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Jyger’s Rant – The Killing Joke (WARNING – ANGRY RANT, FOUL LANGUAGE, AND MATURE SUBJECT MATTER AHEAD)

… … …So, it’s been a month. I decided to take some time away from the blog for a few reasons, none of which I really wanna get into. Well, except maybe for the sake of refocusing my efforts on Power Rangers Guardians of Gaia Season 2, but that’s another story for another day. Point is, after a while, I knew that, if I was gonna come back, it would have to be something big that would bring me back. And then DC decided to give me a gift: Something to rant about until I’m blue in the face. Really, you guys, you shouldn’t have…Y-…You REALLY shouldn’t have. I was kinda hoping you wouldn’t, what with DC Rebirth moving along pretty well so far, and the trailers for upcoming DC Films actually looking rather decent (or at least more-so than they were)…And then The Killing Joke happened!

So, I was originally gonna do a review of this movie. Then I decided not to, because I decided I wasn’t gonna see it, for a reason I will explain in a bit. Then I decided that I probably SHOULD see it, and that a review of it would be something worth posting on the blog. So I saw it…and then I read some of the fallout…and ultimately, what I’ve decided is not to review it. Instead, I’ve decided to just highlight one or two problems the movie has, particularly one where I felt like I got gang-raped up the ass…! … …So, let’s.

First off, I should probably make it clear that I’m not talking about anything that was specifically lifted from the book. I’m not here to talk about the book. I think people have talked about the book enough, and I know it’s one of maybe three or four books the higher-ups at DC actually remember releasing, so I’m not gonna go there. I will also award the movie this much: It did exactly as I specifically asked them to do almost a full year back. They not only had Kevin Conroy and Mark Hamill reprise their roles as Batman and The Joker, but they also included in the mid-credits a scene where we see Babs become Oracle. This did not save the movie, mind you, but it did keep it from getting no stars whatsoever, or worse, being…

However, for the benefit of those who have never seen the movie or read the book, and I don’t know how you can be a fan of the character Batgirl and not know this, but this is the story all about how a life got flipped, turned upside down, and I’d to take a minute, just sit right there, and I’ll tell how Barbara Gordon got stuck in a wheelchair. Yes, this is the story where Babs gets shot in the spine by Joker as a means to try and make her father crack, and she loses the ability to walk. This later resulted in her becoming Oracle, where she REALLY got to shine as a character, until the New 52 decided to make her Batgirl again for reasons of iconic, which they themselves can’t even seem to properly define. For a while, we were left to assume that she never was Oracle in this new universe, but the new Batgirl and the Birds of Prey book have re-established this part of her life as being canon. However, all of this occurred after The Killing Joke came out, and none of it was planned, and, in fact, when writer Alan Moore approached Len Wein with the idea, he said, and I quote, “Yeah, okay, cripple the bitch”. Moore has later admitted that maybe this wasn’t a good idea, and it really shows how bad the relationship is between Moore and DC when, unless I missed something, he isn’t credited for the book in the movie, Brian Bolland is.

So, what’s my point? Well, in realizing the story only involved Barbara as a prop, Bruce Timm and Brian Azzarello decided to maybe tack on a prologue of sorts to make her a more active part of the story. Now, here’s the thing: That’s actually not a bad sentiment to have. The biggest problem with the story is how it mishandles her, so making her an actual character and not just someone who acts as a motivation for other characters is a good idea… … …They fucked it up. Royally. And really, should we be shocked? Let’s look again at those names, shall we? Bruce Timm and Brian Azzarello. Now, first off, Azzarello is the guy who decided it was a good idea to have the Amazons be made into lying, raping murderers who traded their children for weapons. Not someone I typically trust to write women in a positive manner. Then there’s Timm. And this is where I actually kinda hate this movie on a personal level, because now I have to say something I KNOW I’m gonna regret later, but I still HAVE to say it, so here goes: I love Batman The Animated Series, and I always will, but it REALLY says it all when the character Bruce Timm helped create that gets the most attention in the media was a female supervillain who was the victim of an abusive relationship. Why? Well, let’s just get to the biggest problem with the movie, and it’s summed up in one scene. ROLL IT.

…Now, in case you’re wondering, this is not what pissed me off. On the contrary, watching this scene in full for the first time? It actually made me laugh. It was like a REALLY bad fanfic brought to life. And trust me, I’m speaking as a fanfic writer who has both read and written some bad Batman-related fanfics in the past. In fact, and I probably shouldn’t mention this, but once, a REALLY long time ago, I once decided to write an adult fic involving Poison Ivy and Batwoman. I don’t wanna go into detail, but it was bad. Not only was it bad, it was offensive, and the moment when I realized that and what a horrible thing I’d created, I got rid of it. So, yes, sometimes people will create bad or even offensive stories in an attempt to be dark, controversial, or titillating. That’s not what pissed me off. What pissed me off was listening to Azarrello and Timm defend this decision and actually act like this was a good thing, not just for the story, but for Batgirl. Let’s hear what Bruce Timm had to say about it, shall we?

“And I quote…”

“We were aware that it’s a little risky. There’s definitely some stuff in that first part of the movie that’s going to be controversial. Here’s where we came down on that specific issue: It was really important to us to show that both of the characters make some pretty big mistakes. I mean, his ‘parental skills’ aren’t that great. Maybe never having had any kids of his own, he doesn’t realize that if you tell a kid to not do something, they’re going to want to do it even more. And then she makes some mistakes and then he kind of overreacts to her mistakes and then she overreacts to his overreaction. So it’s very human; it’s a very understandable story. It’s tricky because it’s messy, because relationships are sometimes messy. But to me and to Alan and Brian, it was all very fascinating to us to explore that angle.”

…Okay, I’m gonna bring up something here. Part of my problem with Bruce Wayne and Barbara Gordon being in a relationship is the fact that she is young enough to be his daughter. I can buy her having a kind of schoolgirl crush on him when she’s just getting started, but beyond that, it’s just ridiculous. With that said, I was under the impression that she was presented in this movie as a consenting adult. You, however, Mr. Timm, are treating her like a child. So, which is it, Timm? Is she a child or an adult? Because if she’s an adult, then this line of thinking is incredibly demeaning. And if she’s not, though, then you’re a sick man for producing a movie where an adult Batman has sex with her. And considering Timm’s past with writing female characters on Batman TAS, Batgirl included, I’m honestly not sure if I believe him or not when he says he doesn’t remember whose idea it was to include the sex scene. And if it WAS Brian’s, and maybe it was, the fact that he jumped right in on it doesn’t shock me. Speaking of, Mr. Azzarello, thank you kindly for showing how much you really care about writing women as empowering by writing them as action and violence addicts who will beat up, kill, and yes, even RAPE if they so choose, and then you call someone trying to make a case for this problematic writing at a convention a “pussy”, you bloody moron.

And here’s the really sad part. Babs becoming Oracle in the mid-credits? It still feels really off-putting, and here’s why: We don’t really see her go through any kind of personal anguish over what’s happened to her. And just like in the book, when she wakes up after her being shot, stripped, and having had pictures taken of her, all she can talk about is how she’s scared of what The Joker is going to do to her father. Granted, this does paint her as someone who cares more for her father and what happens to him than herself, which can be seen as admirable and selfless, but honestly, between that and how seamlessly she goes from that to becoming Oracle in the end, she comes off as being in denial about her condition or that she’s lost anything of importance. Let me give you an example of how odd this is, and spoilers ahead for anyone who hasn’t read Power Rangers Guardians of Gaia: My Green Ranger, Patrick, suffers an incident in the story where he loses the use of his eyes, and has to rely on his other senses and powers to help him beyond that. Admittedly, part of those powers allow him to see mental images of everything the air around him touches, but even he acknowledges it isn’t the same as really seeing with one’s eyes. While he calls the loss of his sight “acceptable losses”, and states that he’d do it all over again for the sake of helping people, he still admits that he DID lose something important. He’s BLIND now. This will only serve to hinder him for the rest of his life, and he knows this. In this movie, however, Barbara is never presented as someone who acknowledges her loss. The only time we see her ever stress or angst over anything is her relationship with Batman and her concern for her father. In other words, the attempt to make her more of an actual character in this story instead only served to make her even more of a prop. Instead of fixing the biggest problem with the book, they made the story WORSE.

Now, because I wanna be a fair man, I wanna bring up something. Bruce Timm has since gone on record that, for him, the implication was never that Babs was raped by The Joker. There’s a line in the movie that highly suggested that for some people who watched it, and he’s said that if he’d known that would suggest that ahead of time, he would’ve changed it. Granted, it was still sexual harassment, but we can at least know that, in this version of the story at least, The Joker did not rape Barbara Gordon. Also, while I asked the question earlier, I’m pretty sure Babs is NOT a teenager in this movie. There’s a difference between being squicky and THAT squicky, and I honestly don’t think Timm is, and probably not even Azzarello for that matter. Again, though, that does not save this movie, just that it stops it and your reputations after releasing it from becoming even worse.

At this point, I’d like to share the closing paragraph from a similar article I shared from The Mary Sue, written by Jessica Lachenal, and I’m quoting once again here: “Ultimately, this Batgirl prologue to The Killing Joke failed to do what Timm said it would do. It didn’t ‘tell a Batgirl story,’ or let us ‘learn that she’s an interesting character.’ What was supposed to be a prologue about Batgirl was, in the end, nothing more than a story about Batman and why he does what he does. In that way, the movie just plain does not work the way that the creators thought it would. The fact that they thought this would be even somewhat of a good thing for her character is, perhaps, the most disappointing thing of all.”

Lastly, I just wanna bring up something somewhat related to this, since I described the Batman/Batgirl scene as bad fanfiction. As part of my site stats, there is something called the Search Engine Terms, which basically shows a list of things people have typed into Google or whatever that, in turn, led them to my site. Over the years I’ve been writing in this blog, I’ve gotten a number of…let’s call them odd terms, that have led people to here. Here are just a few examples…

  • bruce wayne in bed with supergirl and powergirl fanfiction
  • catwoman und batgirl lesbo sexy
  • kid icarus palutena naked
  • wonder woman harley quinn sexfic
  • nasthalthia luthor porno
  • powergirl and supergirl have sex
  • pokemon alpha sapphire being naked
  • justice league war hentai
  • poison ivy and robin fanfiction
  • injustice harley quinn naked
  • ladydevimon rape
  • bruce wayne and selina kyle naked
  • batman supergirl fanfiction
  • pokemon elesa hentai
  • powergirl and supergirl have sex
  • barbara gordon hentai
  • diana undressing lol
  • gay bruce and damian wayne having sex
  • birds of prey comic sex rape
  • ivy hera venenosa orgasm sexx
  • power ranger panties fuck
  • wonder woman manga hentai
  • nightwing captured fanfiction

…Sometimes I hate my job…-_- Leave your comments below, but just know that if anyone starts an argument or trolls anyone, I’m deleting them ASAP. Ja né, and I’m taking a fucking shower.

 

 

 

 

 

 

… … …Don’t you dare follow me!

Happy Birthday, Superman! + Jyger’s Favourite 5 – 5 Favourite Superman Stories

Hey guys, it’s February 29th! Guess who is celebrating their birthday today? 😀

… … … …Okay, let’s try THAT again…

I swear to God, YouTube!!!

There we go! 😀 And yeah, go figure that, in official DC canon, Superman is a leap year baby. Personally, I would prefer to celebrate his birthday as being the date when Action Comics #1 came out, but since there is an actual birth date given for him in the comics, here we are. And for a man who has had stories told about him for nearly 80 years, who has saved the world more times than I could dare count, and has been rebooted and given multiple continuities devoted to telling various tales about him, naturally, everybody’s gonna have their favourites. As such, here are five of my personal favourite stories, both from the comics, the various animated series he’s been involved in, and the movies he’s been a part of. So, I suppose we should start off with the most obvious one that anyone who reads my blog knows is gonna be on here, simply because I’ve gone on and on about it already, meaning I won’t have as much new to say about it here…

In looking back on this book, it’s all the more clear to me just how much potential the New 52 Superman has as a character that is ultimately squandered. He is probably among the more imperfect versions of Superman to be shown off in the mainstream, and yet is shown to nonetheless be an inspiring and heroic individual primarily due to one thing: He never, ever gives up. He keeps trying, no matter how bleak things get, even when his own life is on the line, and even if the entire world pleaded for his sake not to. And sometimes, that means failing and eating dirt. But what’s always been most important to him is to never stop trying. Like all past versions of Superman have done when they are at their best, he inspires others to be better through his actions and his kindness. In addition to all that, though, there’re also great cameos by Batman and Wonder Woman that actually make sense within the context of the story and aren’t just shoved in to make a buck, there’s plenty of Lois Lane being awesome, Lex Luthor remains the great and evil puppeteer, and even Jimmy Olsen gets some nice moments in here and there. There are some clichés of modern Superman stories involved, like the military being leery and untrusting of him, and the reveal of another alien who has appeared on Earth to contest him, but there’s just something about the context in which it’s presented here that works a lot better. If you want a good Superman read set in the New 52, this is probably the one for you.

Probably my favourite modern reinterpretation of Superman’s origins. Granted, it could’ve been stretched out to a four or five parter so that the stuff involving Clark as Superman could’ve been expanded on more, but hey, he’s technically still getting started in the next few episodes anyway, so it works fine for what it is. It even addresses my biggest gripe involving Superman’s origins, which, if you’ve read my blog for a while now, you already know: HOW THE FUCK DID NOBODY ELSE ON KRYPTON KNOW THE END WAS COMING AND DIDN’T HAVE A MEANS OF GETTING OFF THE PLANET?!?! Here, though, the explanation given actually makes a lot of sense. Making Lois more of a rival to Clark kinda works well, too, and lets us see her really working her ass off and taking some serious risks, to where it’s obvious and forgivable that she needs saving so much. Any of us would under those circumstances, it just happens to be her. Granted, I don’t quite get why her skirt is so short that, when Superman carries her around, everyone beneath her is getting a shot of her underwear, but whatever. Point is, it’s a great first outing for the hero and look at his origins for a new generation.

The more I think about it, the more I realize how this is pretty much the archetype of the classic Superman story: Mad scientist creates a device that’ll severely fuck up the world, Lois gets into trouble trying to do her job, Superman has to get involved, and through his quick thinking and incredible powers, he saves the day. And honestly, even after nearly 75 years, it still holds up really well. Yeah, there’s some stuff involving his origins that are talked about that I don’t agree with, like the idea of him being naturally super without the need for the sun, or the fact that he was raised in an orphanage, but, all things considered, not the worst version of his origins I’ve ever seen, either. If you haven’t seen it, check it out. It’s in public domain right now, so there’s very little in the way of stopping you from doing so.

What DO you get for the man who has everything? Well, if you wanna stay on his good side, probably not what Mongul got him. This story’s actually been retold and reimagined from its original comic form at least a couple of times. The ones I’m thinking of are in the fantastic Justice League Unlimited series, and as an episode of Supergirl, entitled For The Girl Who Has Everything. Admittedly, I lean more towards the JLU version, but that could simply be because it’s the first one I saw. However, all three tend to show that the most painful and heartbreaking thing you can do to a person is to make them live out their perfect scenario and then force them to abandon it for the greater good. Also, the comic has probably one of Jason Todd’s best moments EVER. It’s emotional, it’s action packed, it’s For The Man Who Has Everything.

Oftentimes considered by many to be one of the all-time greatest stories of the Man of Tomorrow. Once again, the animated version is the one I first saw, but having read the comics since then, I can tell you there are things about it that they change from the original that I both like and dislike. In terms of the like category, I think I prefer the ending of the movie, where we see Luthor, in what could be his final days, finally understanding Superman and what he stood for, what he himself could’ve been all along if it’d really mattered to him, and while he doesn’t necessarily redeem himself, he does make a gesture that perhaps will let his life have some positive meaning. In terms of the dislike, though, the pacing is a bit off, but that’s kinda obvious, due to trying to crunch down a 12 issue comic mini-series into a 76 minute movie. However, while there are of course some things that had to be cut, the one thing that I wish to God could’ve been kept in wasn’t. I don’t why, if maybe there was concern about showing this for whatever reason, but it is quite possibly the greatest scene involving Superman that you will ever see in your life. Here’s the context: Superman is dying. No ifs, ands, or buts about it, he is going to die. As such, in his last days, he is spending his time doing as much as he can for the world as possible, saving more lives and accomplishing greater wonders than he ever has before. And right as he’s in the middle of all that, his super hearing intercepts a call made by a single child…and this is what happens.

THAT is Superman. THAT is the Man of Tomorrow. How great is this scene, you might still ask yourself? Mark Waid called it the most moving scene in a Superman book ever, and he has read EVERY SINGLE COMIC ABOUT SUPERMAN. As I once shared on my blog, POW once awarded it as the greatest moment in comic book history. As TV Tropes put it, “If you took all eighty years of the character’s history and distilled it into a single pure moment containing all his best qualities, that one page would be it. He inspires strength, wisdom, kindness, freedom, value and hope in just a few words. And he saves a life.” And in terms of how it impacted the people who read it…well, let’s let this person tell you.

… … …I’d put down my fedora for this, but let’s be honest, I don’t really wear it much anymore. It’s gotten kinda old. Regardless, this is where we get into real talk, so just bear with me. A lot of people ask me from time to time how I can care so much about superheroes, when they’re just fictional characters drawn on paper. And, even I’ve asked myself on occasion why it feels like all I know how to write about are superheroes, or people and characters that are heroic in their own ways. This is the reason why: Through their stories, superheroes inspire people. They inspire us to be better, to be stronger, to be truer to ourselves, and to be kind and noble. I think that’s also why I watch Atop The Fourth Wall and find myself in the same corner as Lewis Lovhaug when he talks about comics. He once said that “Superheroes are basically the equivalent of modern-day knights-errant, they go out and help people and fight injustices. But a lot of the best superhero comics are the ones not actually about superheroes hitting supervillains or each other, anything like that. It’s the ones that show that superheroes are about kindness and decency and something far more noble than the adolescent power fantasies that people often critique them as”. I tend to agree. Sure, it’s always great to see superheroes give evil people their comeuppance, and of course I still love a good superhero brawl as much as anyone, but THIS is what they should always be about. They are kind, they are compassionate, and in their fictional tales, they show us what we can be in real life.

…Oh yeah, and one other problem one can have with the animated version of All-Star Superman is that he apparently kills Solaris. I don’t know enough about Solaris to know if he really qualifies as a living creature, so if he does, then yeah, that’s a strike against the movie. Really, the only reason I’m okay with it in Superman Unbound is because, by then, Brainiac was more…well…Um, Obi-Wan, you wanna help me out here?

Thank you. lol

And those are my favourite Superman stories. Got one that wasn’t on here? Leave it in the comments section, and don’t worry, I’ll likely be sharing more of my favourite stories and moments in a couple of years when The Man of Tomorrow hits 80 years old. And hey, be sure to leave any words you’d like to share with Superman on his birthday on your own, as well. Ja né!

http://www.dccomics.com/characters/superman

https://en.wikipedia.org/wiki/Superman

https://www.facebook.com/superman

http://dc.wikia.com/wiki/Superman

Jyger’s Favourite 5 – 5 Things I Can’t Believe They Got Away With In Batman: The Animated Series

Anyone ever notice how there’s the occasional content in a kid’s show that maybe was a bit on the mature side, whether it be dark in atmosphere or risqué? Well, I’ve been marathoning my favourite episodes of Batman TAS…again, and I can’t help but notice several moments that clearly slipped through the cracks on that show. Now, keep in mind, this IS a WB cartoon, and we already know how they managed similar situations with Animaniacs (by purposely writing something far worse in the script as a distraction for the editors so that what they actually intended to get through would), but there’s at least one or two of these that…well, you’ll see. Anyway, let’s start off with one of my favourite two-parters in the show…

#1 - Robin's Reckoning

#1 – Robin’s Reckoning

This is actually one of the situations where I can’t imagine how no one noticed anything wrong with it…and yet actually had a problem with something completely different. In the first part of this episode, wherein the origins of Robin in this universe are elaborated on, we see Batman disguised as a thug and gambling with other thugs while trying to get information on Tony Zucco. Apparently, Batman gambling was controversial for some people. Now, I’m not gonna debate the issues of gambling in a kid’s show, since everyone has their own views on stuff like that. What boggles my mind, though, is that apparently nobody raised an eye when, in the next episode, we see a young Dick Grayson saving a prostitute from her pimp after said pimp finds out she’s been holding onto some of the cash she’s been making and is about to assault her. Um, WHAT??? How was GAMBLING the thing that caught people’s attention and THAT went completely under the radar? Granted, they never actually outright state that she’s a prostitute, but any adult with a brain can tell that’s what’s going on. And what’s really weird is that nobody had a problem with gambling in another episode, Joker’s Wild, where most of the episode took place at a casino! Just a little consistency is all I’m asking for, folks!

#2 - Mad Love

#2 – Mad Love

Before anyone says anything, I actually really like this episode. It’s a great look into Harley Quinn’s backstory and how/why she became infatuated with the Joker. However, I still don’t know how the hell they managed to get this past the censors. Not only is it pretty explicitly made clear that these two have had sex in the past, but there were SEVERAL instances of domestic abuse in this episode. True, we’ve seen at LEAST hints of that before with Harley and Joker, but now it’s at the forefront of the episode. Now, it’s part of the main driving plot. And it’s not even just her getting it, either. We hear Joker tell a story of how his father beat him as a child and broke his nose. Granted, it’s pretty clear that the Joker is lying to get sympathy (or, if you believe The Killing Joke, that he’s gone SO insane that he can’t remember his real past), but it’s still pretty harsh stuff for the audience to listen to.

#3 - The Ultimate Thrill

#3 – The Ultimate Thrill

If it really is true that they used the Animaniacs trick with this episode, I NEED to see what the original script for this episode looked like. I like to refer to this episode as “Count the Innuendos”. Seriously, just watch this episode and see if you can spot ’em all. And yes, most of them come from Roxy…and yes, that’s kinda why I like her. lol Still, one thing I’ve always tilted my head at is why she chose to become a thief. I get she’s in it for the thrills, but wouldn’t she get the same rush from being a costumed heroine? Granted, I could see Batman still having to bring her in due to how reckless she is, but she’d get the same thrill, and honestly, looking at her two appearances in the entirety of the DCAU, no one ever gets seriously hurt around her. Hell, most of the time, the person in the most danger is HER. Oh, and I should also mention that this is the first appearance of Batgirl’s “sources”…who are very clearly supposed to be prostitutes. I don’t necessarily mind that TOO much. What I DO mind is how one of them is very clearly designed to resemble Black Canary. Thankfully, we got the real Black Canary in Justice League Unlimited, because otherwise, we would’ve been left to assume that she was a prostitute in this universe…which would somehow actually be even worse than her depiction in All-Star Batman and Robin.

#4 - Girl's Night Out

#4 – Girl’s Night Out

Batgirl rides Supergirl… … … … … …Do I even NEED to say anything else? Well, I don’t, but Harley apparently has some comments…

Also, at one point while they’re in flight, you can see Supergirl’s panties… …Dear God. -_-

#5 - Love Is A Croc

#5 – Love Is A Croc

This one is just all kinds of wrong. And I don’t know who thought it’d be appropriate to keep this in, but I really hope they got smacked up the side of the head for it. The episode is about Baby Doll teaming up with Killer Croc, the former being clearly infatuated with the latter. I would like to remind you all that Baby Doll’s whole gimmick is that she’s an adult woman with a severe form of systemic hypoplasia, meaning she looks like a child. Now, admittedly, because it’s clearly just a one-way thing, and she’s not actually a child but looks and occasionally acts like one (likely due to being locked in that appearance for so long), it’s not AS creepy as it could be… … … …until we see this bit of dialogue.

Yeah, I don’t wanna know either, Batman! What the hell?! o.O I actually even kinda like the episode, but that one exchange of dialogue is just…EW.

But yeah, those are the five that stand out most to me, but it’s not even close to half of them. Wanna read about more? Check out what else they got under the radar at TV Tropes, and be sure to watch the full series if you haven’t yet. If you’re a Batman fan, it’s definitely worth watching. Ja né!

What I Bought This Past Week – The DC Books (Batman #25, Batman/Superman #5, Batman and Robin #25, Harley Quinn #0) (WARNING – SPOILERS)

So, I’ve been to Heroes’ Beacon the past couple of Wednesdays, so I guess it’s time to talk about…

What I Bought This Past Week

 

…And since I bought a LOT the past couple of weeks, I thought I’d split it up between DC and Marvel/Dynamite. So, let’s start the DC books with Batman #25.

Y’know what I realised this is? This is the comic book equivalent of the Ultima VII cover! XD

Well first off, the Zero Year Batmobile is a frakking hot rod. AWESOME! 😀 Second, before we get to Riddler, apparently we got a Doctor Death/Poison Ivy arc, which is pretty cool. I like the fact that Zero Year has three phases, the first being the Red Hood Gang, second being Death and Ivy, third being Riddler. Also, apparently there’s something the military digs up in Nigeria that’s supposed to be important to all of this. Got a little bit of a problem with Bruce Wayne and Jim Gordon being antagonistic towards each other because of something that happened over the murder of Bruce’s parents. Just feels unnecessary. Also, Lucius Fox does a heel turn at the end, I’m going to assume he’s being brainwashed or it isn’t really him, considering how trusted an ally he is to Batman later on. And finally, nice little back-up involving Harper Row and her brother, talking about everyone that’s helping in the blackout (Batman, Superman, Dick Grayson, Jason Todd, Barbara Gordon, John Stewart, Barry Allen, and the rest). Overall, a great issue, albeit one that kinda feels a bit disconnected from all these tie-ins, considering we only hear about the storm coming in the main story, while the tie-ins and the Harper back-up are about the different characters surviving it.

Oh, Snapple…Sorry, guys. Hang on a sec…

…There we go. Yeah, as you can tell, Batman/Superman #5 was a little weird to read, because it was utilizing a different style where you have to turn the comic on its side for the entire book. In other words, Linkara‘s nightmare taken form. XD There was a moment where Superman is able to tell that, and I quote, “In Metropolis, New York City, all up and down the eastern seaboard, the average human heart rate just increased by about three percent”. And I was like “…He can hear that???” and then I had to slap myself and go “Of course he can, you idiot, he’s Superman”. I was a tiny bit offended (not a lot, just a little) by the gamers playing Toymaster’s game not being able to tell that something wasn’t normal, and how when it’s revealed to them that they’ve been actually interacting with the real world, they think it’s just some meta story-within-a-story. C’mon, I know Jimmy Olsen is one of the players, but even HE isn’t THAT stupid. But I will give it a pass for the freaking horrifying reveal at the end: Mongul hacked the game so he can turn online gamers into his own personal army, since they spend billions of hours playing first person shooters and war simulators. THAT is actually kinda scary, and the fact that Mongul is doing it makes it all the more horrifying.

Okay, I’m just gonna say real quick that Batman on this cover makes me think of Batman: The Animated Series, so this book gets points just for that.

Batman and Robin #25…Okay, before I get to the review, I gotta address something. Remember how it was becoming ever-so-clear that Carrie Kelley would become Robin? Well, guess what? No sign of her for a few issues now. The apparent connection that was suggested in the solicit for this issue to what’s going on with Two-Face and Erin McKillen? Not here. And now there seems to be a lot of hints and suggestions that Damian might actually be coming back. So…what the crap is going on? Was Carrie Kelley just dropped in favour of bringing Damian back? Is this maybe just misdirection to just throw us off? And when is this book gonna go back to being titled Batman and Robin instead of Batman and Whoever-The-Frig-Else-Is-In-This-Book?

But yeah, getting back to Batman and Two-Face, it’s fine. The new revised origins for Two-Face are given a bit more development, and I do like the symbolism involved, that Harvey took away Erin’s better half, so she did the same to him. I also really like the return of Matches Malone. There is one panel in the book I have to just shake my head and laugh at, though. Not for being bad, because it isn’t, but because…well, you’ll see.

American Batman! Stay away from me!
American Batman! Mama let me be!

Wow. Subtle, guys. Really. lol

Harley Quinn #0…Y’know what, I don’t know if I’ll be picking up the series to follow it or not, but I will say this: This one issue is worth every penny you pay for it. In fact, for what I paid for it, I almost feel like I was ripping THEM off. This is the funniest comic I have ever read. And before you ask, no, I haven’t read Deadpool. Considered it a couple of times, may end up doing it in the future, but not as of this moment in time. If you don’t know, and I don’t know why you wouldn’t if you’re into comics, this issue is all about Harley Quinn wanting her own comic, and she’s breaking the fourth wall and talking to Amanda Conner and Jimmy Palmiotti as they write the book, talking about the different artists and basically judging which ones she likes best. They even make jabs at themselves and the different artists, so you know they were fully embracing the silliness and not taking themselves too seriously. Favourite moment was probably seeing Harley in her classic costume and drawn by Bruce Timm. The point where I had to put the book down for a second because I was laughing too hard was when they made the remark about Jim Lee’s quarterly royalty payments. XD Seriously, if you like Harley Quinn, or you just like comics that are funny and random as all hell, PICK THIS BOOK UP. I cannot recommend it any further, you guys.

Anyway, that’s it for the DC books I bought lately. Check back in later to learn all about the Marvel and Dynamite books I got in the past couple of Wednesdays. Ja né!