Welcome back to DC Rebirth One Year Later, where we look at DC books that are part of DC Comics’ Rebirth initiative one year after it began. And with this one, we’re looking at what quickly became one of the most anticipated books of the initiative after the creative team was announced: None other than the solo book of the Spirit of Truth and savior of the DC Extended Universe, Wonder Woman.
Once again, SPOILERS for anyone not caught up on the book, so turn back if you don’t wanna know what’s been going on without reading the book yourself. So, first off, I just wanna make clear that this book is SO cathartic for anyone who hated the New 52 Wonder Woman book. If you liked that book, and I know there were those who did, then I’m sorry, this book is probably not for you. But if you’ve been waiting for a return-to-form Wonder Woman, this is for you. And the decision to bring Greg Rucka back to write the book was a great choice by DC. Granted, I would’ve liked to see Gail Simone return to the book, but in hindsight, when it came to telling the opening stories of this book, Rucka was probably the better option. Hopefully, The Simone will return at a later point. Although, if you’ve been waiting for that moment as well, you might be interested to know that Gail Simone will be writing a Wonder Woman/Conan crossover book in the future, so there’s that.
So, again, this is very much return-to-form for Wonder Woman. During the events of Justice League’s Darkseid War, Diana learned that she had been deceived in regards to a great many things as it pertains to her past, which is further proven upon putting herself in the Lasso of Truth. To make a 24 (going on 25) issue story short, Diana never returned to Themyscira upon leaving it with Steve Trevor. The one we’ve seen her come back to in the New 52 is a fake, as have been the incarnations of the Greek Gods she’s encountered during that time. How and why this happened is still a little unclear, although I’m assuming this will be fully explained in #25 next week. What will also likely be explained is the true nature of Diana’s origins. The implication SEEMS to be that she was made from clay, but then how do you explain her apparent twin brother Jason (part of the revelation made in Darkseid War) being born on the same day, unless they were both made from clay? And what about the true nature of the fakes and their existence? They can’t simply be illusions, since Steve sees them too, and they created Donna Troy in the new continuity, and she’s very much real, but I’ll get into that when I talk about Titans.
Some people might see that as a cheap method of setting things back to the status quo, by implying that everything that’s happened with Wonder Woman in the New 52 no longer counts. I disagree. Other than the apparent retcon of her relationship with Superman due to events in his books (which I’ll get to when I talk about them), a lot of those stories still happened. The fact that she was interacting with people who weren’t necessarily real or genuine does not negate that fact. For better or worse, those events and how she handled them are a part of her history and contribute to her character development.
Wonder Woman, however, is not the only character being taken back to their core elements. Steve Trevor is back to his awesome-yet-constantly-needing-to-be-saved-by-Wonder-Woman self, and is reasserted as Diana’s primary love interest. Personally, I tend to prefer the idea that they USED to date, and that relationship helped better them as people before becoming just friends, but I can deal with them in a relationship far sooner than her and Superman. Etta Candy is sporting a new look wherein she’s still African-American like her New 52 self, but is also thicker and curvier. Also, she’s a hell of a lot more fun to read, which is a big point of interest for me, because I love when Etta Candy is a delight. Barbara Minerva’s backstory is made sympathetic again, and the tragedy of her transformation seems even more-so as it’s implied (if not outright stated) that she and Etta might have had feelings for each other. I DO have a bit of a nitpick in that I wish her design included the long red hair and a string bikini, perhaps similar to how she looks in Injustice 2 perhaps, but I at least get what they were doing with this look. The Amazons are also all brought back to their awesome selves, and it seems the idea of Hippolyta and Phillipus as a possible couple might be coming back, which is VERY appreciated. A lot of Diana’s rogues make returns, like Doctor Poison and Doctor Cyber, all of whom are appreciated. And then there’s Veronica Cale, and holy shit, does she work GREAT as one of the primary antagonists of this book. She’s just sympathetic enough in her character and the things that happen directly to her that you can at least understand some of the things she does, but man oh man, does she do some fucked up stuff to Diana and pretty much everyone who gets caught between them. There’s even a scene where she manages to get a leg up over Bruce Wayne and Lex Luthor at an auction (long story for those who haven’t seen it), and it is glorious.
One thing that was a bit odd in terms of how this book has unfolded is that, because Wonder Woman was one of the books that would be released twice a month, Rucka was telling two different stories in the same book, with current events being told in the odd numbered issues, and past events being told in the even numbered issues. And while the end of each issue made clear which future issue would continue which story, it could prove confusing for anyone going into the book late and not knowing that. My advice? Wait for the trades to come out, since they collect the specific stories. And while it was released second, start with the Year One storyline, since it better explains everything. Plus, it’s probably my favourite arc of the book. Why? Wonder Woman’s origin story with Greg Rucka as the writer and Nicola Scott as the artist. That combination is, for a lack of a better term, wonderful.
…*sighs* But, now we gotta talk about where this book is going, and that’s where things get a bit murkier. If you haven’t read the most recent solicits from DC, it seems that James Robinson will be taking over as writer of the book in September, and that the first arc of his run will specifically be about Jason, the apparent twin brother of Wonder Woman. So, basically, we’re getting a Wonder Woman book…that is not actually ABOUT Wonder Woman, but a man. Granted, I fully expected the book would eventually get into explaining the existence of Diana’s brother, but if what we’ve heard and read about Robinson’s story is correct, then he is basically the star of this story, not Wonder Woman. This is more than a little problematic for many fans, for a few reasons. Even ignoring the fact that this is kind of a slap in the faces of the more feminist comic book fans, and Wonder Woman IS a feminist icon, so that IS a legitimate problem, I don’t care what anyone says, what the hell kind of sense does it make to have a book where the title character is not the MAIN character? I can only hope this arc doesn’t last long, because otherwise, there’s probably gonna be a SERIOUS drop in the book’s sales.
Other than that, though, where does the book go? Well, a lot of that is probably gonna depend on the outcome of next week’s issue, which will be Greg Rucka’s last on the book. Afterward, Shea Fontana will be getting a quick run on the book before Robinson takes over. After all that, though? Who knows. Hopefully, like I said, the Jason arc won’t last long, and then maybe we can eventually get Gail Simone back on the book. It just feels like it’s time, and we know she can write some awesome Wonder Woman stories. Even if it’s only for a little while, it’d still be appreciated.
Anyway, that’s pretty much all I have to say about the book so far, at least as a more general look at it. I MIGHT decide to give a more in-depth look at Wonder Woman: Year One someday down the road, though. For now, leave your own thoughts on the DC Rebirth Wonder Woman book before, and next, what say we round out the Trinity by going up, up, and away? ^_^ Ja né!