquaman into the fold. So even if he DID decide not to kill anymore by the end of that movie, these events would’ve happened BEFORE then. Harley and the Joker should both be dead as shit. It makes no logical sense, if Batman kills people, and they’re the ones who sent him down this dark path, that he wouldn’t kill them. So yeah, add this to the LONG list of ways that the makers of these movies have failed hard… … …Though it’s hardly the worst way.
Are there any other plot holes you can think of regarding Batman killing people? Lemme know in the comments below. Ja né!
“I love this world. But there’s something missing.” By now, the current crop of DC Comics fans should be well acquainted with these words. They’re the words of a hero whose return to the DC Universe has brought back life, optimism, and legacy to it. His name is Wally West, and he is the fastest man alive… … …aaannd he’s wearing some pretty awesome new threads. ^_^
With the end of The New 52 this past June (happy birthday to me, btw, lol), a new era has begun in DC Comics. While it continues telling the story of the universe established at the end of Flashpoint, it’s nonetheless balanced things out to be more similar to how it was prior to the reboot, as well as set up the groundwork for some big stories in the future. It’s also helped to establish exactly how and why the characters and their stories are different from how they once were. This is DC Rebirth.
DC Rebirth officially started with DC Universe Rebirth #1. However, the seeds of what would become Rebirth were planted almost exactly one year beforehand during DC Convergence. In that story, several pre-Flashpoint worlds were reintroduced, and the events that led to the collapse of the original Multiverse were undone, causing it to become infinite in size once again (though with the currently established Multiverse at the center). In the year that followed, several stories followed up on those events. In particular, we learned that the pre-Flashpoint Clark Kent, his wife Lois, and their new son Jon had all someone been transported to the current Earth 0, AKA Prime Earth. Furthermore, as a result of events in Justice League and his main books, the New 52 Superman found himself dying and, before the end came, asked his pre-Flashpoint counterpart to continue protecting the Earth in his stead. This brings us to today, where Clark is Superman once again, and his son Jon is the new Superboy…and there’s another Clark Kent who has no powers who may or may not be the New 52 Superman, I’m honestly not sure what that’s all about. We’re supposed to get an explanation in March, though.
Another thing that happened in the year between Convergence and Rebirth was the return of the Titans. Basically, it was retconned that the original Titans team really DID exist (although how is anyone’s guess when one considers the backstory of the New 52 Donna Troy, and that’s ALL I’m going to say about that, lol), but that they all lost their memories of ever having been a team. After a while, they finally all came back together, minus one individual who they knew was missing but couldn’t pin a face or a name to. Luckily, as it turned out, they wouldn’t have to wait long.
Anyway, those were all big parts of the Rebirth, but the official era didn’t actually kick off until DC Universe Rebirth #1. In it, we see the pre-Flashpoint Wally West has apparently been trapped in the Speed Force, is regressed in age by a few years, and is back in his Kid Flash costume. Also, it turns out that he and the New 52 Wally West are cousins. Might seem like a bit of a stretch, but I have both a brother and a half brother named Randy, so I can tell you from past experience, it ain’t impossible…though it IS confusing. But more of a big deal is the fact that nobody remembers him. He keeps trying to remove himself from the Speed Force by making contact with people he knew, but without that connection, he keeps falling back. Even Linda Park doesn’t remember him. Finally, he appears to Barry Allen, ready to disappear, but at the last possible moment, Barry remembers him and pulls him back into the world. After five years, Wally West has returned.
Wally gives some exposition, and between it and stuff we can make guess work at, we learn that someone has literally taken away 10 years of history. At this exact moment, we don’t know how, why, or which 10 years exactly were the ones taken. We don’t even know if they were 10 full years or just bits of time here and there that added up to 10 years. But here’s what we do know: The New 52 DC Universe is essentially the same universe that existed prior to Flashpoint, just with those 10 years taken away. That’s the biggest contributing factor as to why this universe is so different. Because, without certain key moments that occurred during those 10 years, relationships were either changed or outright erased, characters were de-aged, and several other contributing factors occurred to completely mess with peoples’ lives, who they were, and what they meant to the universe at large.
Now, with that said, you might ask “But Jyger, wasn’t the reason the DC Universe was changed was because of Barry’s traveling through time and Pandora’s merging elements of the Wildstorm and Vertigo universes with it?”, to which I reply “Yes, that WAS the reason given”… … …Ugh, okay, let’s TRY and unravel this, shall we? So, first off, let’s assume for the moment that this isn’t just a blatant retcon (although, let’s be honest, it probably is). If I had to make a guess at what happened, it’s that someone took advantage of Barry’s breaking the time barrier and used that opportunity, when history itself was vulnerable, to remove 10 years. Pandora, seeing what had happened, decided to strengthen the now weakened universe by fusing it with the Wildstorm and Vertigo universes. That, I THINK, is what has happened here: That, while having some cosmetic differences and whatnot, the New 52 Universe wouldn’t have been AS different as it has been without the loss of that decade worth of history. Oh, and speaking of Pandora, during the events of DC Universe Rebirth #1, she was apparently fried…in a very familiar fashion, but I’ll get to that in a moment. Also, because of certain other events going on in some of the newer stories, I have my doubts that she’s really gone.
Anyway, other stuff happened in DC Universe Rebirth #1 that has started to balance things out to be more like the previous continuity. For starters, Aquaman proposed to Mera, so we can finally put it to rest as to the nature of their relationship. Green Arrow and Black Canary met up during an investigation into New 52 Supes’ death and were left with a feeling like something was missing from their lives, which is being explored in the current Green Arrow book where the two are finally tag-teaming against criminals and dating again, except without the baggage of some of the shittier things Ollie did while they were involved in the previous continuity. And characters like Ryan Choi, Jackson Hyde, Ted Kord, Johnny Thunder, and Saturn Girl were given their appropriate reintroduction to the universe (okay, technically, we’d seen Ted beforehand, but now he’s working with Jaime as he should be).
In the midst of all of that, though, we found ourselves with hints of what was to come. Batman was seen investigating the revelation that there are apparently three Jokers…and yeah, not sure what to make of that, other than the fact that, with the Silver Age Joker supposedly coming back as his own character, we’ll at least have a Joker who is FUN again. Superman was visited by a figure known as Mr. Oz, who we’ve actually seen in the Superman books of the New 52 before, and who gave some rather cryptic remarks regarding the nature of both Supermen’s existence. Like the new Clark, we’re supposed to get some more info on Oz in March, and we’ve even seen him in the newer Detective Comics issues as well. Damian Wayne, the current Robin, turned 13, hinting toward his future alignment with the Teen Titans. Doctor Fate (Kent Nelson) let Ted Kord know that the Scarab is actually magic…because, for some reason, we’ve now gone backwards through retcons. Seriously, I don’t get why they switched BACK to the Scarab being magical in nature, other than as a means to involve Doctor Fate, and with the Justice Society apparently coming back soon, it’s not really necessary. We learned for absolute certain that New 52 Wally West is a speedster, and pre-Flashpoint Wally gave his blessing for him to be the new Kid Flash, which I’m actually fine with. Now that we’ve established the two as completely separate characters, New Wally is free to be his own character. And we found out that Jessica Cruz, the newest Green Lantern of Space Sector 2814 will be having to work directly with Simon Baz, AKA the one Green Lantern who carries a gun.
However, all of that paled in comparison to the big reveal. After being brought back from the Speed Force by Barry, Wally told him everything he knew about the current situation and how he felt this wasn’t completely Barry’s fault. In the end, though, he couldn’t place a face or a name to whoever was responsible for taking away time. However, it seems he may have left a clue nonetheless, as Batman investigated where Wally had originally appeared in the Batcave, and found something embedded in the stone wall: A single smiley face button with a drop of blood smeared across it. And so, the story ended with the image of a watch on Mars, along with the following familiar dialogue…
“I did the right thing, didn’t I? It all worked out in the end.”
“In the end? Nothing ends, Adrian. Nothing ever ends.”
…Yup, turns out the culprit is none other than Doctor Manhattan. How and why is still unknown. Hell, for all we know, Jon didn’t even do so intentionally. However, considering the all-too-familiar method by which Pandora was killed (as well as Owlman and Metron at the end of Darkseid War, and yes I AM still planning to do a full review of that someday), chances are he’s very much doing this blatantly. But regardless, we do have a reason for Doctor Manhattan’s inclusion from a meta standpoint: Simply put, there are a LOT of writers out there who look at a book like Watchmen and think that the reason it was great was because it was dark and dire, so they try to copy that approach, not understanding that dark stories don’t automatically equal something good. As far as I can tell, between what’s being presented and what Geoff Johns has said in interviews since the release of the comic, Doctor Manhattan is basically being cast as just that: Someone who doesn’t understand that the way his dark story is being written doesn’t work. Of course, no one bothers to mention that Geoff Johns himself has done this in the past, whether he realizes it or not, but he still has a good enough idea as to how things are supposed to work and how characters are supposed to behave that I trust him with this. How exactly that gels with what happened at the end of Watchmen is yet to be seen, but between his involvement and the dialogue at the end of the book, I think we might just know who exactly “Mr. Oz” really is, who has since abducted both Doomsday and Tim Drake for reasons that are currently a mystery. Personally, I’m kind of expecting to see this resolve in some big DC Rebirth vs Watchmen event. How that’ll play out, and just to what degree will its existence piss off Alan Moore, is still a mystery, but it’s still likely to happen nonetheless. Hopefully, they take their time building to it.
So, at this point, you’re probably thinking “Well, that all sounds well and good, but if that’s the case, then why in the hell has it taken you this long to discuss Rebirth?”. And…yeah, I fully admit that I kind of procrastinated at that. However, in the end, I’m kinda glad I did. Why? Because it gave me something POSITIVE to talk about at the end of the year, and as I alluded to the other day, there hasn’t really been a lot positive to discuss regarding 2016. And while Rebirth hasn’t been perfect, and there are still some issues from the previous era left to iron out, it’s most definitely been an improvement, and I’d likely consider it the best thing to happen in comics this entire year. I’ll probably go more into detail as to some of the ups and downs of Rebirth once it’s a year old…at which point, I’ll be 32 years old…God, I’m ancient. But, for now, stuff like seeing the Titans and the Birds of Prey back together, the pre-Flashpoint Superman training his son, Dick Grayson being Nightwing again, Barry teaming with the new Kid Flash, and Wonder Woman being written by Greg Rucka again (who is fixing EVERYTHING that went wrong with her in the New 52, btw) are all major pluses. Oh yeah, and they’re also hinting at the return of the Blue Lanterns, THANK GOD. You have NO idea how hard it’s been to keep optimistic about a comic book universe that seems to actively hate hope, and to see it on its way back is such a relief.
But for me, the biggest point about why Rebirth works and The New 52 didn’t is because the characters FEEL like themselves again. It’s not just the situations and circumstances, it’s WHO THEY ARE. How they act, how they respond to different situations, and so on. Everything just kind of fits again, but without excluding any of the things about The New 52 that worked. Because this isn’t about pretending The New 52 never happened. This is about putting the DC Universe back on the right path, one that isn’t devoid of hope and fun, nor forgets the lessons learned from the mistakes of yesterday. Really, the only thing about the previous era that’s been undone is the vast majority of what happened to Wonder Woman. And even then, it’s not like those events never happened, it’s more damage control for her origins and the Amazons, and it all unfolds in a way that makes sense and helps make things feel like they’re supposed to be. It’s not just that Lois and Clark are back together. It’s that Lois and Clark FEEL like Lois Lane and Clark Kent. And I hope that, in continuing with DC Rebirth, the writers and higher-ups of DC Comics remember that point and continue to learn from their past mistakes.
But hey, that’s all just my opinion. What do you think of DC Rebirth? What have some of your favourite or least favourite titles been? Lemme know in the comments, as well as how you hope to see things unfold from here, and we’ll check back in June with how Rebirth has been upon turning one year old. Ja né, and Happy New Year!
So, I think a lot of people probably know by now my general thoughts on Batman V Superman: Dawn of Justice. Namely that I didn’t like it. However, it wasn’t until a video was posted online that the gears in my head started to REALLY turn as to one thing they could’ve done differently with relative ease to make the movie flow just a tiny bit better. That video was the following:
Now, when I first saw this video, I left the following comment: “Sounds epic as fuck, and would’ve guaranteed given boners to the crowd, but it doesn’t work for one reason: Bale Batman doesn’t kill, Affleck Batman does. Whatever your stance on whether Batman should or shouldn’t kill, that’s the major difference between the two”. However, the more I’ve sat and thought about it, the more I realized just how easily it would’ve been to have Affleck Batman be Bale Batman, only years after the events of The Dark Knight Rises. Let’s go through how the two film series line up, shall we?
So first off, let’s talk about how The Dark Knight Rises ends. Bruce faked his death so he could retire to a normal life with Selina Kyle, and Robin John Blake is given the coördinates to the Batcave, presumably so he could take over Bruce’s place as Gotham’s protector. Now, you may ask how that could transition to Batman V Superman, but let’s look at a few other details. Specifically, let’s look at the one major villain from The Dark Knight Trilogy who didn’t die and is now an important character in the new DC Cinematic Universe: The Joker. Now, granted, the Joker from the Dark Knight movies IS very different from the new one. Specifically, Ledger Joker was clearly wearing make-up and had a permanent smile due to the scars on his face, whereas Leto Joker is hinted at having the more traditional backstory of having fallen into a vat of chemicals. However, let’s say they didn’t go that route for a second and then look at what else we know about Leto’s Joker from details given to us strictly in Batman V Superman: He killed Robin.
Now, lets look at Bale Batman vs Affleck Batman. Obviously, the biggest difference between the two (besides their age) is their methodology and the limits they’re willing to go to in the line of duty. As I said before, Affleck Batman has no problems killing criminals, while specifically not killing was a big thing for Bale Batman. Yes, the Batman of the Nolanverse movies did find loopholes he could exploit to get around that fact, but for the most part, that was Bale Batman’s biggest rule, so something pretty drastic would’ve had to have happened for him to go back on that to such a degree that he’d resemble Affleck Batman’s style of doing things. So, what would make him do such a thing? The answer again falls on one point: The dead Robin.
Anyone who knows anything about Batman in the comics likely knows that the dead Robin in the DC Cinematic Universe is more than likely Jason Todd. However, let’s instead think of Batman V Superman occurring in the same canonical universe as The Dark Knight Trilogy, and Robin is, in fact, John Blake, having used his first name that he mostly opted not to use as his codename while working as Batman’s replacement. Now, imagine if The Joker brutally killed Robin, then publicly taunted Batman (regardless of if he knows Batman is really alive or not) with this fact. Again, Jason Todd dying in the comics was a big deal for a long time, and still sort of is even after his return to the land of the living. It’s often regarded as Batman’s greatest failure. But now imagine this happening under these circumstances, with Bruce realizing that Robin would have never died if he hadn’t faked his death and enlisted him as his successor. Suddenly, not only do you have a great reason for Bruce to return to Gotham and continue his work as Batman, as well as coming up with a convincing excuse for how he, as Bruce Wayne, likewise was still alive (preferably not at the exact same time as to avoid arousing suspicion), but he would also have reason to go more than a little nuts. Remember, the only reason he didn’t in the comics after the death of Jason Todd was because Tim Drake stepped in and helped to keep him grounded. But in a world where that never happened, can we say with 100% certainty that he wouldn’t have lost it, even if we’d LIKE to think Bruce would never do that? It’s certainly a believable scenario to have presented. And all of the aesthetical changes to Batman (his suit, his equipment, his vehicles, etc.) could easily be explained by him changing with the times, especially since the vast majority of his tech was destroyed at the end of The Dark Knight Rises, specifically The Bat and his spare Tumblers. Hell, you can even explain away the voice modifier as him deciding he didn’t need to do the Bat voice himself anymore.
So, with all of that said, why didn’t DC and Warner Bros. decide to do this? Well, there’re a few reasons. For starters, there are characters who appeared and died during The Dark Knight Trilogy that they might be considering making use of later on. Second, all of the characters who would be returning would either have to be recast, or they’d have to convince the previous actors to return. In particular, The Joker would NEED to be recast due to the death of Heath Ledger, and honestly, I don’t know who I would have chosen to portray Ledger’s Joker. And, not to be too disrespectful, but suffice to say, Jared Leto is NOT Heath Ledger. Just saying. Third, while the details DO line up, there likely would still be plot holes created. One that comes to mind is the fact that we know Clark was wandering around and helping in (relative) secret wherever he could for several years before becoming Superman, and odds are good he would not have just sat around and did nothing about what was going on in Gotham during The Dark Knight Rises. And no, there’s NO way he couldn’t have known. And lastly, another big reason why they may have opted not to connect the new DC movies to the earlier ones in any way was so that they could build this whole new movie universe from the ground up. Don’t have to worry about past continuity, doing research to make sure everything lines up, or rehiring anyone that worked on the previous movies, they can just do everything over again. And, admittedly, while they COULD have found ways to iron out all those issues, I can’t really say as I blame them for not doing it. Plus, with the Arrowverse CW shows having established the existence of an infinitely-spanning Multiverse, it’s entirely possible that ALL of the live action interpretations of DC’s heroes are canonically part of it. Still, for what it’s worth, everything I’ve presented can still stand as a neat little idea of how things might have been. But hey, that’s just a theory…A FILM THEOR-Wait, what do you mean MatPat does theories for movies too???
…Anyway, let me know in the comments (or in the poll below) whether you think DC should or shouldn’t have connected the new Batman related movies to the previous ones, and I will see you guys the next time I decide to show my geekness…which’ll probably not be very long from now. lol Ja né!
Yup, I’m still doing this. lol That said, compared to what I had up, I’ve made quite a few new Captain Ersatzes on Deviant Art, and I owe a lot of that to my readers who voted on who they’d like to see me make expies of. I’m still going through the list, but here’s a look at what I’ve posted since I started taking requests…
…BUT, as anyone who has been to my Twitter knows, I’ve still got maybe one or two left to go. Specifically, I decided to go ahead and make counterparts for the Justice League. And, because you guys went ahead and helped me out with this, here’s an early preview…with appropriate music. lol
Anyway, with that outta way, there’s another poll I’d like to present. Basically, now that I’ve done a few counterparts of Batman’s rogues gallery, I was wondering which group of villains I should do next. So, by all means, vote below on which rogues gallery you’d like to see expies of next, and we’ll see what happens in a week’s time. Ja né!
Jyger’s Rant – The Killing Joke (WARNING – ANGRY RANT, FOUL LANGUAGE, AND MATURE SUBJECT MATTER AHEAD)
… … …So, it’s been a month. I decided to take some time away from the blog for a few reasons, none of which I really wanna get into. Well, except maybe for the sake of refocusing my efforts on Power Rangers Guardians of Gaia Season 2, but that’s another story for another day. Point is, after a while, I knew that, if I was gonna come back, it would have to be something big that would bring me back. And then DC decided to give me a gift: Something to rant about until I’m blue in the face. Really, you guys, you shouldn’t have…Y-…You REALLY shouldn’t have. I was kinda hoping you wouldn’t, what with DC Rebirth moving along pretty well so far, and the trailers for upcoming DC Films actually looking rather decent (or at least more-so than they were)…And then The Killing Joke happened!
So, I was originally gonna do a review of this movie. Then I decided not to, because I decided I wasn’t gonna see it, for a reason I will explain in a bit. Then I decided that I probably SHOULD see it, and that a review of it would be something worth posting on the blog. So I saw it…and then I read some of the fallout…and ultimately, what I’ve decided is not to review it. Instead, I’ve decided to just highlight one or two problems the movie has, particularly one where I felt like I got gang-raped up the ass…! … …So, let’s.
First off, I should probably make it clear that I’m not talking about anything that was specifically lifted from the book. I’m not here to talk about the book. I think people have talked about the book enough, and I know it’s one of maybe three or four books the higher-ups at DC actually remember releasing, so I’m not gonna go there. I will also award the movie this much: It did exactly as I specifically asked them to do almost a full year back. They not only had Kevin Conroy and Mark Hamill reprise their roles as Batman and The Joker, but they also included in the mid-credits a scene where we see Babs become Oracle. This did not save the movie, mind you, but it did keep it from getting no stars whatsoever, or worse, being…
However, for the benefit of those who have never seen the movie or read the book, and I don’t know how you can be a fan of the character Batgirl and not know this, but this is the story all about how a life got flipped, turned upside down, and I’d to take a minute, just sit right there, and I’ll tell how Barbara Gordon got stuck in a wheelchair. Yes, this is the story where Babs gets shot in the spine by Joker as a means to try and make her father crack, and she loses the ability to walk. This later resulted in her becoming Oracle, where she REALLY got to shine as a character, until the New 52 decided to make her Batgirl again for reasons of iconic, which they themselves can’t even seem to properly define. For a while, we were left to assume that she never was Oracle in this new universe, but the new Batgirl and the Birds of Prey book have re-established this part of her life as being canon. However, all of this occurred after The Killing Joke came out, and none of it was planned, and, in fact, when writer Alan Moore approached Len Wein with the idea, he said, and I quote, “Yeah, okay, cripple the bitch”. Moore has later admitted that maybe this wasn’t a good idea, and it really shows how bad the relationship is between Moore and DC when, unless I missed something, he isn’t credited for the book in the movie, Brian Bolland is.
So, what’s my point? Well, in realizing the story only involved Barbara as a prop, Bruce Timm and Brian Azzarello decided to maybe tack on a prologue of sorts to make her a more active part of the story. Now, here’s the thing: That’s actually not a bad sentiment to have. The biggest problem with the story is how it mishandles her, so making her an actual character and not just someone who acts as a motivation for other characters is a good idea… … …They fucked it up. Royally. And really, should we be shocked? Let’s look again at those names, shall we? Bruce Timm and Brian Azzarello. Now, first off, Azzarello is the guy who decided it was a good idea to have the Amazons be made into lying, raping murderers who traded their children for weapons. Not someone I typically trust to write women in a positive manner. Then there’s Timm. And this is where I actually kinda hate this movie on a personal level, because now I have to say something I KNOW I’m gonna regret later, but I still HAVE to say it, so here goes: I love Batman The Animated Series, and I always will, but it REALLY says it all when the character Bruce Timm helped create that gets the most attention in the media was a female supervillain who was the victim of an abusive relationship. Why? Well, let’s just get to the biggest problem with the movie, and it’s summed up in one scene. ROLL IT.
…Now, in case you’re wondering, this is not what pissed me off. On the contrary, watching this scene in full for the first time? It actually made me laugh. It was like a REALLY bad fanfic brought to life. And trust me, I’m speaking as a fanfic writer who has both read and written some bad Batman-related fanfics in the past. In fact, and I probably shouldn’t mention this, but once, a REALLY long time ago, I once decided to write an adult fic involving Poison Ivy and Batwoman. I don’t wanna go into detail, but it was bad. Not only was it bad, it was offensive, and the moment when I realized that and what a horrible thing I’d created, I got rid of it. So, yes, sometimes people will create bad or even offensive stories in an attempt to be dark, controversial, or titillating. That’s not what pissed me off. What pissed me off was listening to Azarrello and Timm defend this decision and actually act like this was a good thing, not just for the story, but for Batgirl. Let’s hear what Bruce Timm had to say about it, shall we?
“We were aware that it’s a little risky. There’s definitely some stuff in that first part of the movie that’s going to be controversial. Here’s where we came down on that specific issue: It was really important to us to show that both of the characters make some pretty big mistakes. I mean, his ‘parental skills’ aren’t that great. Maybe never having had any kids of his own, he doesn’t realize that if you tell a kid to not do something, they’re going to want to do it even more. And then she makes some mistakes and then he kind of overreacts to her mistakes and then she overreacts to his overreaction. So it’s very human; it’s a very understandable story. It’s tricky because it’s messy, because relationships are sometimes messy. But to me and to Alan and Brian, it was all very fascinating to us to explore that angle.”
…Okay, I’m gonna bring up something here. Part of my problem with Bruce Wayne and Barbara Gordon being in a relationship is the fact that she is young enough to be his daughter. I can buy her having a kind of schoolgirl crush on him when she’s just getting started, but beyond that, it’s just ridiculous. With that said, I was under the impression that she was presented in this movie as a consenting adult. You, however, Mr. Timm, are treating her like a child. So, which is it, Timm? Is she a child or an adult? Because if she’s an adult, then this line of thinking is incredibly demeaning. And if she’s not, though, then you’re a sick man for producing a movie where an adult Batman has sex with her. And considering Timm’s past with writing female characters on Batman TAS, Batgirl included, I’m honestly not sure if I believe him or not when he says he doesn’t remember whose idea it was to include the sex scene. And if it WAS Brian’s, and maybe it was, the fact that he jumped right in on it doesn’t shock me. Speaking of, Mr. Azzarello, thank you kindly for showing how much you really care about writing women as empowering by writing them as action and violence addicts who will beat up, kill, and yes, even RAPE if they so choose, and then you call someone trying to make a case for this problematic writing at a convention a “pussy”, you bloody moron.
And here’s the really sad part. Babs becoming Oracle in the mid-credits? It still feels really off-putting, and here’s why: We don’t really see her go through any kind of personal anguish over what’s happened to her. And just like in the book, when she wakes up after her being shot, stripped, and having had pictures taken of her, all she can talk about is how she’s scared of what The Joker is going to do to her father. Granted, this does paint her as someone who cares more for her father and what happens to him than herself, which can be seen as admirable and selfless, but honestly, between that and how seamlessly she goes from that to becoming Oracle in the end, she comes off as being in denial about her condition or that she’s lost anything of importance. Let me give you an example of how odd this is, and spoilers ahead for anyone who hasn’t read Power Rangers Guardians of Gaia: My Green Ranger, Patrick, suffers an incident in the story where he loses the use of his eyes, and has to rely on his other senses and powers to help him beyond that. Admittedly, part of those powers allow him to see mental images of everything the air around him touches, but even he acknowledges it isn’t the same as really seeing with one’s eyes. While he calls the loss of his sight “acceptable losses”, and states that he’d do it all over again for the sake of helping people, he still admits that he DID lose something important. He’s BLIND now. This will only serve to hinder him for the rest of his life, and he knows this. In this movie, however, Barbara is never presented as someone who acknowledges her loss. The only time we see her ever stress or angst over anything is her relationship with Batman and her concern for her father. In other words, the attempt to make her more of an actual character in this story instead only served to make her even more of a prop. Instead of fixing the biggest problem with the book, they made the story WORSE.
Now, because I wanna be a fair man, I wanna bring up something. Bruce Timm has since gone on record that, for him, the implication was never that Babs was raped by The Joker. There’s a line in the movie that highly suggested that for some people who watched it, and he’s said that if he’d known that would suggest that ahead of time, he would’ve changed it. Granted, it was still sexual harassment, but we can at least know that, in this version of the story at least, The Joker did not rape Barbara Gordon. Also, while I asked the question earlier, I’m pretty sure Babs is NOT a teenager in this movie. There’s a difference between being squicky and THAT squicky, and I honestly don’t think Timm is, and probably not even Azzarello for that matter. Again, though, that does not save this movie, just that it stops it and your reputations after releasing it from becoming even worse.
At this point, I’d like to share the closing paragraph from a similar article I shared from The Mary Sue, written by Jessica Lachenal, and I’m quoting once again here: “Ultimately, this Batgirl prologue to The Killing Joke failed to do what Timm said it would do. It didn’t ‘tell a Batgirl story,’ or let us ‘learn that she’s an interesting character.’ What was supposed to be a prologue about Batgirl was, in the end, nothing more than a story about Batman and why he does what he does. In that way, the movie just plain does not work the way that the creators thought it would. The fact that they thought this would be even somewhat of a good thing for her character is, perhaps, the most disappointing thing of all.”
Lastly, I just wanna bring up something somewhat related to this, since I described the Batman/Batgirl scene as bad fanfiction. As part of my site stats, there is something called the Search Engine Terms, which basically shows a list of things people have typed into Google or whatever that, in turn, led them to my site. Over the years I’ve been writing in this blog, I’ve gotten a number of…let’s call them odd terms, that have led people to here. Here are just a few examples…
- bruce wayne in bed with supergirl and powergirl fanfiction
- catwoman und batgirl lesbo sexy
- kid icarus palutena naked
- wonder woman harley quinn sexfic
- nasthalthia luthor porno
- powergirl and supergirl have sex
- pokemon alpha sapphire being naked
- justice league war hentai
- poison ivy and robin fanfiction
- injustice harley quinn naked
- ladydevimon rape
- bruce wayne and selina kyle naked
- batman supergirl fanfiction
- pokemon elesa hentai
- powergirl and supergirl have sex
- barbara gordon hentai
- diana undressing lol
- gay bruce and damian wayne having sex
- birds of prey comic sex rape
- ivy hera venenosa orgasm sexx
- power ranger panties fuck
- wonder woman manga hentai
- nightwing captured fanfiction
…Sometimes I hate my job…-_- Leave your comments below, but just know that if anyone starts an argument or trolls anyone, I’m deleting them ASAP. Ja né, and I’m taking a fucking shower.
… … …Don’t you dare follow me!
Dick tried his best not to hyperventilate. Still, it was hard. What was supposed to be one of the best nights of his life was now turning into the emotional roller coaster straight to Hell. For the average person his age, seeing one’s parents die before their eyes might seem like the thing that would cap off one’s night. Instead, he was nearly killed by a group of corrupt cops, and he was currently sitting in the passenger seat of the Batman’s car. Up until tonight, he had no idea Batman even existed, much less had a car.
The 12-year-old boy looked over at the Dark Knight as he steered the vehicle through the streets of Gotham City. He’d been relatively quiet for the past few minutes since they got in the car, and even though he was wearing a mask, Dick could tell he looked a bit uncomfortable himself, like he wasn’t sure what to do, or that what he was about to do was the right move. It was a strange thing to see out of someone considered by many to be some kind of superhero.
Dick looked down, fidgeting with his seat belt slightly as the car started to enter a more dimly lit area. He was still wearing his Flying Graysons costume. He looked like a neon sign next to the dark and grim Batman. For a split second, he wondered if this made him look overly ridiculous, but that thought was buried under the next, when he realized this would probably be the last time he would ever wear it.
Mom…Dad… Dick thought, grabbing a handful of his tights and gripping hard. Why did you have to die? Who killed you? And why did those men try to shut me up?
J.A. Phillips Presents Batman And Robin: Dark Knight/Boy Wonder Preview + Which Villains Would You Like To See In This Fanfic?
Dick Grayson could barely manage to keep his heart from pounding clean out of his chest. This was going to be one of Haley’s Circus’ biggest shows yet: Amusement Mile, Gotham City. Who knows how many thousands of people in attendance. Dick and his family, the Flying Graysons, performing their signature trapeze act without the safety of a net. And all of it sponsored by billionaire philanthropist, Bruce Wayne.
Without a doubt, this was going to be a night the 12-year-old boy would never forget.
Bruce Wayne couldn’t help but feel a little excited. It’s true that, despite the life he lived, both what the public knew about and what they didn’t, there wasn’t much that made him excited in a legitimately happy and positive way. Still, if there was one thing he still had a love for, it was the circus, and having heard about the Flying Graysons, one of the star acts of Haley’s Circus, he knew he was in for one hell of a show.
There wasn’t a doubt in his mind that this would be a night he’d never forget.
…So yeah, I’m doing this now. lol More-or-less a fixfic of All-Star Batman And Robin, I figured it was either put up or shut up time for me, since I gave my thoughts on how I’d do the story different. Suffice to say, though, because I had to make so many changes to the story, replacing the unintentionally hilarious dialogue and the subplots that make EVERYONE involved look bad, plus making the characters feel more like who they’re supposed to be and removing anyone who didn’t need to be involved, I’ve had to read/watch some additional content to gain further inspiration. Specially, in addition to ASBAR, I’ve read Detective Comics #38 (the part about Robin’s origins, anyway) by Bill Finger and Bob Kane, Nightwing #0 by Tom DeFalco and Kyle Higgins, and The Untold Legend of The Batman #2 by Len Wein, as well as watched Robin’s Reckoning Parts 1 & 2 from Batman The Animated Series, and A Matter Of Family from The Batman.
With all of that said, though, I always like to have a certain degree of input from my fans. And, in this case, I wanna ask if there are any members of Batman’s rogues gallery that you’d like to see in this story. After all, due to the subtraction of anything related to the Justice League in this story, and the fact that the story was never finished and could have a stretch of time leading to the confrontation with the Joker, there’s plenty of room for Batman and/or Robin to interact with various baddies. Keep in mind, though, that the villains present will be those that best fit within the context of the story, and that this story is more-or-less meant to be continuity free, meaning you don’t HAVE to read other Batman stories in order to understand what’s going on and who these people are.
So yeah, lemme know who you think would be a good fit for rogues whom Batman and Robin could encounter in this story, and we’ll see what happens as I continue writing this story. Ja né!
Anyone ever notice how there’s the occasional content in a kid’s show that maybe was a bit on the mature side, whether it be dark in atmosphere or risqué? Well, I’ve been marathoning my favourite episodes of Batman TAS…again, and I can’t help but notice several moments that clearly slipped through the cracks on that show. Now, keep in mind, this IS a WB cartoon, and we already know how they managed similar situations with Animaniacs (by purposely writing something far worse in the script as a distraction for the editors so that what they actually intended to get through would), but there’s at least one or two of these that…well, you’ll see. Anyway, let’s start off with one of my favourite two-parters in the show…
This is actually one of the situations where I can’t imagine how no one noticed anything wrong with it…and yet actually had a problem with something completely different. In the first part of this episode, wherein the origins of Robin in this universe are elaborated on, we see Batman disguised as a thug and gambling with other thugs while trying to get information on Tony Zucco. Apparently, Batman gambling was controversial for some people. Now, I’m not gonna debate the issues of gambling in a kid’s show, since everyone has their own views on stuff like that. What boggles my mind, though, is that apparently nobody raised an eye when, in the next episode, we see a young Dick Grayson saving a prostitute from her pimp after said pimp finds out she’s been holding onto some of the cash she’s been making and is about to assault her. Um, WHAT??? How was GAMBLING the thing that caught people’s attention and THAT went completely under the radar? Granted, they never actually outright state that she’s a prostitute, but any adult with a brain can tell that’s what’s going on. And what’s really weird is that nobody had a problem with gambling in another episode, Joker’s Wild, where most of the episode took place at a casino! Just a little consistency is all I’m asking for, folks!
Before anyone says anything, I actually really like this episode. It’s a great look into Harley Quinn’s backstory and how/why she became infatuated with the Joker. However, I still don’t know how the hell they managed to get this past the censors. Not only is it pretty explicitly made clear that these two have had sex in the past, but there were SEVERAL instances of domestic abuse in this episode. True, we’ve seen at LEAST hints of that before with Harley and Joker, but now it’s at the forefront of the episode. Now, it’s part of the main driving plot. And it’s not even just her getting it, either. We hear Joker tell a story of how his father beat him as a child and broke his nose. Granted, it’s pretty clear that the Joker is lying to get sympathy (or, if you believe The Killing Joke, that he’s gone SO insane that he can’t remember his real past), but it’s still pretty harsh stuff for the audience to listen to.
If it really is true that they used the Animaniacs trick with this episode, I NEED to see what the original script for this episode looked like. I like to refer to this episode as “Count the Innuendos”. Seriously, just watch this episode and see if you can spot ’em all. And yes, most of them come from Roxy…and yes, that’s kinda why I like her. lol Still, one thing I’ve always tilted my head at is why she chose to become a thief. I get she’s in it for the thrills, but wouldn’t she get the same rush from being a costumed heroine? Granted, I could see Batman still having to bring her in due to how reckless she is, but she’d get the same thrill, and honestly, looking at her two appearances in the entirety of the DCAU, no one ever gets seriously hurt around her. Hell, most of the time, the person in the most danger is HER. Oh, and I should also mention that this is the first appearance of Batgirl’s “sources”…who are very clearly supposed to be prostitutes. I don’t necessarily mind that TOO much. What I DO mind is how one of them is very clearly designed to resemble Black Canary. Thankfully, we got the real Black Canary in Justice League Unlimited, because otherwise, we would’ve been left to assume that she was a prostitute in this universe…which would somehow actually be even worse than her depiction in All-Star Batman and Robin.
Batgirl rides Supergirl… … … … … …Do I even NEED to say anything else? Well, I don’t, but Harley apparently has some comments…
Also, at one point while they’re in flight, you can see Supergirl’s panties… …Dear God. -_-
This one is just all kinds of wrong. And I don’t know who thought it’d be appropriate to keep this in, but I really hope they got smacked up the side of the head for it. The episode is about Baby Doll teaming up with Killer Croc, the former being clearly infatuated with the latter. I would like to remind you all that Baby Doll’s whole gimmick is that she’s an adult woman with a severe form of systemic hypoplasia, meaning she looks like a child. Now, admittedly, because it’s clearly just a one-way thing, and she’s not actually a child but looks and occasionally acts like one (likely due to being locked in that appearance for so long), it’s not AS creepy as it could be… … … …until we see this bit of dialogue.
Yeah, I don’t wanna know either, Batman! What the hell?! o.O I actually even kinda like the episode, but that one exchange of dialogue is just…EW.
But yeah, those are the five that stand out most to me, but it’s not even close to half of them. Wanna read about more? Check out what else they got under the radar at TV Tropes, and be sure to watch the full series if you haven’t yet. If you’re a Batman fan, it’s definitely worth watching. Ja né!
… … …
…Please dear God, don’t be another universal reboot. It feels like we’ve just cleaned up a lot of the most damning and damaging parts of the last one by re-establishing the Multiverse, leaving the doors open for writers to do any story involving the characters of those past worlds that they want, and reintroducing characters like Stephanie Brown and Cassandra Cain. On top of that, we’ve actually got a fairly decent writer on Earth 2: Society, and we’ve had neat stuff like the Court of Owls and the new Power Ring around that I’d hate to see tossed aside…Although, with all of that said, there’s still a LOT of crap in the current universe that needs to be cleaned up, like the overall attitude of the Amazons, the fauxmance between Diana and Clark, and certain books being a little less fun than they could be. Thus, I’m hoping that, instead of being a complete reboot, DC Rebirth is instead a SOFT reboot, in that it doesn’t necessarily say that everything we’ve read for the past four years didn’t matter, but that we’re moving on to a place where we can improve upon everything and fix what went wrong. With that said, here’s a list of things I’d like to have kept around, as well as some stuff I’d like changed up/fixed/improved. First off, let’s talk about something I want to see stick around…
OMG, I love this team… … …erm, the creative team, that is. lol Geoff Johns has finally figured out how Wonder Woman should work as a character, and between his stories as of late and Jason Fabok’s glorious artwork, Justice League has been AMAZING. Also, Fabok, for the love of God, keep making the covers for the book look like movie posters. They’ve been so freaking awesome, I almost wanna have them blown up to cover each of the walls of my room.
Seriously, it’s time to pull the trigger on this. I mean, assuming it hasn’t happened already. I’ve heard that Wally MIGHT have gotten speed powers recently, but nothing solid yet. With that said, though, whether he becomes Kid Flash or not, one thing that DOES need to happen? Let Wally be WALLY. Let him be FUN. I don’t care what colour his skin is or anything else, I just want Wally to be fun again. That never needed to change.
Okay, DC, you had your fun with Superman and Wonder Woman being a couple, but I think it’s time to move on to what fans really want: Lois and Clark together. And hey, you can still do the Superman/Wonder Woman book and just have it be about the two teaming up to kick 31 flavours of ass, just let us have DC’s OTP back. They don’t even HAVE to be married, either, just have them be in a relationship again.
Words cannot express how much Amy Chu’s Poison Ivy book NEEDS to be an ongoing. However, one thing that might be a good idea is for Ivy to look at some of her past decisions and make re-evaluations. Perhaps she could feel grief over some of her more unethical activities in the past and wanting to go forward in a more positive attitude, possibly even moving beyond the antagonistic relationship she has with many heroes and instead joining them. Really look at Ivy as a character and her history and have her decide what the best course of action for the future is.
I’ve heard part of this rebranding will take greater strides to advertise the characters with their own shows. In that case, there is no excuse for not having a Vixen solo book. Or, if nothing else, having her be part of a high-profile team, like the Justice League or perhaps a team-up book for her, Flash, and Green Arrow, would be a great idea.
So, word is that Scott Snyder is leaving the main Batman book and instead going over to Detective Comics… … …Well, that should improve things over on THAT book, at least. lol However, if I can make a suggestion to whoever takes over for Batman? MAKE JOKER FUN AGAIN. I’m not saying you can’t do big, epic, horrifying stories with him, but you also gotta remember that this is the same guy who once tried to show the world he could pull off the greatest boner… …erm, not what it sounds like. lol Just saying, with someone as off-the-walls crazy as Joker, you can do both and still have it make sense.
I’ve been hearing that Dan Abnett, the new writer for Earth 2: Society, is actually doing a fairly decent job of cleaning up the mess Daniel H. Wilson left of that world, but that it still seems like a lot to cram into a single book. My personal recommendation? More or less make Earth 2 its own pseudo-imprint, with its own line of books. Have one dedicated to a new Justice Society forming, one dedicated to Huntress and Batman cleaning up the streets of Gotham, one dedicated to Fury and the new Amazons, and so on. Just make sure that the people writing have been briefed on Earth 2 history, both old and new, and know who the heck they’re writing about. In fact, while we’re on the subject…
Y’know what my favourite part of Convergence was? The fact that a lot of the stories felt like they were written by people who legitimately got the characters and understood how they’d respond to the situation presented. I am sick of stories written by people who don’t get the characters. Why would you ever assign someone a book in that case? That needs to stop, PRONTO.
Okay, I’m not gonna say that Dick Grayson as a secret agent doesn’t have potential, because we’ve seen that it does. However, I think it’s time he went back to what he did best, and that’s being a hero. Seriously, be it as Robin, Nightwing, Batman, whatever you wanna call him, Dick Grayson is clearly meant to be a superhero, one who bridges trust and friendship among various members of the superhero community.
Admittedly, this is one I’m actually a little on the fence about, and here’s why: While I prefer John Stewart overall as a character to Hal Jordan, Hal DOES have great lines and chemistry with Batman. So…I dunno, maybe you could have them both serving on the Justice League and rotating in and out for different stories? Or, I suppose another answer is to have a new secondary team for the JLA created and put him on that. Speaking of, I’ve heard that Justice League of America will be sticking around even after the storyline involving Rao finally wraps up. Perhaps there’s a place for him over there? Speaking of heroes that need to return to the League, though…
Honest to God, I have no idea what is even going on with Martian Manhunter anymore, but I think it’s time he came back to the Justice League…Not much else to say, really. It just doesn’t feel the same without him.
She’s been on the sidelines long enough, guys. It’s time to bring Batwoman back into the fold. I don’t really care how it’s done, be it in her own book or as a supporting character for another book, but it’s time Kate started getting her hands dirty. Oh, and for God’s sake, can we PLEASE have her be married finally? I think the point’s been made clearly enough that stopping the marriage was a terrible idea. Besides, with Maggie as the current GCPD Commissioner, that would put her in a VERY interesting situation that can be played around with.
I’m not saying it has to be a permanent change, just something quick and fun. Mainly because, as I’ve brought up before, we’ve seen that Scott Snyder can write stories for both Superman and Batman really well, so it’d be neat to see if he can go three for three with DC’s Trinity.
It recently hit me that the group Babs has been putting together in her book of herself, Frankie, Spoiler, Bluebird, and Black Canary could work great as a new Birds of Prey team. With that said, I might also wanna include Cassandra Cain as Black Bat since…well, I’m not really sure what else to do with her once Batman and Robin Eternal is over. Also, BRING BACK STARLING. Her heel turn and disappearance left a LOT of fans upset and confused, and there’s been zero follow up on that.
Apparently, there’s a storyline coming up where Superman FINALLY notices that Supergirl’s been kinda MIA as of late. As such, I hope that means we can finally get a new solo book for her, especially since she DOES, in fact, have a pretty successful TV series running right now. I know, some people aren’t as big of fans of it as others, but there is no denying success.
I get that, because of the upcoming Suicide Squad movie, that DC might feel the need to continue pushing the crap outta the comic. However, I hope they remember that there’s another team of villains and anti-heroes that a lot of fans love and don’t toss it aside like they did at the start of the New 52.
…Nope, I’m not gonna stop saying it until it happens. For an entire generation of fans, Tim Drake was Robin. He had his own solo book. He made Robin cool for the 90’s without doing too many of the stereotypical 90’s comics things. And he’s always been the detective of the Robins. As such, I would love to see him get a book. If nothing else, I kinda hope that Scott Snyder makes him a supporting character in Detective Comics. But, speaking of Tim and books he’s a part of…
Yeah, I’m sorry, but as much fun as I was having with the new Teen Titans books for the first few issues, the fun kinda dried up pretty quick. Is it too much to ask to have a FUN Titans team? One that, while knowing when to be serious, can also be an enjoyable and even funny read at times? Something a little closer to the tone of the animated series?…The good one, that is, not that piece of shit Teen Titans GO!. You don’t even need to change the cast (although, if Wally DOES become Kid Flash again, maybe adding him would be a good idea).
And that’s all I got for now. Have an idea I didn’t post? Leave it in the comments, and we’ll see what happens in June. Ja né!