“I love this world. But there’s something missing.” By now, the current crop of DC Comics fans should be well acquainted with these words. They’re the words of a hero whose return to the DC Universe has brought back life, optimism, and legacy to it. His name is Wally West, and he is the fastest man alive… … …aaannd he’s wearing some pretty awesome new threads. ^_^
With the end of The New 52 this past June (happy birthday to me, btw, lol), a new era has begun in DC Comics. While it continues telling the story of the universe established at the end of Flashpoint, it’s nonetheless balanced things out to be more similar to how it was prior to the reboot, as well as set up the groundwork for some big stories in the future. It’s also helped to establish exactly how and why the characters and their stories are different from how they once were. This is DC Rebirth.
DC Rebirth officially started with DC Universe Rebirth #1. However, the seeds of what would become Rebirth were planted almost exactly one year beforehand during DC Convergence. In that story, several pre-Flashpoint worlds were reintroduced, and the events that led to the collapse of the original Multiverse were undone, causing it to become infinite in size once again (though with the currently established Multiverse at the center). In the year that followed, several stories followed up on those events. In particular, we learned that the pre-Flashpoint Clark Kent, his wife Lois, and their new son Jon had all someone been transported to the current Earth 0, AKA Prime Earth. Furthermore, as a result of events in Justice League and his main books, the New 52 Superman found himself dying and, before the end came, asked his pre-Flashpoint counterpart to continue protecting the Earth in his stead. This brings us to today, where Clark is Superman once again, and his son Jon is the new Superboy…and there’s another Clark Kent who has no powers who may or may not be the New 52 Superman, I’m honestly not sure what that’s all about. We’re supposed to get an explanation in March, though.
Another thing that happened in the year between Convergence and Rebirth was the return of the Titans. Basically, it was retconned that the original Titans team really DID exist (although how is anyone’s guess when one considers the backstory of the New 52 Donna Troy, and that’s ALL I’m going to say about that, lol), but that they all lost their memories of ever having been a team. After a while, they finally all came back together, minus one individual who they knew was missing but couldn’t pin a face or a name to. Luckily, as it turned out, they wouldn’t have to wait long.
Anyway, those were all big parts of the Rebirth, but the official era didn’t actually kick off until DC Universe Rebirth #1. In it, we see the pre-Flashpoint Wally West has apparently been trapped in the Speed Force, is regressed in age by a few years, and is back in his Kid Flash costume. Also, it turns out that he and the New 52 Wally West are cousins. Might seem like a bit of a stretch, but I have both a brother and a half brother named Randy, so I can tell you from past experience, it ain’t impossible…though it IS confusing. But more of a big deal is the fact that nobody remembers him. He keeps trying to remove himself from the Speed Force by making contact with people he knew, but without that connection, he keeps falling back. Even Linda Park doesn’t remember him. Finally, he appears to Barry Allen, ready to disappear, but at the last possible moment, Barry remembers him and pulls him back into the world. After five years, Wally West has returned.
Wally gives some exposition, and between it and stuff we can make guess work at, we learn that someone has literally taken away 10 years of history. At this exact moment, we don’t know how, why, or which 10 years exactly were the ones taken. We don’t even know if they were 10 full years or just bits of time here and there that added up to 10 years. But here’s what we do know: The New 52 DC Universe is essentially the same universe that existed prior to Flashpoint, just with those 10 years taken away. That’s the biggest contributing factor as to why this universe is so different. Because, without certain key moments that occurred during those 10 years, relationships were either changed or outright erased, characters were de-aged, and several other contributing factors occurred to completely mess with peoples’ lives, who they were, and what they meant to the universe at large.
Now, with that said, you might ask “But Jyger, wasn’t the reason the DC Universe was changed was because of Barry’s traveling through time and Pandora’s merging elements of the Wildstorm and Vertigo universes with it?”, to which I reply “Yes, that WAS the reason given”… … …Ugh, okay, let’s TRY and unravel this, shall we? So, first off, let’s assume for the moment that this isn’t just a blatant retcon (although, let’s be honest, it probably is). If I had to make a guess at what happened, it’s that someone took advantage of Barry’s breaking the time barrier and used that opportunity, when history itself was vulnerable, to remove 10 years. Pandora, seeing what had happened, decided to strengthen the now weakened universe by fusing it with the Wildstorm and Vertigo universes. That, I THINK, is what has happened here: That, while having some cosmetic differences and whatnot, the New 52 Universe wouldn’t have been AS different as it has been without the loss of that decade worth of history. Oh, and speaking of Pandora, during the events of DC Universe Rebirth #1, she was apparently fried…in a very familiar fashion, but I’ll get to that in a moment. Also, because of certain other events going on in some of the newer stories, I have my doubts that she’s really gone.
Anyway, other stuff happened in DC Universe Rebirth #1 that has started to balance things out to be more like the previous continuity. For starters, Aquaman proposed to Mera, so we can finally put it to rest as to the nature of their relationship. Green Arrow and Black Canary met up during an investigation into New 52 Supes’ death and were left with a feeling like something was missing from their lives, which is being explored in the current Green Arrow book where the two are finally tag-teaming against criminals and dating again, except without the baggage of some of the shittier things Ollie did while they were involved in the previous continuity. And characters like Ryan Choi, Jackson Hyde, Ted Kord, Johnny Thunder, and Saturn Girl were given their appropriate reintroduction to the universe (okay, technically, we’d seen Ted beforehand, but now he’s working with Jaime as he should be).
In the midst of all of that, though, we found ourselves with hints of what was to come. Batman was seen investigating the revelation that there are apparently three Jokers…and yeah, not sure what to make of that, other than the fact that, with the Silver Age Joker supposedly coming back as his own character, we’ll at least have a Joker who is FUN again. Superman was visited by a figure known as Mr. Oz, who we’ve actually seen in the Superman books of the New 52 before, and who gave some rather cryptic remarks regarding the nature of both Supermen’s existence. Like the new Clark, we’re supposed to get some more info on Oz in March, and we’ve even seen him in the newer Detective Comics issues as well. Damian Wayne, the current Robin, turned 13, hinting toward his future alignment with the Teen Titans. Doctor Fate (Kent Nelson) let Ted Kord know that the Scarab is actually magic…because, for some reason, we’ve now gone backwards through retcons. Seriously, I don’t get why they switched BACK to the Scarab being magical in nature, other than as a means to involve Doctor Fate, and with the Justice Society apparently coming back soon, it’s not really necessary. We learned for absolute certain that New 52 Wally West is a speedster, and pre-Flashpoint Wally gave his blessing for him to be the new Kid Flash, which I’m actually fine with. Now that we’ve established the two as completely separate characters, New Wally is free to be his own character. And we found out that Jessica Cruz, the newest Green Lantern of Space Sector 2814 will be having to work directly with Simon Baz, AKA the one Green Lantern who carries a gun.
However, all of that paled in comparison to the big reveal. After being brought back from the Speed Force by Barry, Wally told him everything he knew about the current situation and how he felt this wasn’t completely Barry’s fault. In the end, though, he couldn’t place a face or a name to whoever was responsible for taking away time. However, it seems he may have left a clue nonetheless, as Batman investigated where Wally had originally appeared in the Batcave, and found something embedded in the stone wall: A single smiley face button with a drop of blood smeared across it. And so, the story ended with the image of a watch on Mars, along with the following familiar dialogue…
“I did the right thing, didn’t I? It all worked out in the end.”
“In the end? Nothing ends, Adrian. Nothing ever ends.”
…Yup, turns out the culprit is none other than Doctor Manhattan. How and why is still unknown. Hell, for all we know, Jon didn’t even do so intentionally. However, considering the all-too-familiar method by which Pandora was killed (as well as Owlman and Metron at the end of Darkseid War, and yes I AM still planning to do a full review of that someday), chances are he’s very much doing this blatantly. But regardless, we do have a reason for Doctor Manhattan’s inclusion from a meta standpoint: Simply put, there are a LOT of writers out there who look at a book like Watchmen and think that the reason it was great was because it was dark and dire, so they try to copy that approach, not understanding that dark stories don’t automatically equal something good. As far as I can tell, between what’s being presented and what Geoff Johns has said in interviews since the release of the comic, Doctor Manhattan is basically being cast as just that: Someone who doesn’t understand that the way his dark story is being written doesn’t work. Of course, no one bothers to mention that Geoff Johns himself has done this in the past, whether he realizes it or not, but he still has a good enough idea as to how things are supposed to work and how characters are supposed to behave that I trust him with this. How exactly that gels with what happened at the end of Watchmen is yet to be seen, but between his involvement and the dialogue at the end of the book, I think we might just know who exactly “Mr. Oz” really is, who has since abducted both Doomsday and Tim Drake for reasons that are currently a mystery. Personally, I’m kind of expecting to see this resolve in some big DC Rebirth vs Watchmen event. How that’ll play out, and just to what degree will its existence piss off Alan Moore, is still a mystery, but it’s still likely to happen nonetheless. Hopefully, they take their time building to it.
So, at this point, you’re probably thinking “Well, that all sounds well and good, but if that’s the case, then why in the hell has it taken you this long to discuss Rebirth?”. And…yeah, I fully admit that I kind of procrastinated at that. However, in the end, I’m kinda glad I did. Why? Because it gave me something POSITIVE to talk about at the end of the year, and as I alluded to the other day, there hasn’t really been a lot positive to discuss regarding 2016. And while Rebirth hasn’t been perfect, and there are still some issues from the previous era left to iron out, it’s most definitely been an improvement, and I’d likely consider it the best thing to happen in comics this entire year. I’ll probably go more into detail as to some of the ups and downs of Rebirth once it’s a year old…at which point, I’ll be 32 years old…God, I’m ancient. But, for now, stuff like seeing the Titans and the Birds of Prey back together, the pre-Flashpoint Superman training his son, Dick Grayson being Nightwing again, Barry teaming with the new Kid Flash, and Wonder Woman being written by Greg Rucka again (who is fixing EVERYTHING that went wrong with her in the New 52, btw) are all major pluses. Oh yeah, and they’re also hinting at the return of the Blue Lanterns, THANK GOD. You have NO idea how hard it’s been to keep optimistic about a comic book universe that seems to actively hate hope, and to see it on its way back is such a relief.
But for me, the biggest point about why Rebirth works and The New 52 didn’t is because the characters FEEL like themselves again. It’s not just the situations and circumstances, it’s WHO THEY ARE. How they act, how they respond to different situations, and so on. Everything just kind of fits again, but without excluding any of the things about The New 52 that worked. Because this isn’t about pretending The New 52 never happened. This is about putting the DC Universe back on the right path, one that isn’t devoid of hope and fun, nor forgets the lessons learned from the mistakes of yesterday. Really, the only thing about the previous era that’s been undone is the vast majority of what happened to Wonder Woman. And even then, it’s not like those events never happened, it’s more damage control for her origins and the Amazons, and it all unfolds in a way that makes sense and helps make things feel like they’re supposed to be. It’s not just that Lois and Clark are back together. It’s that Lois and Clark FEEL like Lois Lane and Clark Kent. And I hope that, in continuing with DC Rebirth, the writers and higher-ups of DC Comics remember that point and continue to learn from their past mistakes.
But hey, that’s all just my opinion. What do you think of DC Rebirth? What have some of your favourite or least favourite titles been? Lemme know in the comments, as well as how you hope to see things unfold from here, and we’ll check back in June with how Rebirth has been upon turning one year old. Ja né, and Happy New Year!
So, I think a lot of people probably know by now my general thoughts on Batman V Superman: Dawn of Justice. Namely that I didn’t like it. However, it wasn’t until a video was posted online that the gears in my head started to REALLY turn as to one thing they could’ve done differently with relative ease to make the movie flow just a tiny bit better. That video was the following:
Now, when I first saw this video, I left the following comment: “Sounds epic as fuck, and would’ve guaranteed given boners to the crowd, but it doesn’t work for one reason: Bale Batman doesn’t kill, Affleck Batman does. Whatever your stance on whether Batman should or shouldn’t kill, that’s the major difference between the two”. However, the more I’ve sat and thought about it, the more I realized just how easily it would’ve been to have Affleck Batman be Bale Batman, only years after the events of The Dark Knight Rises. Let’s go through how the two film series line up, shall we?
So first off, let’s talk about how The Dark Knight Rises ends. Bruce faked his death so he could retire to a normal life with Selina Kyle, and Robin John Blake is given the coördinates to the Batcave, presumably so he could take over Bruce’s place as Gotham’s protector. Now, you may ask how that could transition to Batman V Superman, but let’s look at a few other details. Specifically, let’s look at the one major villain from The Dark Knight Trilogy who didn’t die and is now an important character in the new DC Cinematic Universe: The Joker. Now, granted, the Joker from the Dark Knight movies IS very different from the new one. Specifically, Ledger Joker was clearly wearing make-up and had a permanent smile due to the scars on his face, whereas Leto Joker is hinted at having the more traditional backstory of having fallen into a vat of chemicals. However, let’s say they didn’t go that route for a second and then look at what else we know about Leto’s Joker from details given to us strictly in Batman V Superman: He killed Robin.
Now, lets look at Bale Batman vs Affleck Batman. Obviously, the biggest difference between the two (besides their age) is their methodology and the limits they’re willing to go to in the line of duty. As I said before, Affleck Batman has no problems killing criminals, while specifically not killing was a big thing for Bale Batman. Yes, the Batman of the Nolanverse movies did find loopholes he could exploit to get around that fact, but for the most part, that was Bale Batman’s biggest rule, so something pretty drastic would’ve had to have happened for him to go back on that to such a degree that he’d resemble Affleck Batman’s style of doing things. So, what would make him do such a thing? The answer again falls on one point: The dead Robin.
Anyone who knows anything about Batman in the comics likely knows that the dead Robin in the DC Cinematic Universe is more than likely Jason Todd. However, let’s instead think of Batman V Superman occurring in the same canonical universe as The Dark Knight Trilogy, and Robin is, in fact, John Blake, having used his first name that he mostly opted not to use as his codename while working as Batman’s replacement. Now, imagine if The Joker brutally killed Robin, then publicly taunted Batman (regardless of if he knows Batman is really alive or not) with this fact. Again, Jason Todd dying in the comics was a big deal for a long time, and still sort of is even after his return to the land of the living. It’s often regarded as Batman’s greatest failure. But now imagine this happening under these circumstances, with Bruce realizing that Robin would have never died if he hadn’t faked his death and enlisted him as his successor. Suddenly, not only do you have a great reason for Bruce to return to Gotham and continue his work as Batman, as well as coming up with a convincing excuse for how he, as Bruce Wayne, likewise was still alive (preferably not at the exact same time as to avoid arousing suspicion), but he would also have reason to go more than a little nuts. Remember, the only reason he didn’t in the comics after the death of Jason Todd was because Tim Drake stepped in and helped to keep him grounded. But in a world where that never happened, can we say with 100% certainty that he wouldn’t have lost it, even if we’d LIKE to think Bruce would never do that? It’s certainly a believable scenario to have presented. And all of the aesthetical changes to Batman (his suit, his equipment, his vehicles, etc.) could easily be explained by him changing with the times, especially since the vast majority of his tech was destroyed at the end of The Dark Knight Rises, specifically The Bat and his spare Tumblers. Hell, you can even explain away the voice modifier as him deciding he didn’t need to do the Bat voice himself anymore.
So, with all of that said, why didn’t DC and Warner Bros. decide to do this? Well, there’re a few reasons. For starters, there are characters who appeared and died during The Dark Knight Trilogy that they might be considering making use of later on. Second, all of the characters who would be returning would either have to be recast, or they’d have to convince the previous actors to return. In particular, The Joker would NEED to be recast due to the death of Heath Ledger, and honestly, I don’t know who I would have chosen to portray Ledger’s Joker. And, not to be too disrespectful, but suffice to say, Jared Leto is NOT Heath Ledger. Just saying. Third, while the details DO line up, there likely would still be plot holes created. One that comes to mind is the fact that we know Clark was wandering around and helping in (relative) secret wherever he could for several years before becoming Superman, and odds are good he would not have just sat around and did nothing about what was going on in Gotham during The Dark Knight Rises. And no, there’s NO way he couldn’t have known. And lastly, another big reason why they may have opted not to connect the new DC movies to the earlier ones in any way was so that they could build this whole new movie universe from the ground up. Don’t have to worry about past continuity, doing research to make sure everything lines up, or rehiring anyone that worked on the previous movies, they can just do everything over again. And, admittedly, while they COULD have found ways to iron out all those issues, I can’t really say as I blame them for not doing it. Plus, with the Arrowverse CW shows having established the existence of an infinitely-spanning Multiverse, it’s entirely possible that ALL of the live action interpretations of DC’s heroes are canonically part of it. Still, for what it’s worth, everything I’ve presented can still stand as a neat little idea of how things might have been. But hey, that’s just a theory…A FILM THEOR-Wait, what do you mean MatPat does theories for movies too???
…Anyway, let me know in the comments (or in the poll below) whether you think DC should or shouldn’t have connected the new Batman related movies to the previous ones, and I will see you guys the next time I decide to show my geekness…which’ll probably not be very long from now. lol Ja né!
Yup, I’m still doing this. lol That said, compared to what I had up, I’ve made quite a few new Captain Ersatzes on Deviant Art, and I owe a lot of that to my readers who voted on who they’d like to see me make expies of. I’m still going through the list, but here’s a look at what I’ve posted since I started taking requests…
…BUT, as anyone who has been to my Twitter knows, I’ve still got maybe one or two left to go. Specifically, I decided to go ahead and make counterparts for the Justice League. And, because you guys went ahead and helped me out with this, here’s an early preview…with appropriate music. lol
Anyway, with that outta way, there’s another poll I’d like to present. Basically, now that I’ve done a few counterparts of Batman’s rogues gallery, I was wondering which group of villains I should do next. So, by all means, vote below on which rogues gallery you’d like to see expies of next, and we’ll see what happens in a week’s time. Ja né!
So, as I announced on Deviant Art, I’m planning to make Captain Ersatzes via HeroMachine 3 and posting them online. If you don’t know what a Captain Ersatz is (and you’re too lazy to click on the link to TV Tropes, lol), basically, they’re kind of knock-offs of previous existing characters and properties. And before you point out the general track record of these, lemme point out that BATMAN is technically one of these for Zorro. Plus, it’s not like I’m making money by posting these on Deviant Art. I’m just doing this for funsies.
So, why am I asking for feedback here? Well, specifically, I wanna know which characters you’d like me to make expies of. Also, since Green Defender is sort of Batman with powers, which members of his rogues gallery would you like me to make counterparts of, and just any other ideas, thoughts, suggestions, etc. you might have on the subject. Either way, let me know in the comments below, and be sure to check out my various HeroMachine 3 creations (knock-offs or otherwise) by clicking the link under the image below. Ja né!
Jyger’s Rant – The Killing Joke (WARNING – ANGRY RANT, FOUL LANGUAGE, AND MATURE SUBJECT MATTER AHEAD)
… … …So, it’s been a month. I decided to take some time away from the blog for a few reasons, none of which I really wanna get into. Well, except maybe for the sake of refocusing my efforts on Power Rangers Guardians of Gaia Season 2, but that’s another story for another day. Point is, after a while, I knew that, if I was gonna come back, it would have to be something big that would bring me back. And then DC decided to give me a gift: Something to rant about until I’m blue in the face. Really, you guys, you shouldn’t have…Y-…You REALLY shouldn’t have. I was kinda hoping you wouldn’t, what with DC Rebirth moving along pretty well so far, and the trailers for upcoming DC Films actually looking rather decent (or at least more-so than they were)…And then The Killing Joke happened!
So, I was originally gonna do a review of this movie. Then I decided not to, because I decided I wasn’t gonna see it, for a reason I will explain in a bit. Then I decided that I probably SHOULD see it, and that a review of it would be something worth posting on the blog. So I saw it…and then I read some of the fallout…and ultimately, what I’ve decided is not to review it. Instead, I’ve decided to just highlight one or two problems the movie has, particularly one where I felt like I got gang-raped up the ass…! … …So, let’s.
First off, I should probably make it clear that I’m not talking about anything that was specifically lifted from the book. I’m not here to talk about the book. I think people have talked about the book enough, and I know it’s one of maybe three or four books the higher-ups at DC actually remember releasing, so I’m not gonna go there. I will also award the movie this much: It did exactly as I specifically asked them to do almost a full year back. They not only had Kevin Conroy and Mark Hamill reprise their roles as Batman and The Joker, but they also included in the mid-credits a scene where we see Babs become Oracle. This did not save the movie, mind you, but it did keep it from getting no stars whatsoever, or worse, being…
However, for the benefit of those who have never seen the movie or read the book, and I don’t know how you can be a fan of the character Batgirl and not know this, but this is the story all about how a life got flipped, turned upside down, and I’d to take a minute, just sit right there, and I’ll tell how Barbara Gordon got stuck in a wheelchair. Yes, this is the story where Babs gets shot in the spine by Joker as a means to try and make her father crack, and she loses the ability to walk. This later resulted in her becoming Oracle, where she REALLY got to shine as a character, until the New 52 decided to make her Batgirl again for reasons of iconic, which they themselves can’t even seem to properly define. For a while, we were left to assume that she never was Oracle in this new universe, but the new Batgirl and the Birds of Prey book have re-established this part of her life as being canon. However, all of this occurred after The Killing Joke came out, and none of it was planned, and, in fact, when writer Alan Moore approached Len Wein with the idea, he said, and I quote, “Yeah, okay, cripple the bitch”. Moore has later admitted that maybe this wasn’t a good idea, and it really shows how bad the relationship is between Moore and DC when, unless I missed something, he isn’t credited for the book in the movie, Brian Bolland is.
So, what’s my point? Well, in realizing the story only involved Barbara as a prop, Bruce Timm and Brian Azzarello decided to maybe tack on a prologue of sorts to make her a more active part of the story. Now, here’s the thing: That’s actually not a bad sentiment to have. The biggest problem with the story is how it mishandles her, so making her an actual character and not just someone who acts as a motivation for other characters is a good idea… … …They fucked it up. Royally. And really, should we be shocked? Let’s look again at those names, shall we? Bruce Timm and Brian Azzarello. Now, first off, Azzarello is the guy who decided it was a good idea to have the Amazons be made into lying, raping murderers who traded their children for weapons. Not someone I typically trust to write women in a positive manner. Then there’s Timm. And this is where I actually kinda hate this movie on a personal level, because now I have to say something I KNOW I’m gonna regret later, but I still HAVE to say it, so here goes: I love Batman The Animated Series, and I always will, but it REALLY says it all when the character Bruce Timm helped create that gets the most attention in the media was a female supervillain who was the victim of an abusive relationship. Why? Well, let’s just get to the biggest problem with the movie, and it’s summed up in one scene. ROLL IT.
…Now, in case you’re wondering, this is not what pissed me off. On the contrary, watching this scene in full for the first time? It actually made me laugh. It was like a REALLY bad fanfic brought to life. And trust me, I’m speaking as a fanfic writer who has both read and written some bad Batman-related fanfics in the past. In fact, and I probably shouldn’t mention this, but once, a REALLY long time ago, I once decided to write an adult fic involving Poison Ivy and Batwoman. I don’t wanna go into detail, but it was bad. Not only was it bad, it was offensive, and the moment when I realized that and what a horrible thing I’d created, I got rid of it. So, yes, sometimes people will create bad or even offensive stories in an attempt to be dark, controversial, or titillating. That’s not what pissed me off. What pissed me off was listening to Azarrello and Timm defend this decision and actually act like this was a good thing, not just for the story, but for Batgirl. Let’s hear what Bruce Timm had to say about it, shall we?
“We were aware that it’s a little risky. There’s definitely some stuff in that first part of the movie that’s going to be controversial. Here’s where we came down on that specific issue: It was really important to us to show that both of the characters make some pretty big mistakes. I mean, his ‘parental skills’ aren’t that great. Maybe never having had any kids of his own, he doesn’t realize that if you tell a kid to not do something, they’re going to want to do it even more. And then she makes some mistakes and then he kind of overreacts to her mistakes and then she overreacts to his overreaction. So it’s very human; it’s a very understandable story. It’s tricky because it’s messy, because relationships are sometimes messy. But to me and to Alan and Brian, it was all very fascinating to us to explore that angle.”
…Okay, I’m gonna bring up something here. Part of my problem with Bruce Wayne and Barbara Gordon being in a relationship is the fact that she is young enough to be his daughter. I can buy her having a kind of schoolgirl crush on him when she’s just getting started, but beyond that, it’s just ridiculous. With that said, I was under the impression that she was presented in this movie as a consenting adult. You, however, Mr. Timm, are treating her like a child. So, which is it, Timm? Is she a child or an adult? Because if she’s an adult, then this line of thinking is incredibly demeaning. And if she’s not, though, then you’re a sick man for producing a movie where an adult Batman has sex with her. And considering Timm’s past with writing female characters on Batman TAS, Batgirl included, I’m honestly not sure if I believe him or not when he says he doesn’t remember whose idea it was to include the sex scene. And if it WAS Brian’s, and maybe it was, the fact that he jumped right in on it doesn’t shock me. Speaking of, Mr. Azzarello, thank you kindly for showing how much you really care about writing women as empowering by writing them as action and violence addicts who will beat up, kill, and yes, even RAPE if they so choose, and then you call someone trying to make a case for this problematic writing at a convention a “pussy”, you bloody moron.
And here’s the really sad part. Babs becoming Oracle in the mid-credits? It still feels really off-putting, and here’s why: We don’t really see her go through any kind of personal anguish over what’s happened to her. And just like in the book, when she wakes up after her being shot, stripped, and having had pictures taken of her, all she can talk about is how she’s scared of what The Joker is going to do to her father. Granted, this does paint her as someone who cares more for her father and what happens to him than herself, which can be seen as admirable and selfless, but honestly, between that and how seamlessly she goes from that to becoming Oracle in the end, she comes off as being in denial about her condition or that she’s lost anything of importance. Let me give you an example of how odd this is, and spoilers ahead for anyone who hasn’t read Power Rangers Guardians of Gaia: My Green Ranger, Patrick, suffers an incident in the story where he loses the use of his eyes, and has to rely on his other senses and powers to help him beyond that. Admittedly, part of those powers allow him to see mental images of everything the air around him touches, but even he acknowledges it isn’t the same as really seeing with one’s eyes. While he calls the loss of his sight “acceptable losses”, and states that he’d do it all over again for the sake of helping people, he still admits that he DID lose something important. He’s BLIND now. This will only serve to hinder him for the rest of his life, and he knows this. In this movie, however, Barbara is never presented as someone who acknowledges her loss. The only time we see her ever stress or angst over anything is her relationship with Batman and her concern for her father. In other words, the attempt to make her more of an actual character in this story instead only served to make her even more of a prop. Instead of fixing the biggest problem with the book, they made the story WORSE.
Now, because I wanna be a fair man, I wanna bring up something. Bruce Timm has since gone on record that, for him, the implication was never that Babs was raped by The Joker. There’s a line in the movie that highly suggested that for some people who watched it, and he’s said that if he’d known that would suggest that ahead of time, he would’ve changed it. Granted, it was still sexual harassment, but we can at least know that, in this version of the story at least, The Joker did not rape Barbara Gordon. Also, while I asked the question earlier, I’m pretty sure Babs is NOT a teenager in this movie. There’s a difference between being squicky and THAT squicky, and I honestly don’t think Timm is, and probably not even Azzarello for that matter. Again, though, that does not save this movie, just that it stops it and your reputations after releasing it from becoming even worse.
At this point, I’d like to share the closing paragraph from a similar article I shared from The Mary Sue, written by Jessica Lachenal, and I’m quoting once again here: “Ultimately, this Batgirl prologue to The Killing Joke failed to do what Timm said it would do. It didn’t ‘tell a Batgirl story,’ or let us ‘learn that she’s an interesting character.’ What was supposed to be a prologue about Batgirl was, in the end, nothing more than a story about Batman and why he does what he does. In that way, the movie just plain does not work the way that the creators thought it would. The fact that they thought this would be even somewhat of a good thing for her character is, perhaps, the most disappointing thing of all.”
Lastly, I just wanna bring up something somewhat related to this, since I described the Batman/Batgirl scene as bad fanfiction. As part of my site stats, there is something called the Search Engine Terms, which basically shows a list of things people have typed into Google or whatever that, in turn, led them to my site. Over the years I’ve been writing in this blog, I’ve gotten a number of…let’s call them odd terms, that have led people to here. Here are just a few examples…
- bruce wayne in bed with supergirl and powergirl fanfiction
- catwoman und batgirl lesbo sexy
- kid icarus palutena naked
- wonder woman harley quinn sexfic
- nasthalthia luthor porno
- powergirl and supergirl have sex
- pokemon alpha sapphire being naked
- justice league war hentai
- poison ivy and robin fanfiction
- injustice harley quinn naked
- ladydevimon rape
- bruce wayne and selina kyle naked
- batman supergirl fanfiction
- pokemon elesa hentai
- powergirl and supergirl have sex
- barbara gordon hentai
- diana undressing lol
- gay bruce and damian wayne having sex
- birds of prey comic sex rape
- ivy hera venenosa orgasm sexx
- power ranger panties fuck
- wonder woman manga hentai
- nightwing captured fanfiction
…Sometimes I hate my job…-_- Leave your comments below, but just know that if anyone starts an argument or trolls anyone, I’m deleting them ASAP. Ja né, and I’m taking a fucking shower.
… … …Don’t you dare follow me!
So, the past few days have been exciting for NetherRealm fans. As has been speculated and hinted at for a few years now, we finally have confirmation: Injustice 2 is on the way. What’s not so awesome for me is that, apparently, this game will not be available for any system I own. Once again, bend me over and f** ** ** *** *** for being a Nintendo guy. lol I kid, I get that this happens sometimes, and of course I’ll probably still watch playthroughs of the game when it comes out, but it’s a little frustrating is all. And I’ll get into why specifically, but for now, let’s take a look at the trailers.
Right off the bat, I gotta say how much I appreciate how frigging colourful the gameplay trailer was. Anyone who played the first Injustice game knows just how dark and gritty it looked at times, even when heroes like Green Lantern were on the scene, but this game has so many different bright and shiny colours and effects going on. It’s a marvel to look at, and a bit of a relief since, while I liked the announce trailer, the darker tone of it made me think we were going back there with this game. Instead, the announce trailer is simply to set a thematic tone with its darkness and everyone fighting, while the gameplay will be so much brighter, which makes me wonder a bit about how the story will unfold, if we’ll perhaps see a clash of all the darkness and despair from the previous game’s story going up against a more optimistic and hopeful era.
To explain what I mean by that, let’s look back on the plot of the previous game. And, before anyone asks, I did not read the comics, primarily because I knew I wouldn’t like the depressing and grimdark tone of it, though I do admit to laughing my ass off at some of the bits I’ve seen involving Harley Quinn. Why ISN’T Green Arrow’s hideout called The Quiver? But anyway, the point is, last game, we had the Justice League of a world more akin to what we’d usually expect out of our heroes being tasked with saving an alternate Earth (which I’m just going to call Earth Injustice) where Superman, after being tricked into killing his wife and unborn child, slipped into madness and took over, creating a conflict between his Regime and Batman’s Insurgency. In the end, the good Superman defeated the evil one, locking him away in a prison that robbed him of his powers, the members of his Regime were arrested, and the fallen Earth was given a chance to start over, though it was hinted at the very end that evil Superman still had a tiny portion of his powers left.
So, there’s two ways I think this story can go. The obvious one is to tell what happened on Earth Injustice after the Regime crumbled. After all, the Injustice comic has gone on for five years now, telling the tales of this world and its characters (and killing them off willy nilly), meaning a lot of work has been put into it. Seems like a waste to toss aside, is all I’m saying, especially now that there’s an opportunity to tell what happened next. However, I have a feeling that the story will consist more of “first things were bad, and now they’re worse”. Like I said, everything seems so bright and shiny in the gameplay. Now, that could be because of the better graphics, but honestly, I would take advantage of that. Show that there are people who have stepped up since the collapse of the Regime that have taken great care in building the world back up. Have the optimists trying to deal with fixing the world. Then the trouble starts, likely an invasion of some sort combined with Superman getting free, and have it be a clash between the two sides that shows the brighter, more optimistic side take on the darker and dire side. And when it comes to bringing back the old characters that died, maybe have them be brought back as Black Lanterns or zombies (Atrocitus IS apparently part of the story this time, after all, and he’s delved into necromancy in the past), or have characters like Red Arrow or Mary Marvel step up to take their place, but with a few adjustments.
The other way the story could go is to have it take place on the world where the good Justice League come from. Why do I think that? Well, let’s take a second and look at Superman’s arcade ending in the first game.
Now, before you ask, no, I don’t think the idea here would be to have this world end up exactly like the other. I think that would kind of be a waste and a retread. But what would happen if concern over that got so bad that the wrong person at the wrong time ended up with the control to kill Superman? Or, what if the government found out about what happened there and became worried about it happening in their world? Granted, much like Injustice 1’s plot, this is a story that has been done before in the animated series, but it still has potential to be explored, with different characters and interactions as part of it, and heroes and villains taking different sides in the debate that could lead to different alliances. And before anyone says “Well, Superman’s ending in arcade mode isn’t canon to the main story”, remember this is NETHERREALM we’re talking about. They either take elements of the different character endings and incorporate them in future stories and/or make character endings specifically to tease future events all the time.
Overall, though, I think all the signs point to this taking place on Earth Injustice. What especially gives it away is one of the stages we see in the gameplay trailer where Supergirl fights Atrocitus. We see a statue of Superman holding someone’s body, which I’ve heard many who have likewise watched this trailer suggest could be Lois Lane. We know from dialogue between the two Supermen at the end of Injustice 1 that Lois Lane is alive in the Justice League’s world, so this HAS to be Earth Injustice. This also might explain the new gameplay feature: The armour. In the last game, Batman gave the Justice League and members of the Insurgency super pills that were created by Superman and stolen from the Regime (and yes, as Matt and Pat of the Super Best Friends pointed out, Superman has been pushing drugs in this universe, lol) in order to make them tough enough to go toe-to-toe with some of the tougher superhumans out there. However, in the fallout of Superman’s defeat and the arrest of seemingly all the more powerful members of his Regime, what if they stopped making the pills, or perhaps the stuff required to make it ran out? That would lead to the most likely replacement in dealing with the new threat in the new game: Power armour. Something to augment and adjust their natural abilities to make them able to stand up to tougher opponents.
Regardless of what they do with the plot, though, I hope it’s at least less dark and dire than the last one. I don’t need to rant again about how pissed off some of the decisions with the story made me. Hopefully, the more optimistic tone going on with Rebirth (and apparently the movies now that Geoff Johns is gonna be taking over there) will translate here, too. I’ll go more into what I’d like to see from the game later, though. For now, lemme know what you think of what we’ve seen of this game so far, and let’s see if anything more about the game comes to light at E3. Ja né!
…Well, we’re finally here, folks. It’s been five years, but at last, the New 52/DC You is dead. Granted, a few of its titles are still finishing up their runs, and the new books still take place in this universe, but it’s a changed one, and, quite frankly, a VASTLY improved one in my opinion, but I’ll be going over how when I look at DC Universe Rebirth #1 (the reason I haven’t yet is because there was still some fallout from it that continues into the other Rebirth one-shots). Before that, though, I think it’s time to look back on exactly what happened with the New 52, where it went wrong, and some of the worst titles that I personally have ever read from this era. So, welcome once again to How To Drop The Ball In Comics as I, for one last time, let it all out about the New 52.
What Is It?: The New 52 was basically a way to bring in new readers who might be intimidated by 70+ years of history, likely as a means of competing more with Marvel by upping their numbers. Sound familiar? It should. It’s something that DC has tried to do a few times now. However, they never tried anything quite like this: Following the event Flashpoint, the DC Universe was rebooted to where most of the heroes of the world had only been active for about 5 years. Most of the history of the characters were either gone or changed, thus creating a blank slate to start over from scratch with new talent to tell their tales in a modern setting. Now, DC was no stranger to reboots and retcons. But, as I said, this went a bit above and beyond anything they’d ever done before. So, the question one has to ask themselves, as has been done since the beginning of this new comic universe, is the same singular word as it’s always been: Why?
How Did It Have Potential?: Really, when you get down to why DC felt the need to reboot everything, it usually leads to a common question: Are there really that many people who want to read comics but don’t because of so much continuity to go through? And the answer is…complicated. I’ve had this talk before, and as I said then, this generation is actually the luckiest when it comes to stuff like that. We have the internet, with which we can read up on all this information. Sure, we might not get EVERYTHING, but the most important details will be waiting for us. That said, there DO exist people who either don’t know where to get this information, or don’t feel obligated, for whatever reason, to read up on it, but would STILL like to get into comics. Now, personally speaking, nowadays, I’m more of a subscriber to the theory that the best way to get new readers isn’t to sweep everything under a rug, but instead to give just enough allusions to these old stories and make them sound super exciting and interesting, thus making the reader want to know more. If you wanna know where I figured THAT out, read JLA/Titans: The Technis Imperative. Or, if you can’t find it, watch Linkara’s review of it. However, I’m not blind to the views of those who would implement this strategy to get more people reading.
On top of all of that, though, there is one thing people have to consider. And I know that there are people who have forgotten this, but…there ARE some heroes who kinda got screwed over LONG before the New 52 happened, and who have since gotten a new lease on life as a result. Want an example? Okay, VIBE. Vibe was considered the worst member of the Justice League EVER. His name was practically a punch line, and he likely either would’ve remained that way or completely faded from everyone’s memory, were it not for the reboot giving Geoff Johns a chance to do something new with him. And after seeing how he worked in the New 52, I gotta say, I really like Vibe. I would gladly have him on my Justice League team. I hope he comes back again. And, likely as a result of his being brought back in the New 52, the character was also adapted into The Flash’s TV show, which has another new interpretation of him that I really like. So, yes, the reboot had potential when it came to characters like him. Also, while I’m not necessarily a fan of how Donna Troy was brought back in the New 52, I will say that I’m glad it finally gave her a definitive origin that didn’t require a road map to understand…I think, anyway. Not sure exactly how her origin works in terms of how she could’ve been a member of the Titans, but whatever. Something I’ll get into another time.
Finally, though, we have to be honest: The New 52 had good books, many of which I listed before. Also, some of the books which were of actual good quality would not or could not have worked in the old continuity. Not without their own share of heavy changes, anyway. And some of these books were so good that, when the word got out about them, they brought in new readers. You know how I know that? BECAUSE I WAS ONE OF THEM! Yeah, I was one of those people who was on the fence about actually buying comics. Sure, I was a fan of many of the characters long before that, but that was mostly via their TV shows, movies, video games, stuff I learned through Atop The Fourth Wall, and just word of mouth. But when the reboot came, I saw it as an opportunity to get into comics, starting with Scott Snyder’s Batman, and I’ve been buying comics ever since. And a few characters DID eventually get put over as new stars. Harley Quinn is one of the top characters in DC right now, and has been outed as bisexual in her own book, meaning she is one of the most high-profile LGBT characters in comics. Speaking of, Batwoman got her own monthly title. Granted, she was already the star of Detective Comics for a while, but here, she had her own self-titled story. So, yes, we have to accept the fact that, in some ways, THE NEW 52 DID SEE SUCCESS… … … … …Now for the half-to-three-quarters empty.
How Did It Drop The Ball?: Well, before I get to that, I wanna show you something. Before writing this article, I went out on Twitter and asked a few people, if they could sum up exactly what went wrong with the New 52 in about 10 words or so, what those words would be. Let’s see what they had to say, shall we?
To be fair, though, one person I asked also had THIS to say…
…And yeah, that’s a legit concern to have, one that I’ll address when I get to DC Rebirth. Regardless, I can’t help but agree with the other responses, too. So, let’s start with the obvious one: What the loss of the past continuity cost us. Well, for starters, at the beginning of the New 52 (so the first 52 books printed), there was no Wally West, Donna Troy, Stephanie Brown, Cassandra Cain, the VAST majority of the JSA, Aqualad (either of them), and several other legacy heroes. Dick Grayson was back to being Nightwing. Bart Allen was the only Kid Flash. Cassandra Sandsmark was the only Wonder Girl. Barbara Gordon was the only Batgirl, was only in a wheelchair for a couple of years (give or take), and was suggested to have never been Oracle. There was no Young Justice team. The Outsiders were forced underground and were ultimately forgotten for a time. Cyborg was never a Teen Titan, instead taking Martian Manhunter’s place as a founding member of the Justice League. Martian Manhunter was more or less made into a hero everyone had trust issues with and would freely mindwipe others at a whim. Aquaman and Mera weren’t married, although no one apparently thought to tell Geoff Johns that while he was writing. Also, the Teen Titans never existed before Tim Drake’s new team, but again, apparently no one told Scott Lobdell. Roy Harper never had Lian, nor did he ever become Red Arrow, and instead became an anti-hero working with Jason Todd. Batman never revealed his identity to Catwoman, and instead the two were just having sex on rooftops. No one knew where the frak Renée Montoya was. But probably the most damning of all, Clark Kent and Lois Lane were never married, nor in a relationship.
But even beyond stuff that no longer happened due to the loss of past continuity, there were other retcons passed around throughout the New 52 that either didn’t make sense, came outta nowhere, or just served to piss people off. I’ve already gone over stuff like what happened to Wonder Woman, Starfire, and Martian Manhunter, but it didn’t end there. The Phantom Stranger was made to be Judas Iscariot. The Question was… … …I have no idea what the hell the Question was supposed to be, honestly. Tim Drake didn’t find out Batman’s identity and become Robin out of a need to help him, but instead failed to figure out who he was and instead forced his hand by messing with Penguin and almost getting his parents killed. Supergirl’s dad became the New 52 Cyborg Superman, which apparently is still canon in Rebirth for some reason. Billy Batson was turned into a little asshole who never shuts his gob. Roy Harper got a STUPID trucker hat that he refused to take off for some reason. Jason Todd’s back-story was changed to where Joker apparently set up his life to turn out exactly as it did to where he was killed and brought back. Mr. Freeze was never married to Nora, but instead was obsessed with her because of stuff relating to the cold and his mother that just makes my skin crawl. Overall, though, most of these changes and several others served for a single purpose: To make the DC Universe darker, and the stories were more often than not reflective of this, oftentimes filled with lots of sex and violence.
More than all of that, though, where I think the New 52 fails most in terms of stories is just on a sheer conceptual level. You’ll recall that I said the reboot was meant to put everything back to a clean slate. Here’s the problem: Some events in the past continuity did still happen. Several moments in DC’s history were condensed down into a much smaller time frame that made less sense the more one thought about it. Supposedly, events like Hal Jordan becoming Parallax, Blackest Night, and Batman being sent through time and believed dead still happened, but several key people involved weren’t, and the exact details of how it happened were changed. All the male Robins still exist (though Tim Drake was apparently never Robin and instead was always Red Robin), all within the span of 5 (later changed to approximately 10) years. Barbara Gordon was still shot by the Joker. Kyle Rayner’s girlfriend was still murdered and stuffed into a fridge (which, of all things to wipe away, why did THAT have to remain canon?! o.O). And, on top of all of this, some things happened, others didn’t, and not only was DC quiet about what did and didn’t happen, but they failed to give memos to the people WRITING THE STORIES about what was and wasn’t in canon. Like I said before, guys like Geoff Johns and Scott Lobdell, who were given high-profile books, weren’t informed of certain details. The first issues of Red Hood And The Outlaws and Teen Titans clearly made reference to past Titans teams, only to later learn that, supposedly, there were no previous Titans. I honestly have NO idea if Superman being killed by Doomsday is still canon or not. Heroes like Plastic Man and Miss Martian were referenced in the first issues of Justice League International and Teen Titans, only for it to be retconned that they never existed. George Pérez had to quit after six issues of Superman after repeated failures of being informed of details about Superman’s new status quo in this new universe. And I’m sure there are other instances of stuff like this that I’m not thinking of.
If you haven’t put it together by now, a major problem with the New 52 was mismanagement, and it wasn’t just a problem with the stories, either. Ask any of the talent that have left DC within the past five years, and you’ll probably get a similar story of broken promises and last-minute changes. Many left their stories unfinished as a result. In particular, Andy Diggle left the company before the first issue of his run on Action Comics ever even hit the stands. I think probably the one that still gets me is the controversy involving Batwoman, and I’ve gone over this before, but here’s as quick a summary of what happened as I can do. In September of 2013, J. H. Williams III and W. Haden Blackman went public with the fact that they were leaving Batwoman, starting with issue 26. Why? Well, because of last-minute changes to stuff they had planned, specifically that they were told that Batwoman and Maggie Sawyer, who had just recently gotten engaged in the book, would never be allowed to get married. According to Dan DiDio, superheroes shouldn’t be married because being happy would undermine their angst and turmoil, and would compromise their commitment to being superheroes. Now, apparently, DiDio claims this is only to do specifically with the Bat-related characters, but if you’ll recall, neither Superman nor Aquaman were married, either. In fact, the only superhero seemingly still with a family was Animal Man. So while DiDio says it was only a Bat Family thing, I think it’s more likely that he doesn’t like the idea of superheroes being married, for one reason or another. This is evidenced further by notes of his going back as far as Infinite Crisis, where it’s clear he wanted to break up Clark Kent and Lois Lane for YEARS. But hey, I’m not in charge of DC Comics. I don’t have any say in what goes on. So maybe Dan DiDio DOES know better than me. But, if that’s the case, can I ask a simple question? And it’s one I’ve asked for years now and never gotten a good answer for: If Batwoman getting married was such a problem, then why was it ever given the green light to begin with? Why were they ever allowed to get engaged? You could’ve avoided all of this and the controversy that followed if you’d simply suggested against this move to begin with in a calm and rational tone, and instead worked out something different with Williams and Blackman.
Speaking of the controversy involving Batwoman, that leads me to another issue: The women of DC. And that’s not just the characters. That said, here’s a list of just SOME of the examples of violence and fridging towards women in the New 52 (though PLEASE be aware that these are horribly graphic in many cases, so read at your own discretion): Link. Beyond that, though, there was an overall lack of female creators working for DC at the beginning. I think the official figures were that the female creators at DC had dropped from 12% to 1%. And we’ve got more now, but it’s still a rather small number. And probably the most high-profile among those at the beginning was Gail Simone. Only, guess what? There’s controversy there, too, not only because Secret Six, a best seller at DC before the reboot, was cancelled, not only because the book she’d be working on, Batgirl, had Barbara Gordon taken out of the wheelchair and claimed to have never been Oracle, a move that ticked off a LOT of people, but because she was, in December of 2012, fired from Batgirl via e-mail (which was later suggested to be inaccurate or untrue, but who knows at this point), despite the fact that she’d made the book work and be a top-seller in the face of everything working against it. Granted, she was hired back 12 days later, but I honestly feel that’s only because her firing got SO public that DC was basically becoming a lightning rod of hate. But again, guess what? She eventually left the book AGAIN, and then went on to write a rebooted Secret Six, which is, again, getting cancelled. Maybe it’ll be back in Rebirth someday down the road, I don’t know, we’ll just have to wait and see.
And lastly, I was GOING to include a list of my 5 Least Favourite Books of the New 52. However, I’ve decided not to because, at this point, you should probably have a good idea as to which books I didn’t like and which ones outright pissed me off. Maybe I’ll go back and do it later if I REALLY feel the need to, but for now, here’s just a quick rundown of the books I didn’t like, hated, or just had problems with.
Batman The Dark Knight: A horrible and nonsensical opening arc, and then later, the AWFUL killing of Batman’s love interest at the time. Even excluding those, though, it just wasn’t good.
Action Comics/Superman: The character was just not as likable or inspiring as he could be, even with the reboot, and later became crossover event after crossover event.
The Fury of Firestorm: Sorry, Gail, but every great writer’s gotta have at least one bomb, and this was just terrible.
Detective Comics: The book started off with Joker getting his face cut off just to set the stage for a story written one year later in another book…Do I even need to SAY anything else after that? Even when it was good, it always felt like it was just the other Batman book.
Teen Titans: Even if Scott WASN’T a sub-par writer, the lack of communication with editorial over what was and wasn’t canon ruined it in the beginning. The second volume started off promising, but later delved into being just bad. Overall, both volumes have kinda ruined Tim Drake as a credible leader. Still, I really like Bunker and hope he returns in Rebirth.
Wonder Woman: Massive retcons to Wonder Woman’s origins and the Amazons, and was later given to the Finches, who frankly just do not get the character.
Justice League of America: Existed solely as lead-in to Trinity War, and was later scrapped and reworked into the superior Justice League United. There’s also a JLA book going on right now that involves the seven main members of the Justice League going up against Rao, but I haven’t been following, and apparently, the book has been outright plagued with delays and cancellations.
The Movement: …I DID mention that I really like Gail Simone, right? 😀 …Okay, to be fair, I actually really liked the characters, but the overall story structure seemed problematic. Maybe it was just me, though. I’d actually be fine with this title coming back someday, or maybe the characters making comebacks, especially Vengeance Moth and Virtue.
Superman/Wonder Woman: Would’ve been fine if it was just about the two teaming up to fight bad guys, except it was far more about the two’s relationship that many were sick of already, and later existed solely to further the crossover events involving the other Superman-related books.
Birds of Prey: Started off okay, and had a new fan favourite bisexual character in Starling and put Poison Ivy on her more heroically inclined path, but it quickly fell completely apart, particularly when both aforementioned characters had heel turns and left the group.
Nightwing: While I personally enjoyed the book, it had a problem that a lot of other books frequently involved in crossover events had, in that there was rarely if ever a status quo to become invested in.
Red Hood And The Outlaws: The only reason I can fathom as to why this book is being brought back for Rebirth is as a means to keep Scott Lobdell away from anything else. That said, at least it won’t involve Starfire and Roy Harper anymore, who are returning to the Titans books.
Earth 2/World’s End/Earth 2 Society: Earth 2 started off promising, but then Dan Wilson took over, and the ship was pretty much sunk in every conceivable way. Dan Abnett’s actually trying REALLY hard to make Earth 2 Society good, and you can tell he’s a good writer, but I just don’t know how or if you can save this outside of another reboot, and that’s what got us into this mess.
Harley Quinn: If this was a book that was just about Harley, that’d be one thing, but they include Poison Ivy and just do strange and stupid things with her at times (though they DID at least make it canon that these two are bisexual), and did an amnesia arc with Power Girl where the latter was utterly humiliated and degraded in more ways than one.
Futures End: Brought Terry McGinnis into the mainstream continuity just to kill him off and replace him with an alternate future version of Tim Drake. Also, was FULL of body horror, dark twists, and ultimately proved to be pointless as the future presented never happened. Still, it DID have some good tie-ins, like the Batgirl one that I’ve brought up before.
Martian Manhunter: If anyone can tell me just what in the hell happened in this book without giving me a headache, that would be much appreciated. lol
Catwoman: I don’t even. I just don’t even. The first issue has her having sex with Batman for no reason, and has gone through multiple writers and arcs, none of which seemed to be written all that well.
Black Canary: I wouldn’t call this BAD, it’s just weird seeing Dinah in a band. But, let’s be fair, that could just be a problem with me.
There’s almost certainly more I’m either not thinking of or didn’t read, but that’s enough for now. Honestly, at this point, I’m sick of ranting about the New 52. And really, this is why I decided to do this article: Just to get this all out one last time so I can move on. Because, if you’ll look back on my blog and read my DC-related articles, it’s clear that I need to move on. I can’t live in the past, especially THIS past. I need to look to the future, and while DC Rebirth has a few things I could pick out as problematic, I will say that it still looks like a VAST improvement over the New 52. In the end, all the New 52 was was just a poorly managed era of comics history, one that even those behind it have figured out was a failure, and one that I am more than happy to leave behind for brighter horizons.
So, that’s pretty much the New 52 in a nutshell. Got any stories about this era of comics or details I might’ve left out? Lemme know in the comments below, and come back later this month when I finally take a look at DC Universe Rebirth #1, and my overall thoughts on the new era going forward. Ja né!
Well, the New 52 is just about at its end, with DC Rebirth coming up next week and the last of the New 52 books ending over the course of the next few months. And while the New 52 has become something of a punchline for many fans, let’s not forget the good times that came with it. Let’s be honest with ourselves and admit that there WERE good books, as well as the bad. So, with that in mind, I’ve decided that, before I seriously rag on the New 52 one last time, I should really take a look at some of my favourite comics from this era. Now, keep in mind, these are JUST the ones that I read. I’m well aware of the fact that there were other good comics that came out during the past five years under the DC banner that won’t be on this list. As such, if your favourites aren’t on the list, by all means, feel free to place your own in the comments. Also, keep in mind that there are books that, while good, just weren’t the overall greats of this list. So, books like Justice League, while having arcs I liked, also had a bunch of arcs I DIDN’T like, so they just missed the cut…though I DO have a bonus round for them. lol And, of course, books that are not a part of the main line, like Sensation Comics feat. Wonder Woman don’t count. Why we couldn’t have more books like it and Legends of Wonder Woman in the main line, I dunno, but for now, let’s start with one that’s probably kinda obvious to anyone who’s read my blog for a while…
Yeah, not shocking anyone with this pick, I’m sure. Most definitely my favourite of the books starring the New 52 Superman, and it’s one of the reasons I’m actually sad to learn that he’s dying. Yes, he is arguably the most inherently flawed of the mainstream Supermen, but when you have a good writer with a good story writing him, those flaws are used in good ways. We see how this Superman is still an inspirational figure in spite of these flaws by never giving up and continuously trying to do the best he can for the world. So yeah, while I’m obviously overjoyed to see the pre-Flashpoint Superman return to active duty, along with his wife and son, there will always be a little part of me that gets nostalgic for the Superman who didn’t always get it right, but nonetheless kept trying his best, for truth and justice.
I actually feel bad because I initially was unwilling to give this book a try. Why? Because they’d seemingly undone Babs’ past as Oracle as a means to make her Batgirl again, thus taking the position away from Stephanie Brown, who was nowhere to be seen for a long time. But while all that is true, I can’t deny that this book has had some great moments. Granted, I HATED the Batgirl Wanted arc, and Black Canary’s characterization in the beginning of the Stewart/Fletcher era rubbed me the wrong way, but the rest of it has been highly enjoyable. Some of my favourite moments are probably Alysia’s wedding, the end of the Simone era when Babs called in damned near EVERY superheroine on Earth, ALL of her annuals, the tie-in to Future’s End, that time she and Strix took on vampires, it’s just been a hell of a ride, and I hope that the next volume is just as fun.
For those that never read this book, I’ll keep the recap brief: Shortly after the collapse of the government sanctioned JLA, which was secretly meant as a fail-safe against the Justice League, three of its members, Stargirl, Martian Manhunter, and Green Arrow, found themselves teaming with Supergirl, Adam and Alanna Strange, Animal Man, and newcomer Equinox, to form a new Justice League: the Justice League United, set up in Canada, and meant to protect the world from extraterrestrial and paranormal threats. Of course, right off the bat, I was excited, since…well, do you know how long I waited for my country to get their own Justice League? Was awesome. But beyond that, getting to see some of the character interactions without the dread present in the JLA book that came before it was great too (Green Arrow and Animal Man playing off each other made for some decent comedy), and there was a lot of more traditional superheroing. In the later stages of the book’s existence, the team began rotating members in and out in order to deal with different situations, regardless of which side of the law they were on. Anyone from Batgirl to Poison Ivy, Swamp Thing to Vandal Savage, and so on could be brought in depending on what the situation called for. Unfortunately, this didn’t last long before the book’s cancellation, but the JLU has since appeared during the Truth story-arc in the Superman books, giving me hope that they’ll one day return to action.
I should probably note that, when I say Convergence is a favourite of mine, I’m not talking about the main series. This is primarily because…well, I didn’t read it, and from what I’ve read, there’s not really much of anything that good, other than the restoration of the Multiverse. Oh, there’s some stuff involving the New 52 version of Earth 2, but unfortunately, that’s been a SERIOUSLY mixed bag. You wanna know more about that, go check out the blog Helena Wayne Huntress for more details. But no, what I’m referring to as one of my favourites of the New 52 is all the tie-in stuff. Granted, that could be seen as cheating for one simple reason: IT HAS NOTHING TO DO WITH THE NEW 52. The Convergence tie-ins are about giving resolution to stories that happened before the New 52, letting the heroes of ages past get one last hurrah, and even setting up for maybe a few of them to return later on. And they’re all awesome! Nightwing and Oracle get married and kick ass (not necessarily in that order, lol), Lian is brought back to life, Stephanie Brown suits up as Batgirl again, Lois and Clark have a child, the JSA return, it’s all amazing! Hell, even Scott freaking Lobdell turns in a good Blue Beetle book! I didn’t even think it was possible for him to put out anything of quality, but I guess mathematically speaking, it had to happen EVENTUALLY.
…Yyyeeeaaaahh, suppose this isn’t much of a surprise to anyone. lol While I wasn’t a fan of the story where Jim Gordon was Batman, and I found Joker to be WAY over the top in terms of unstoppable villainy is concerned, it’s really hard to not consider this book one the best of the past five years. Snyder and Capullo have simply been on fire for this era, and it’s sad to know that, at least for a while, that team of theirs is over. Although as hard as it is for me and other readers, I gotta imagine it’s even harder for them. But yeah, you guys should all know all of my favourite moments from this book, and if you don’t, I made a list of them just before the Superheavy story-arc. Point is, if you’re a Batman fan and you’ve been avoiding this book for the New 52 branding, don’t. It’s at least worth your time to check out.
So those are my favourite books of the New 52 in terms of overall quality. And now, the bonus round for all the arcs of books that I liked.
I’ve said it before and I’ll say it again: Huntress and Power Girl fighting a giant Irradiated Man in a Japanese harbour! All it needed was for Godzilla and Dragonzord to show up to make it the most beautiful thing I’d ever seen! XD
…Not to self: Review Darkseid War once the entire storyline is finished. It is easily my favourite story of the New 52 Justice League. Also, I thought Origin worked as an introduction to this new timeline, and the Amazo Virus was pretty awesome, too, and marked the point in which Geoff Johns finally found his groove with writing Wonder Woman’s character.
Cross World was great, and presented one of my all-time favourite images of Wonder Woman, and the stuff with Mongol and Toymaster is admittedly dumb fun that resolved in an awesome team-up involving Supergirl, Batgirl, Steel, Red Hood, and Krypto.
Y’know, DC, right after the engagement, I was totally gonna stick with this book. Then you called it off, the creative team left as a result, and then you did the stupid vampire thing. Just saying, you had a great thing gift-wrapped for you. I sincerely hope, though, that since Rebirth is apparently nixing the whole heroes-can’t-be-married thing, with the old Superman who is married to Lois Lane being back and Aquaman and Mera being engaged, that Batwoman finally is allowed to get married in Detective Comics.
Ultimately proved to be hit and miss, but I liked it for the most part. Could’ve done without Casey being damned near torn apart, but watching her make her badass comeback with a cybernetic arm-cannon was awesome. I mean, yeah, it’s another case of extreme violence against women in a comic, but it’s hard not to watch her in the hospital bed right after losing her arm and eye and not grin ear-to-ear when she’s still being like “Aw, fuck it, just put a giant arm-cannon on me, and I’ll fuck these guys up! And Calvin, you better make sure you haven’t completely screwed things up by the time I show up, or your ass is grass!” XD
I unfortunately can’t really justify putting Nightwing on the top 5, but that’s less to do with the quality of the stories told in it and more to do with the constantly changing status quo that was really only a thing strictly because of stuff happening in the other Bat Family books before ending due to events in Forever Evil. Oh, and as a side-note, SO glad to see that Nightwing is in blue again, but not sure where this is going with him as a member of the Court (or Parliament, I guess) of Owls.
I can’t say enough how much I adored the team-up with Power Girl. Was just great.
I feel like I MIGHT’VE put this on the list if I’d read through the entire thing and it didn’t delve into the cheesecake quite as much as it did, soooo…Eh, call it sixth, I guess. lol
Again, DC, you had me right up until Evil Superman working for Darkseid, and Thomas Wayne as Batman. Then you completely lost me. And THEN you pissed me off with World’s End and the first arc of Earth 2: Society. Seriously, like I said before, go read Helena Wayne Huntress’ blog for more details, but suffice to say, it’s been a MESS, one that I hope gets cleaned up soon. I DO recommend the Tower of Fate arc, though.
Problematic for me personally at times, but still enjoying it, and glad it’s here. 🙂
And that’s all my favourite stuff of the New 52. Like I said before, if you’ve got a book that you really liked from this era that wasn’t on here, by all means, leave your own list in the comments, and be sure to check back in the future when I go over the worst of this era. Ja né!
So, I’ve been thinking lately about ways DC could keep things interesting in their comics. More often than not, their ideas include reboots or big epic crossover events or stuff like that. And not to say that plan doesn’t work, but I don’t really think it’s necessary all the time. Instead, I had another idea on how to shake things up: Rotate villain rosters a little. Add variety to the different antagonists that show up in the books. Give us some new dream matches of heroes vs villains we either haven’t seen before or don’t see often.
For example, let’s say that some of the villains in Gotham City actually wised up and realized “Hey, this city sucks and Batman is always kicking our asses! Let’s leave this shit-hole!” Like, what if Poison Ivy decided to find her own home away from everyone to continue her research and whatnot, only to accidentally end up on Themyscira and become a recurring character in the Wonder Woman books? Or if Penguin realized he had an opportunity to become the kingpin of crime in Star City and thus became a villain in the Green Arrow books? Or Bane could go to Detroit to test the power of muscle (with illegal strength enhancement, lol) against metal by fighting Cyborg in his book? And none of these would HAVE to be permanent, so those worried that Batman would lose some of his precious and continuously expanding villains roster wouldn’t need to panic.
But hey, Batman’s not the only hero with villains to go around. And maybe everyone could just kinda swap one or two with another. Maybe Parasite could go try to absorb Flash’s connection to the Speed Force or Shazam’s incredible strength. Perhaps the Injustice Gang could try their luck at their enemies’ teenage counterparts, the Titans? Conversely, what if the Justice League had to engage in a battle of wits and strategy against arguably the devil himself, Trigon, to keep him from rising? What if Nightwing was forced into a situation where he’d have to occupy space with the man who killed him, Lex Luthor? Or hell, why not have Deathstroke, a guy with a healing factor, fight Cyborg, an old enemy from pre-Flashpoint and a guy whose body was saved by technology?
Lastly, there’re a few villains that haven’t appeared in a really long time that could be brought back under the right circumstances to fight new heroes. What if Composite Superman returned to fight the Super Sons, Jon and Damian? Perhaps Roxy Rocket could decide to try her luck at becoming a Green Lantern and become a rogue for Jessica Cruz? Or hey, Wally West is back now; how about bringing back Inertia as a rival for him?
Anyway, that’s all I got for now. If you think of any other good ones, lemme know in the comments. Ja né!
What Did The Dream Sequence In Dawn Of Justice Mean? (NOTE – SPOILERS AND SPECULATION AHEAD) + Thoughts On Post-Rebirth Costumes
Before you ask, no, I haven’t seen the full movie of Batman v Superman. I do not intend to go see it, at least not in theaters. Now, if I see it on Netflix in a few months, I might very well decide to check it out. But, for now, I’m not going to go see it. That said, I DO know all the details of what happened in the movie, and given the overall tone of it that’s been relayed, I can safely say I was right to skip it. That said, I WILL admit to liking what I’ve seen and heard of Wonder Woman in the movie, and am actually a little interested to see how her own movie turns out. In fact, most people I’ve talked to about the movie claim that she’s the best part of it, although that could simply be because she doesn’t have top billing, and therefore Zack Snyder was less focused on draining the joy and fun from her character along with Superman and Batman…but that’s a story for another day.
Instead, there’s something else I wanna speculate about from the movie: The dream sequence. Even if you’ve only seen the trailers, you probably know what I’m talking about. Basically, Batman has a dream of a dystopian future where the world’s gone to hell and Superman is evil. Now, when images relating to the scene came out, particularly one revealing a giant omega symbol in the ground and Parademons flying about, what I figured was going on was that Batman was getting visions of a future where Darkseid had invaded and taken over, but that his mind was getting the message mixed up, his paranoia instead painting Superman as the alien menace that will unleash this terror. However, it’s instead revealed in the movie that Batman is getting these visions from a time travelling Flash, who tells him that he was “right about him” and that “Lois is the key”, which indicates that Superman really WILL turn evil at some point…which might confuse some due to the ending, but trust me, it shouldn’t, at least if you know anything about Superman’s comic book history.
So, what does it all mean? Well, remember this is all purely speculation on my part, based on my own theories, as well as those proposed by others who have seen the movie. Basically, they’re doing an odd hybrid of Injustice: Gods Among Us and Earth 2. What that means is that, at some point in the future, Lois Lane dies and it drives Superman to turn evil, but instead of being the evil dictator he is in Injustice, he’s instead an instrument of destruction under the control of Darkseid, albeit with his own lackey soldiers working for him. Clark’s continued remarks about how Lois is his world during DoJ seem to reinforce this theory. If I’m right, then what’ll happen is that Batman will realize that he needs to keep Lois from getting killed at some point in order to prevent Superman’s heel turn.
So yeah, that’s where I think this is going. Now, is this a good idea or not? Honestly, I’m a little sick of stories where Superman turns heel, but what about all of you? Lemme know what you think about this and the movie in general in the comments below, and we’ll see if I’m right in where this goes. Ja né!